[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.11 # Dasharupaka 1.11 Daśarūpaka 1.11 - **Language:** Sanskrit ### [1.11](https://indike.org/pramana/in.art.natya.dasarupaka.1.11) vastu netā rasasteṣāṃ bhedako vastu ca dvidhā / tatrādhikārikaṃ mukhyamaṅgaṃ prāsaṅgikaṃ viduḥ // > ‘Dramas are classified according to Subject-matter, Hero, and Sentiment.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘The Subject-matter (vastu) is twofold.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘The main \[theme\] is known as the Principal Subject (ādhikārika), the subordinate as the Incidental Subject (prāsaṅgika).’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.10](https://indike.org/pramana/in.art.natya.dasarupaka.1.10) - [Next: 1.12](https://indike.org/pramana/in.art.natya.dasarupaka.1.12) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.16.1) — George C. O. Haas 1912, English --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.11](https://indike.org/pramana/in.art.natya.dasarupaka.1.11) · Pramāṇa