[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.375 # Rasarnavasudhakara 3.375 Rasārṇavasudhākara 3.375 - **Language:** Sanskrit ### [3.375](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.375) mā bhūc cintā taveyaṃ mayi sati kuśale duṣkaraḥ kiṃ prayogo mānin jānāsi kiṃ tvaṃ kim api na viditā cāturī me tvayā kim | āstāṃ sva-stotra-kanthā kṛtam iha kathaitair bhūta-pūrvaiḥ prasaṅgaiḥ patnyāhaṃ vaśya-karmā sapadi naṭavidhāv eṣa sajjībhavāmi || > “Let you not have this anxiety! While I am well, is a performance difficult? > O proud one, do you know anything? Was my skill not recognized at all by you?” > “Let be this patched garment of self-praise! Enough here of telling these stories of past events! > I, who have made my wife submissive, immediately make myself ready for the actor’s craft.” > — English (machine translation) (machine translation) ### [3.375.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.375.p1) atra naṭa-sūtradhārayoḥ paraspara-spardhayā sva-sva-prayoga-sāmarthya-prakāśanād adhibalam | > Here, because of the revelation of their respective competence in performance through mutual rivalry between the actor and the stage manager, it is mutual rivalry (adhibala). > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.375) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.375](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.375) · Pramāṇa