[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.18 # Dasharupaka 1.18 Daśarūpaka 1.18 - **Language:** Sanskrit ### [1.18](https://indike.org/pramana/in.art.natya.dasarupaka.1.18) avasthāḥ pañca kāryasya prārabdhasya phalārthibhiḥ / ārambhayatnaprāptyāśāniyatāptiphalāgamāḥ // > ‘There are five Stages of the action which is set on foot by those that strive after a result: Beginning (ārambha), Effort (yatna=prayatna), Prospect of Success (prāptyāśā), Certainty of Success (niyatāpti), and Attainment of the Result (phālagama=phalayoga).’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.17](https://indike.org/pramana/in.art.natya.dasarupaka.1.17) - [Next: 1.19](https://indike.org/pramana/in.art.natya.dasarupaka.1.19) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.28.1) — George C. O. Haas 1912, English ## Linked texts (3) - [Mandāramarandacampū](https://indike.org/pramana/in.art.alamkara.sahitya.mandaramarandacampu.3.70.3) — Kṛṣṇanātha 1600, Sanskrit - [Bhāvaprakāśana](https://indike.org/pramana/in.art.natya.bhavaprakasana.p1545) — Śāradātanaya, Sanskrit - [Mandāramaranda](https://indike.org/pramana/in.lit.campu.mandaramaranda.11.1.3) — Śrīkṛṣṇa, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.18](https://indike.org/pramana/in.art.natya.dasarupaka.1.18) · Pramāṇa