[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.196 # Rasarnavasudhakara 3.196 Rasārṇavasudhākara 3.196 - **Language:** Sanskrit ### [3.196](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196) atha gotra-skhalitam- tad gotra-skhalitaṃ yat tu nāma-vyatyaya-bhāṣaṇam || > Now, slip of the tongue (gotraskhalita): / A slip of the tongue is the uttering of a wrong name. > — English (machine translation) (machine translation) ### [3.196.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p1) 87a ### [3.196.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p2) yathā vikramorvaśīye \[tṛtīyāṅke ādau\] (tataḥ praviśato bharata-śiṣyau) prathamaḥ-aye sadoṣāvakāśa iva te vākya-śeṣaḥ | > As in the Vikramorvaśīya \[at the beginning of Act 3\], (Then enter two pupils of Bharata) First pupil: "Ah, what remains of your speech seems to leave room for a fault." > — English (machine translation) (machine translation) ### [3.196.p3](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p3) dvitīyaḥ-ām | tarhi ubbasīe baaṇaṃ pamāda-kkhalidaṃ āsi | \[āṃ, tatra urvasyā vacanaṃ pramāda-skhalitam āsīt |\] > Second pupil: "Yes. On that occasion, Urvaśī's speech suffered a lapse due to distraction." > — English (machine translation) (machine translation) ### [3.196.p4](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p4) prathamaḥ-katham iva ? > First pupil: "How so?" > — English (machine translation) (machine translation) ### [3.196.p5](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p5) dvitīyaḥ-lacchī-bhūmiāe baṭṭamāṇā ubbasī vāruṇī-bhūmiāe baṭṭamāṇāe meṇaāe pucchidā | sahi samāadā ede tellokka-purisā sakesavā loa-bālā | kadamassiṃ de bhāvāhiṇibesotti \[lakṣmī-bhūmikāyāṃ vartamānā urvaśī vāruṇī-bhūmikāyāṃ vartamānayā menakayā pṛṣṭā | sakhi samāgatā ete trailokya-puruṣāḥ sa-keśavā loka-pālāḥ | katamasmiiṃs te bhāvābhinibeśaḥ ? iti |\] > Second pupil: "While playing the role of Lakṣmī, Urvaśī was asked by Menakā, who was playing the role of Vāruṇī: 'Friend, these lords of the three worlds have assembled together with Keśava and the world-protectors. Upon which one is your heart set?'" > — English (machine translation) (machine translation) ### [3.196.p6](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p6) prathamaḥ--tatas tataḥ ? > First pupil: "And then?" > — English (machine translation) (machine translation) ### [3.196.p7](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196.p7) dvitīyaḥ-tado tāe purisottame tti bhaṇidabbe purūravasi tti ṇiggadā bāṇī | \[tatas tasyāḥ puruṣottama iti bhaṇitavye purūravasīti nirgatā bāṇī |\] ity atra nāma-vyatikramaḥ sphuṭa eva | > Second pupil: "Then, when she ought to have said 'upon Puruṣottama', the word 'upon Purūravas' came out." Here, the confusion of names is quite clear. > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.196) — English, machine translation ## Linked texts (1) - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.5.86) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.196) · Pramāṇa