[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.15 # Dasharupaka 1.15 Daśarūpaka 1.15 - **Language:** Sanskrit ### [1.15](https://indike.org/pramana/in.art.natya.dasarupaka.1.15) prakhyātotpādyamiśratvabhedāt tredhāpi tat tridhā / prakhyātamitihāsāderutpādyaṃ kavikalpitam / miśraṃ ca saṅkarāt tābhyāṃ divyanartyādibhedataḥ // > ‘This \[subject-matter\] is also threefold, owing to a threefold classification into legendary, invented, and mixed subjects. The legendary \[variety of subject-matter is derived\] from legends of the past and the like; the invented is devised by the poet; the mixed \[arises\] from a combination of these two in accordance with a classification into gods, mortals, and the like.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.14](https://indike.org/pramana/in.art.natya.dasarupaka.1.14) - [Next: 1.16](https://indike.org/pramana/in.art.natya.dasarupaka.1.16) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.23.1) — George C. O. Haas 1912, English --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.15](https://indike.org/pramana/in.art.natya.dasarupaka.1.15) · Pramāṇa