[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [大方廣佛華嚴經隨疏演義鈔](https://indike.org/pramana/in.bauddha.taisho.1736) › 20.62 # 大方廣佛華嚴經隨疏演義鈔 20.62 大方廣佛華嚴經隨疏演義鈔 20.62 - **Language:** Classical Chinese ### [20.62](https://indike.org/pramana/in.bauddha.taisho.1736.20.62) 疏「依光有影」等者，疏開「影像」二字以為兩喻，影謂光影喻，像謂鏡像喻。然此二喻有通一切，今取別義。光影之喻，喻佛現多端，故云有動靜，質動影動、質靜影靜。鏡像喻現身勝劣，如丈六三尺三十二相等，隨機見故（第二經終）。 > Regarding the commentary's statement, "Depending on light there is shadow," and so on: the commentary divides the two characters ying (shadow/reflection) and xiang (image) into two analogies: ying refers to the analogy of light and shadow, and xiang refers to the analogy of the mirror image. However, while these two analogies generally apply to everything, here specific meanings are taken. The analogy of light and shadow illustrates that the Buddha manifests in many ways, and thus it says there are movement and quiescence: when the substance moves, the shadow moves; when the substance is quiescent, the shadow is quiescent. The mirror-image analogy illustrates the superiority and inferiority of manifested bodies, such as the sixteen-foot body, the three-foot body, the thirty-two marks, etc., being seen according to capacity. (End of the second fascicle of the sūtra). > — English (machine translation) (machine translation) - [Previous: 20.61](https://indike.org/pramana/in.bauddha.taisho.1736.20.61) - [Next: 20.63](https://indike.org/pramana/in.bauddha.taisho.1736.20.63) - [Up: 20](https://indike.org/pramana/in.bauddha.taisho.1736.20) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1736~en-mt.20.62) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.1736.20.62](https://indike.org/pramana/in.bauddha.taisho.1736.20.62) · Pramāṇa