[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.20 # Dasharupaka 1.20 Daśarūpaka 1.20 - **Language:** Sanskrit ### [1.20](https://indike.org/pramana/in.art.natya.dasarupaka.1.20) upāyāpāyaśaṅkābhyāṃ prāptyāśā prāptisambhavaḥ / apāyābhāvataḥ prāptirniyatāptiḥ suniścitā / samagraphalasampattiḥ phalayogo yathoditaḥ // > ‘Prospect of Success (prāptyāśā) is the possibility of succeeding, with means at hand, \[but also\] with fear of failure.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘Certainty of Success (niyatāpti) is the assurance of succeeding because of the absence of risk.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘Attainment of the Result (phalayogo) is the accomplishment of the entire result, as previously mentioned.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.19](https://indike.org/pramana/in.art.natya.dasarupaka.1.19) - [Next: 1.21](https://indike.org/pramana/in.art.natya.dasarupaka.1.21) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.31.1) — George C. O. Haas 1912, English ## Linked texts (1) - [Alaṅkārasaṅgraha](https://indike.org/pramana/in.art.alamkara.sahitya.alankarasangraha.8.16) — Amṛtānandayogin, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.20](https://indike.org/pramana/in.art.natya.dasarupaka.1.20) · Pramāṇa