<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/in.bauddha.taisho.1736.18.19 -->

[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [大方廣佛華嚴經隨疏演義鈔](https://indike.org/pramana/in.bauddha.taisho.1736) › 18.19

# 大方廣佛華嚴經隨疏演義鈔 18.19

大方廣佛華嚴經隨疏演義鈔 18.19

- **Language:** Classical Chinese

### [18.19](https://indike.org/pramana/in.bauddha.taisho.1736.18.19)

疏「用此嚴座者」下，出嚴所以。言「寂照照寂皆瑩淨照燭」者，準《瓔珞經》，妙覺方稱寂照，等覺照寂。今菩薩寶義同照寂，如來寶珠即當寂照。

> Below the Commentary's statement, "They used this to adorn the seat," it sets forth the reason for the adornment. As for the statement, "Both quiescence-illumination and illumination-quiescence are crystalline and luminous, shining and illuminating": based on the Yingluo jing, only marvelous awakening is called quiescence-illumination, while equal awakening is illumination-quiescence. Here, the meaning of the bodhisattva gem corresponds to illumination-quiescence, whereas the Tathāgata's precious gem corresponds precisely to quiescence-illumination.  
> — English (machine translation) (machine translation)

- [Previous: 18.18](https://indike.org/pramana/in.bauddha.taisho.1736.18.18)
- [Next: 18.20](https://indike.org/pramana/in.bauddha.taisho.1736.18.20)
- [Up: 18](https://indike.org/pramana/in.bauddha.taisho.1736.18)

## Translations (1)

- [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1736~en-mt.18.19) — English, machine translation

---
Source: [https://indike.org/pramana/in.bauddha.taisho.1736.18.19](https://indike.org/pramana/in.bauddha.taisho.1736.18.19) · Pramāṇa
