[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Buddhist Sanskrit literature](https://indike.org/pramana/in.bauddha.sanskrit) › [Mahāyāna sūtras](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra) › [Kāraṇḍavyūhasūtra](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha) › [འཕགས་པ་ཟ་མ་ཏོག་བཀོད་པ་ཞེས་བྱ་བ་ཐེག་པ་ཆེན་པོའི་མདོ](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo) › [The Basket’s Display](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000) › notes.89 # འཕགས་པ་ཟ་མ་ཏག་བཀད་པ་ཞས་བྱ་བ་ཐག་པ་ཆན་པའ་མད notes.89 The Basket’s Display notes.89 - **Language:** English ### [notes.89](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes.89) 89. The Tibetan ’jig tshogs means “an aggregation that is destroyed.” The Sanskrit satkāya means “existent accumulation,” a secondary meaning of kāya, which is usually translated as sku, meaning “body.” The mountain is singular in the Sanskrit and has twenty peaks, which are the views of the relationship of the self to each of the five skandhas or aggregates—i.e., the self is form, form possesses self, self possesses form, and self is located within form—and the same for the other four aggregates (sensations, identifications, mental activities, and consciousnesses), which comes to twenty views. - [Previous: notes.88](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes.88) - [Next: notes.90](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes.90) - [Up: notes](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes) --- Source: [https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes.89](https://indike.org/pramana/in.bauddha.sanskrit.mahayanasutra.karandavyuha*bo~en-84000.notes.89) · Pramāṇa