[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 1.528 # Rasarnavasudhakara 1.528 Rasārṇavasudhākara 1.528 - **Language:** Sanskrit ### [1.528](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528) bhayānake ca bībhatse raudre cārabhaṭī bhavet | bhāratī cāpi vijñeyā karuṇābhuta-saṃśrayā || > in the terrible, the odious, and the furious is the Ārabhaṭī; > and the Bhāratī is to be known as relying on the pathetic and the marvellous." > — English (machine translation) (machine translation) ### [1.528.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528.p1) (nā.śā. 20.73-74)\[\*7\] \[\*7\] Variant found in K.L.Joshi edition: hāsya-śṛṅgāra-bahulā kaiśikī paricakṣitā | sātvatī cāpi vijñeyā vīrādbhuta-śamāśrayā | raudre bhayānake caiva vijñeyārabhaṭī budhaiḥ | bībhatse karuṇe caiva bhāratī samprakīrtitā || > (Nāṭyaśāstra 20.73–74) > — English (machine translation) (machine translation) ### [1.528.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528.p2) atra sātvatyā raudrānupraveśa-kathanaṃ raudra-pratibhaṭasya yuddha-vīrasyaiva saṃlāpādibhiḥ sātvatī-bhedaiḥ paripoṣaṇaṃ na tu dāna-vīra-dayā-vīrayor iti jñāpanārtham | tasmān na niyama-virodhaḥ | bhāratyāś ca karuṇādbhuta-viṣayatva-kathanaṃ tayoḥ prāyeṇa vāg-ārambha-mukhena paripoṣa iti jñāpanārtham | tena bhāratyāḥ sarva-rasa-sādhāraṇayam upapannam eva | > Here, the statement that the Sāttvatī enters the furious is to indicate that the nourishing of the battlefield-hero—the direct opponent of the furious—occurs through the divisions of the Sāttvatī such as converse, and not for the hero of generosity or the hero of compassion. Therefore, there is no conflict with the rule. And the statement that the Bhāratī has the pathetic and the marvellous as its scope is to indicate that those two are nourished mainly by means of verbal initiatives. Hence the commonality of the Bhāratī to all aesthetic sentiments is entirely established. > — English (machine translation) (machine translation) ### [1.528.p3](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528.p3) kecit tu tam imaṃ ślokaṃ bhāratīyaṃ niyāmakam | 289 > Some discerning scholars, however, interpreting this verse of Bharata > which lays down the rule (289) > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.1.528) — English, machine translation ## Linked texts (1) - [Nāṭyaśāstra (Śivaśarman)](https://indike.org/pramana/in.art.natya.natyasastra-siva.1.4.3) — Śivaśarman, Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.1.528) · Pramāṇa