[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 2.441 # Rasarnavasudhakara 2.441 Rasārṇavasudhākara 2.441 - **Language:** Sanskrit ### [2.441](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441) kriyā-prabandhād ayam adhvarāṇām ajasram āhūta-sahasra-netraḥ | śacyāś ciraṃ pāṇḍu-kapola-lambān mandāra-śūnyān alakāṃś cakāra || > “This king, who incessantly summoned the thousand-eyed Indra / because of a continuous series of sacrifices, / for a long time made Śacī's curls, dangling over pale cheeks, / devoid of mandāra flowers.” > — English (machine translation) (machine translation) ### [2.441.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441.p1) (ra.vaṃ. 6.23) > || (Raghuvaṃśa 6.23) > — English (machine translation) (machine translation) ### [2.441.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441.p2) atra purandarasya pūrvaṃ śacīm āmantrya paścād adhvara-pradeśa-gamanena tayoḥ saṃvidhān avyapekṣayā (kāryato) vipralambhasya bhūta-pūrvatvam | > Here, by Indra's first taking leave of Śacī and then going to the place of sacrifice, with respect to their arrangement (due to duty), the love-in-separation is in the past. > — English (machine translation) (machine translation) ### [2.441.p3](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441.p3) vartiṣyamāṇo, yathā- > The future \[duty\] is, for instance: > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.2.441) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.441) · Pramāṇa