[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 2.255 # Rasarnavasudhakara 2.255 Rasārṇavasudhākara 2.255 - **Language:** Sanskrit ### [2.255](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.255) samprayogasya śabdādiṣv antarbhāvān na tan-matam || > Because physical union is included within sound and the rest, his view is not accepted. > — English (machine translation) (machine translation) ### [2.255.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.255.p1) tathā hi-uktodāharaṇe mānavatī-jalpitasya śabda-rūpatvam eva | tathā ca- > To explain: in the cited example, the murmur of the offended woman consists simply of sound. And likewise: > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.2.255) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.255](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.255) · Pramāṇa