[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.401 # Rasarnavasudhakara 3.401 Rasārṇavasudhākara 3.401 - **Language:** Sanskrit ### [3.401](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401) nepathye- kandapp-uddāma-dappa-ppasamaṇa-guruṇo bahmaṇo kāla-daṇḍe pāṇiṃ deṃtassa gaṃgā-taralida-sasiṇo pabbaī-ballahassa | cābaṃ caṃḍāhisiṃjāraba-harida-ṇahaṃ karṣaṇāruddha-majjhaṃ jaṃ bhaggaṃ tassa saddo ṇisuṇiti huaṇe bittharaṃto ṇamāi || > Behind the scenes— / The bow of Pārvatī's beloved, the guru in subduing the unruly pride of Kandarpā, / who surrendered his hand to the rod of Time belonging to Brahmā, whose moon was trembled by the Gaṅgā— / that bow, which filled the sky with the fierce sound of its bowstring, whose middle was curved by drawing, / which broke: the sound of it, heard spreading through the world, does not fit within it. > — English (machine translation) (machine translation) ### [3.401.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401.p1) \[bā.rā. 7.4\] > || \[Bālarāmāyaṇa 7.4\] > — English (machine translation) (machine translation) ### [3.401.p2](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401.p2) \[kandarpoddāma-darpa-praśamana-guror brahmaṇaḥ kāla-daṇḍe pāṇiṃ dātur gaṅgā-taralita-śaśinaḥ parvatī-vallabhasya | cāpaṃ caṇḍābhiśiñjā-rava-bharita-nabhaḥ karṣaṇāruddha-madhyaṃ yat bhagnaṃ tasya śabdo niḥśrūyate bhuvane vistaran na māti ||\] > \[The bow of Pārvatī's beloved, the guru in subduing the unruly pride of Kandarpa, / who placed his hand on the rod of Death belonging to Brahmā, whose moon was trembled by the Gaṅgā— / that bow, which filled the sky with the fierce sound of its bowstring, whose middle was stopped by drawing, / which was broken: the sound of it, being heard spreading through the world, does not fit within it.\] > — English (machine translation) (machine translation) ### [3.401.p3](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401.p3) atra praviṣṭena karpūra-caṇḍena yavanikāntargatena candana-caṇḍena ca paryāya-pravṛtta-vāg-vilāsais tāṭakāvadhādi-vibhīṣaṇābhaya-pradānāntasya rāmabhadra-caritasya bāhulyāt prayogānucitasya sūcanād iyaṃ khaṇḍa-cūlikā | > Here, since the story of Rāmabhadra—beginning with the slaying of Tāṭakā and ending with granting protection to Vibhīṣaṇa—which is unsuitable for performance because of its vast extent, is indicated by the plays of words delivered alternately by Karpūracaṇḍa who has entered \[the stage\] and Candanacaṇḍa who remains behind the curtain, this is a broken offstage announcement (khaṇḍacūlikā). > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.401) — English, machine translation ## Linked texts (1) - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.5.187) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.401) · Pramāṇa