[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Poetics](https://indike.org/pramana/in.art.alamkara) › [Treatises on rasa, the erotic sentiment and heroines](https://indike.org/pramana/in.art.alamkara.rasa) › [Shringaraprakasha](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa) › 5.p2.7 # Shringaraprakasha 5.p2.7 Śṛṅgāraprakāśa 5.p2.7 - **Language:** Sanskrit ### [5.p2.7](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2.7) niyogo yathā--- rūpaṃ tadojasvi tadevavīryaṃ tadeva naiyargikamunnatatvam | na kāraṇātsvādvibhide kumāraḥ pravartito dīpa iva pradīpāt || vinigraho yathā--- tvamahanīva nibarhaya māninīḥ virahiṇaḥ ku ...... ti | iti niveśayati sma kalāpanā manugiraṃ nu giraṃ jaladāgamaḥ || niṣedho yathā--- na prasādamucitaṃ gamitā dyauḥ noddhṛtaṃ timiramadrivarebhyaḥ | diṅmukheṣu na ca dhāma vikīrṇaṃ bhūṣitā ca rajanī himabhāsā || 2.23. yadyutpattau sahakārilābhaḥ tadā sahārthastridhā, abhidhīyamānaḥ, pratīyamāno vyavadhīyamānaśca | teṣvabhidhīyamāno dvidhā, sahena paryāyeṇa ca | tayorādyo yathā-- anena yūnā saha pārthiveva rambhoru kañcinmanaso ruciste | śiprātaraṅgānilakampitāsu vihartumudyānaparamparāsu || dvitīye yathā-- anena sārdhaṃ vihārāmburaśestīreṣu tālīvanamarmareṣu | dvīpāntārānītalavaṅgapuśpairapakṛtasvedalavā marudbhiḥ || pratīyamāno'pi dvidhā, vibhaktito nipātāca | tayorādyo yathā-- sa paurakāryāṇi vicintya kāle reme videhādhiraterduhitrā | upasthitaṃ cāru vapustadīyaṃ kṛtvopabhegotsukayeva lakṣmyā || dvitīye yathā-- tamanvagacchatpramo vidhātā śrītvasalakṣmā puruṣaśca sākṣāt | jayeti vācā mahimānamasya saṃvardhayantau haviṣeva vahnim || 5.14. vyadhīyamāno'pi dvidhā, vīpsayā bhāgena ca, ’sahakṛtā eva hi kriyāguṇadravyaiḥ prayoktrā yugapadvyāptumiṣyante, sahakṛtā eva ca vibhjayante | arthaśabdastu nivṛttivacano'pi vidyeta, yathā maśakārtho dhūma iti | ’ tatra vīpsayā yathā-- sugandhiniśvāsavivṛddhatṛṣṇaṃ bimbādharāsannacaraṃ ddhirepham | > Injunction is, for example: / That very radiant beauty, that very valor, that very natural loftiness— / the prince did not differ from his cause, like a flame brought forth from a lamp. // Restriction is, for example: / "Smite the haughty women in the daytime; \[in the night?\] those separated from their lovers..." / In this way the arrival of the clouds, as it were, infused its voice into the voice of the peacocks on every mountain. // Prohibition is, for example: / The sky was not brought to its proper clarity; the darkness was not dispelled from the great mountains; / and light was not scattered upon the directions; yet the night was adorned by the cool-rayed moon. // 5.23. If there is the obtaining of an accessory cause at the time of arising, then the sense of accompaniment is threefold: denoted, implied, and intervened. Among these, denoted is of two kinds: by the word 'saha' and by its synonym. The first of the two is, for example: / O slender-thighed woman, does your mind take delight in sporting together with this royal youth / in the succession of gardens shaken by the breeze from the waves of the Śiprā? // The second is, for example: / Together with him, on the shores of the ocean where palm groves rustle, / with the drops of sweat removed by the winds bearing clove blossoms brought from distant islands... // Implied is also of two kinds: from a grammatical case ending, and from a particle. The first of the two is, for example: / Having attended to the affairs of the citizens in due time, he made love with the daughter of the king of Videha, / having made her lovely body present, as if with Lakṣmī herself eager for enjoyment. // The second is, for example: / The Creator supreme and the Person visibly manifest with the mark of Śrī followed him, / increasing his greatness with the word "Victory!", like two \[priests\] increasing fire with an oblation. // 5.14. Intervened is also of two kinds: by pervasion and by apportionment. 'For things accompanied by actions, qualities, and substances are intended by a speaker to be pervaded simultaneously, and only accompanied things are apportioned. The word 'artha', however, may also denote cessation, as in: "smoke serves the purpose of \[averting\] gnats".' Among these, by pervasion is, for example: / The bee, whose thirst was increased by her fragrant breath, wandering near her bimba-red lip, / she warded off at every moment with a lotus grasped in a hand, her glance wavering in agitation. > — English (machine translation) (machine translation) - [Previous: 5.p2.6](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2.6) - [Next: 5.p2.8](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2.8) - [Up: 5.p2](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa~en-mt.5.p2.7) — English, machine translation ## Linked texts (1) - [Kirātārjunīya](https://indike.org/pramana/in.lit.kavya.mahakavya.bharata.kiratarjuniya.9.25) — Bhāravi, Sanskrit --- Source: [https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2.7](https://indike.org/pramana/in.art.alamkara.rasa.srngaraprakasa.5.p2.7) · Pramāṇa