[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.167 # Rasarnavasudhakara 3.167 Rasārṇavasudhākara 3.167 - **Language:** Sanskrit ### [3.167](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.167) atha samayaḥ- samayo duḥkha-saṅkṣayaḥ || > Now, samaya (deliverance): > Samaya is the complete cessation of sorrow. > — English (machine translation) (machine translation) ### [3.167.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.167.p1) 73b ### [3.167.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.167.p2) yathā tatraiva, bharataḥ : ārya ! rāvaṇa-vidrāvaṇa bharato' ham abhivādaye | ity upakramya (bharata-sugrīva-vibhīṣaṇāḥ parasparaṃ pariṣvajante |) ity antena bandhūnām anyonyāvalokana-pariṣvaṅgādibhir duḥkhāpagama-kathanāt samayaḥ | > As in the very same work; Bharata: “Noble one! Router of Rāvaṇa, I, Bharata, salute you!” Beginning with this and ending with “(Bharata, Sugrīva, and Vibhīṣaṇa embrace one another),” samaya is exemplified, because the departure of sorrow is related through the relatives' mutual gazing, embracing, and the like. > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.167) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.167](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.167) · Pramāṇa