[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.520 # Rasarnavasudhakara 3.520 Rasārṇavasudhākara 3.520 - **Language:** Sanskrit ### [3.520](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.520) atha nāṭaka-paribhāṣā- atha rūpaka-nirmāṇa-parijñānopayoginī | 298 śrī-siṃha-dharaṇīśena paribhāṣā nirūpyate || > Now, the dramatic conventions (nāṭakaparibhāṣā): / Now the dramatic convention, useful for the thorough knowledge of dramatic composition, / is described by King Śrī Siṃha: > — English (machine translation) (machine translation) ### [3.520.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.520.p1) paribhāṣātra maryādā pūrvācāryopakalpitā | 299 > Here, dramatic convention (paribhāṣā) is the rule laid down by ancient teachers; > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.520) — English, machine translation ## Linked texts (1) - [Rasasudhākara](https://indike.org/pramana/in.art.alamkara.rasa.rasasudhakara.5.290) — Sanskrit --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.520](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.520) · Pramāṇa