[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.19 # Dasharupaka 1.19 Daśarūpaka 1.19 - **Language:** Sanskrit ### [1.19](https://indike.org/pramana/in.art.natya.dasarupaka.1.19) autsukyamātramārambhaḥ phalalābhāya bhūyase / prayatnastu tadaprāptau vyāpāro'titvarānvitaḥ // > ‘Beginning (ārambha) is mere eagerness for the obtaining of the more important result.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘Effort (prayatna) is exertion attended with great haste, when this \[result\] has not been obtained.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.18](https://indike.org/pramana/in.art.natya.dasarupaka.1.18) - [Next: 1.20](https://indike.org/pramana/in.art.natya.dasarupaka.1.20) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.29.1) — George C. O. Haas 1912, English ## Linked texts (3) - [Mudrārākṣasa](https://indike.org/pramana/in.lit.plays.rajacarita.mudraraksasa.4.2_28) — Viśākhadatta, Sanskrit - [Śivatattvaratnākara](https://indike.org/pramana/in.niti.dharma.rajadharma.sivatattvaratnakara.87.12) — Basappa Nāyaka 1684, Sanskrit - [Śivattvaratnākara](https://indike.org/pramana/in.med.pasu.sivattvaratnakara.87.12) — Basava, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.19](https://indike.org/pramana/in.art.natya.dasarupaka.1.19) · Pramāṇa