[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Arts, Poetics, Architecture & Lexicography](https://indike.org/pramana/in.art) › [Dramaturgy and Theory of Theatre](https://indike.org/pramana/in.art.natya) › [Rasarnavasudhakara](https://indike.org/pramana/in.art.natya.rasarnavasudhakara) › 3.97 # Rasarnavasudhakara 3.97 Rasārṇavasudhākara 3.97 - **Language:** Sanskrit ### [3.97](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.97) atha garbha-sandhiḥ- dṛṣṭādṛṣṭasya bījasya garbhas tv anveṣaṇaṃ muhuḥ | 50b atrāpy ācāpatākānurodhād aṅgāni kalpayet || > Now, the development juncture (garbhasandhi): > The development (garbha) is the repeated search for the seed that has been seen and lost from sight; / 50b > here too, according to the episodaic plot (patākā), one should fashion its subdivisions. > — English (machine translation) (machine translation) ### [3.97.p1](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.97.p1) abhūtāharaṇaṃ mārgo rūpodāharaṇe kramaḥ | 51 > Fabrication of the unreal (abhūtāharaṇa), the path (mārga), the form (rūpa), the illustration (udāharaṇa), the sequence (krama), // 51 > — English (machine translation) (machine translation) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.art.natya.rasarnavasudhakara~en-mt.3.97) — English, machine translation --- Source: [https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.97](https://indike.org/pramana/in.art.natya.rasarnavasudhakara.3.97) · Pramāṇa