[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Dasharupaka](https://indike.org/pramana/in.art.natya.dasarupaka) › 1.9 # Dasharupaka 1.9 Daśarūpaka 1.9 - **Language:** Sanskrit ### [1.9](https://indike.org/pramana/in.art.natya.dasarupaka.1.9) anyada bhāvāśrayaṃ nṛtyaṃ nṛttaṃ tālalayāśrayam / ādyaṃ padārthābhinayo mārgo deśo tathā param // > ‘Dancing (nṛtta), being based on rhythm and time, \[is also different\].’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy > ‘The former, a representation of an object, \[is called\] “high style” (mārgo); the latter, “popular style” (deśī).’ > — George C. O. Haas 1912, The Daśarūpa: A Treatise on Hindu Dramaturgy - [Previous: 1.8](https://indike.org/pramana/in.art.natya.dasarupaka.1.8) - [Next: 1.10](https://indike.org/pramana/in.art.natya.dasarupaka.1.10) - [Up: 1](https://indike.org/pramana/in.art.natya.dasarupaka.1) ## Translations (1) - [The Daśarūpa: A Treatise on Hindu Dramaturgy](https://indike.org/pramana/in.art.natya.dasarupaka~en-haas.1.13.1) — George C. O. Haas 1912, English --- Source: [https://indike.org/pramana/in.art.natya.dasarupaka.1.9](https://indike.org/pramana/in.art.natya.dasarupaka.1.9) · Pramāṇa