[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.10 # Dasharupaka 1.10 Daśarūpaka 1.10 - **Language:** Sanskrit ### [1.10](https://indike.org/pramana/in.art.natya.dasarupaka.1.10) madhuroddhatabhedena tad dvayaṃ dvividhaṃ punaḥ / lāsyatāṇḍavarūpeṇa nāṭakādyupakārakam // > ‘Each of these two is again twofold, through the division into gentle and vehement; and they are auxiliary to the Nāṭaka and the other \[varieties of drama\] because of the exhibition of the gentle dance (lāsya) and the wild dance (tāṇḍava).’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.9](https://indike.org/pramana/in.art.natya.dasarupaka.1.9) - [Next: 1.11](https://indike.org/pramana/in.art.natya.dasarupaka.1.11) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.15.1) — George C. O. Haas 1912, English ## Linked texts (3) - [Pratāparudrīya (Pratāparudrayaśobhūṣaṇa)](https://indike.org/pramana/in.art.alamkara.yasobhusana.prataparudriya.82_437) — Vidyānātha, Sanskrit - [Śivatattvaratnākara](https://indike.org/pramana/in.niti.dharma.rajadharma.sivatattvaratnakara.87.5) — Basappa Nāyaka 1684, Sanskrit - [Śivattvaratnākara](https://indike.org/pramana/in.med.pasu.sivattvaratnakara.87.5) — Basava, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.10](https://indike.org/pramana/in.art.natya.dasarupaka.1.10) · Pramāṇa