[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Buddhist Sanskrit literature](https://indike.org/pramana/in.bauddha.sanskrit) › [Āgama sūtras of the mainstream schools](https://indike.org/pramana/in.bauddha.sanskrit.agama) › [Sūtras of the Connected Discourses transmitted singly](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta) › [Prasenajidgāthā](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha) › [གསལ་རྒྱལ་གྱི་ཚིགས་སུ་བཅད་པ](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo) › [Verses for Prasenajit](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000) › notes.30 # གསལ་རྒྱལ་གྱ་ཚགས་ས་བཅད་པ notes.30 Verses for Prasenajit notes.30 - **Language:** English ### [notes.30](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes.30) 30. de dag do shal rgyan phreng nor bu dang / gdu bu dag dang dpung rgyan mchog rnams kyis. Skt. MS hārārdhahāraiḥ kaṭakaiḥ saharṣaiḥ keyūravaryaiś ca vibhūṣitāṅgāḥ. See Vinītā (2010, p. 224, n. f) for a comparison to KaṭhA (p. 33, 30.12) where we find hārārdhahāraiḥ kaṭakair anekaiḥ keyūrataḍaṅkavidhair upetāḥ. It is unclear exactly how many types of ornamentation are being understood in the Tibetan. Vinītā (2010, p. 227), following the Potala manuscript, translates four, i.e., necklaces of various strings (hārārdhahāra), bracelets (kaṭaka), necklaces (saharṣa), and excellent armlets (keyūravarya). In the Tibetan, it seems to be a question of how do shal, rgyan phreng, and nor bu function together. We take do shal rgyan phreng to translate hārārdhahāra and nor bu for saharṣa. As Vinītā (2010, p. 227, n. a) notes, we do not find saharṣa but rather harṣa for “necklace” in Edgerton, and in that definition, which includes the Tibetan mgul gdub, we see a citation of the series “harṣa-kaṭaka-keyūra- (etc.) \[LV\] 295.4.” The precise distinction between the types of necklaces is unclear, but it could be that do shal rgyan phreng refers to multiple, longer strands of pearls (or the like), which are clasped together at each collarbone, while nor bu could refer to shorter pieces like chokers or collar-style necklaces. - [Previous: notes.29](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes.29) - [Next: notes.31](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes.31) - [Up: notes](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes) --- Source: [https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes.30](https://indike.org/pramana/in.bauddha.sanskrit.agama.samyukta.prasenajidgatha*bo~en-84000.notes.30) · Pramāṇa