[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 2.506 # Rasarnavasudhakara 2.506 Rasārṇavasudhākara 2.506 - **Language:** Sanskrit ### [2.506](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.506) yugapad rasanīyatvaṃ nobhayor upapadyate | eṣām aṅgāṅgi-bhāvena saṅkaro mama saṃmataḥ || > Simultaneous savoriness does not hold true for both. > Their commingling through the relation of principal and subordinate is what I accept. > — English (machine translation) (machine translation) ### [2.506.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.506.p1) tathā ca bhāratīye- bhāvo vāpi raso vāpi pravṛttir vṛttir eva vā | sarveṣāṃ samavetānāṃ rūpaṃ yasya bhaved bahu || > And likewise in Bharata's work: > “Whether emotion or aesthetic sentiment, or dramatic style or verbal style, > whichever among all those assembled has the most prominent form, (257)” > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.2.506) — English, machine translation ## Linked texts (1) - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.4.255) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.506](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.506) · Pramāṇa