[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Buddhist Sanskrit literature](https://indike.org/pramana/in.bauddha.sanskrit) › [Hymns, epistles and poetry](https://indike.org/pramana/in.bauddha.sanskrit.stotra) › [Praises of Tārā](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara) › [Tārādevīnāmāṣṭaśataka](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka) › [ལྷ་མོ་སྒྲོལ་མའི་མཚན་བརྒྱ་རྩ་བརྒྱད་པ་ཞེས་བྱ་བ](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo) › [The Hundred and Eight Names of the Goddess Tara](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000) › notes.25 # ལྷ་མ་སྒྲལ་མའ་མཚན་བརྒྱ་རྩ་བརྒྱད་པ་ཞས་བྱ་བ notes.25 The Hundred and Eight Names of the Goddess Tārā notes.25 - **Language:** English ### [notes.25](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes.25) 25. The reading of this verse is quite tentative. In the Tibetan, the relationships between Tārā’s skill and voice, a courtyard or (banquet) hall, and being illuminated by a bouquet of campaka flowers, are not made explicit. We read khyams dang khyams bza’ (“courtyard and hall”) with the Narthang Kangyur, where Degé has the repetition khyams dang khyams bzang (“courtyard and excellent courtyard”). - [Previous: notes.24](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes.24) - [Next: notes.26](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes.26) - [Up: notes](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes) --- Source: [https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes.25](https://indike.org/pramana/in.bauddha.sanskrit.stotra.tara.taradevinamastasataka*bo~en-84000.notes.25) · Pramāṇa