[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 2.72 # Rasarnavasudhakara 2.72 Rasārṇavasudhākara 2.72 - **Language:** Sanskrit ### [2.72](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.72) garjitena, yathā- praṇaya-kopa-bhūto' pi parāṅmukhāḥ sapadi vāridharārava-bhīravaḥ | praṇayinaḥ parirabdhum anantaraṃ vavalire bali-recita-madhyamāḥ || > From a thunderclap, as in: > “Though turned away, being filled with lovers' anger, > they who were terrified of the rumble of clouds immediately > turned back, their waists curving with folds of skin, > to embrace their lovers directly after.” > — English (machine translation) (machine translation) ### [2.72.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.72.p1) (śi.va., 6.38) > (Śiśupālavadha 6.38) > — English (machine translation) (machine translation) ### [2.72.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.72.p2) garjitaṃ mahāravopalakṣaṇam | tena bheryādi-dhvanir api bhavati | > A thunderclap stands for any loud noise; therefore it also includes the sound of a kettledrum and the like. > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.2.72) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.72](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.2.72) · Pramāṇa