[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.16 # Dasharupaka 1.16 Daśarūpaka 1.16 - **Language:** Sanskrit ### [1.16](https://indike.org/pramana/in.art.natya.dasarupaka.1.16) kāryaṃ trivargastat śuddhamekānekānubandhi ca / svalpoddiṣṭastu taddheturbījaṃ vistāryanekadhā / avāntarārthavicchede binduracchedakāraṇam // > ‘The Dénouement (kārya) \[of the action consists of one of\] the three objects of human existence (trivarga); it is either simple or connected with one or both \[of the other objects\].’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘The cause of this \[Dénouement\] is the Germ (bīja), \[at first\] manifested as very small, but expanding in manifold ways \[as the action proceeds\].’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘When the secondary matter \[of the drama\] is interrupted, the cause of its being resumed (acchedakāraṇa) is the Expansion (bindu).’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.15](https://indike.org/pramana/in.art.natya.dasarupaka.1.15) - [Next: 1.17](https://indike.org/pramana/in.art.natya.dasarupaka.1.17) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.24.1) — George C. O. Haas 1912, English ## Linked texts (1) - [Bhāvaprakāśana](https://indike.org/pramana/in.art.natya.bhavaprakasana.p1522) — Śāradātanaya, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.16](https://indike.org/pramana/in.art.natya.dasarupaka.1.16) · Pramāṇa