Kavyalankarasarasamgraha 7.33

7.33

ata eva cātra kavisaṃbandhino bhāvasya śrotṛbhāvābhedādhyavasitasya puraḥ--sphuradrūpasya vidyamānatvādbhāvikavyapadeśaḥ bhāvo 'smin vidyate iti bhāvikam /
tadāhuḥ---"rasollāsī kaverātmā svacche śabdārthadarpaṇo /
mādhuryaujoyutaprauḍhe prativindya prakāśate /
saṃpītasvacchaśabdārthadrāvitābhyantarastataḥ /
śrotā tatsāmyataḥ puṣṭiṃ caturvarge parāṃ vrajet"iti /
svaccha iti prasādaguṇo 'bhihitaḥ /
prauḍha caturvarge parāṃ vrajet"iti /
svaccha iti prasādaguṇo 'bhihitaḥ /
prauḍha iti tu sālaṅkāratā /
saṃpītau samyagāsvāditau /
tatsāmyata iti svabhiprāyābhedena kavigatasyābhiprāyasyādhyavasānādityarthaḥ /
tasyodāharaṇam----

For this very reason, since the intention belonging to the poet—ascertained as non-different from the listener's intention—is present here in a form flashing directly before [the mind], there is the designation "the vision-evoking ornament" (bhāvika): [that in which] an emotion (bhāva) exists, hence bhāvika. / As they say: "The poet's self, radiant with aesthetic relish, is reflected and shines forth in the clear mirror of word and sense / that is mature and endowed with sweetness and vigor. / Thereupon, his inner being melted by having thoroughly drunk the clear word and sense, / the listener, through likeness with it, attains the highest nourishment in the four human goals." / By "clear," the quality of perspicuity is meant. / By "mature," having ornaments [is meant]. / "Thoroughly drunk" means properly savored. / "Through likeness with it" means because of the ascertainment of the intention residing in the poet as non-different from one's own intention: this is the meaning. / Its example: