[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.24 # Dasharupaka 1.24 Daśarūpaka 1.24 - **Language:** Sanskrit ### [1.24](https://indike.org/pramana/in.art.natya.dasarupaka.1.24) upakṣepaḥ parikaraḥ parinyāso vilobhanam / yuktiḥ prāptiḥ samādhānaṃ vidhānaṃ paribhāvanā / udbhedabhedakaraṇānyanvarthānyatha lakṣaṇam // > ‘\[The twelve subdivisions of the Opening are\]: Suggestion (upakṣepa), Enlargement (parikara), Establishment (parinyāsa), Allurement (vilobhana), Resolve (yukti), Success (prāpti), Settling (samādhāna), Conflict of Feelings (vidhāna), Surprise (paribhāvanā), Disclosure (udbheda), Incitement (bheda), and Activity (karaṇa). \[These terms are\] intelligible. Now follow their definitions.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.23](https://indike.org/pramana/in.art.natya.dasarupaka.1.23) - [Next: 1.25](https://indike.org/pramana/in.art.natya.dasarupaka.1.25) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.38.1) — George C. O. Haas 1912, English --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.24](https://indike.org/pramana/in.art.natya.dasarupaka.1.24) · Pramāṇa