[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.403 # Rasarnavasudhakara 3.403 Rasārṇavasudhākara 3.403 - **Language:** Sanskrit ### [3.403](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.403) atha aṅkāsyam- pūrvāṅkānte sampraviṣṭaiḥ pātrair bhāvy-aṅka-vastunaḥ | 194 sūcanaṃ tad-avicchityai yat tad aṅkāsyam īritam || > Now, the face of the act (aṅkāsya)— / When the subject matter of an upcoming act is indicated by characters who have entered at the end of a preceding act, / in order to maintain its continuity, that is called the face of the act (aṅkāsya). || 194 > — English (machine translation) (machine translation) ### [3.403.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.403.p1) yathā hi vīra-carite dvitīyāṅkāvasānake | 195 > As indeed at the close of the second act in the Mahāvīracarita: || 195 > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.403) — English, machine translation ## Linked texts (2) - [Nāṭakacandrikā](https://indike.org/pramana/in.art.natya.natakacandrika.2.204) — Rūpa Gosvāmin 1540, Sanskrit - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.5.188) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.403](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.403) · Pramāṇa