[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.8 # Dasharupaka 1.8 Daśarūpaka 1.8 - **Language:** Sanskrit ### [1.8](https://indike.org/pramana/in.art.natya.dasarupaka.1.8) nāṭakaṃ saprakaraṇaṃ bhāṇaḥ prahasanaṃ ḍimaḥ / vyāyogasamavakārau vīthyaṅkehāmṛgā iti // > ‘\[The ten chief varieties of drama are\]: the Nāṭaka, the Prakaraṇa, the Bhāṇa, the Prahasana, the Ḍima, the Vyāyoga, the Samavakāra, the Vīthī, the Aṅka (=Utsṛṣṭikāṅka), and the Ihāmṛga.’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.7](https://indike.org/pramana/in.art.natya.dasarupaka.1.7) - [Next: 1.9](https://indike.org/pramana/in.art.natya.dasarupaka.1.9) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.11.1) — George C. O. Haas 1912, English ## Linked texts (4) - [Mudrārākṣasa](https://indike.org/pramana/in.lit.plays.rajacarita.mudraraksasa.4.2_24) — Viśākhadatta, Sanskrit - [Mandāramarandacampū](https://indike.org/pramana/in.art.alamkara.sahitya.mandaramarandacampu.3.70.1) — Kṛṣṇanātha 1600, Sanskrit - [Mandāramaranda](https://indike.org/pramana/in.lit.campu.mandaramaranda.11.1.1) — Śrīkṛṣṇa, Sanskrit - [Nanjarājayaśobhūṣaṇa](https://indike.org/pramana/in.art.alamkara.yasobhusana.nanjarajayasobhusana.4.p74) — Nṛsiṃha, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.8](https://indike.org/pramana/in.art.natya.dasarupaka.1.8) · Pramāṇa