[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.41 # Rasarnavasudhakara 3.41 Rasārṇavasudhākara 3.41 - **Language:** Sanskrit ### [3.41](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.41) 28 mukhya-prayojana-vaśāt kathāṅgānāṃ samanvaye | avāntarārtha-sambandhaḥ sandhiḥ sandhāna-rūpataḥ || > || 28 / When the limbs of the story are unified in accordance with the principal purpose, / the connecting of subsidiary matters is a juncture, because of its nature of joining together. > — English (machine translation) (machine translation) ### [3.41.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.41.p1) (tatra pañca-sandhayo bhavanti-) mukha-pratimukhe garbha-vimarśāv upasaṃhṛtiḥ | pañcaite sandhayaḥ > (In this respect, there are five junctures:) / The opening (mukha), the progression (pratimukha), the development (garbha), the pause (vimarśa), and the conclusion (upasaṃhṛti): / these are the five junctures. > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.41) — English, machine translation ## Linked texts (2) - [Nāṭakacandrikā](https://indike.org/pramana/in.art.natya.natakacandrika.1.124) — Rūpa Gosvāmin 1540, Sanskrit - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.5.28) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.41](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.41) · Pramāṇa