勝鬘寶窟 1.37
勝鬘寶窟 1.37
- Language
- Classical Chinese
1.37.1
二釋名門者,體如而來,故名如來。 又如諸佛,故名如來。 問:體如而來,故名如來。 此是應身,可有來義。 真如法身,云何有來? 答:如本隱今顯,亦得稱來。 德不虛稱,故云真實。 古注云:聖應除惑,功德之實也。 理極莫過,名為第一。 深有所以,目之為義。 修功所得,故名功德。 又即功為德,如燈有破暗顯物之功,即以此功為燈家之德,故名功德。 美其實德,故名為歎。 次分齊門者,就此一章大開為二:第一歎佛功德、第二請護。 所以有此二者,佛有勝德,是故揄揚; 欲發心願求,是以請護。 就初歎佛又開為二:一者別歎、二者總歎。 如來廣德,非別不彰,故前別歎; 非別能盡,故須總歎。 又前正明歎、後辨歎所不能歎,乃窮稱歎之美。 就別歎中,有四義、三義、二義、一義、無義。 所言四義者,一歎應身、二歎法身、三歎解脫、四歎波若。 面覩金容,故前歎應身。 本故,次歎法身。 法身清淨,無諸非法,故次歎解脫。 解脫得成,功由波若,故次歎波若。 所言三義者,應身真身並屬法身,次歎解脫,後歎波若。 此三次第者,生死有三,謂報及業與煩惱,以為次第; 法身對報、解脫對業、般若對於煩惱,亦成次第。 所言二義者,雖有三德,不出二義:解脫一德,累無不盡; 法身波若,德無不圓。 所言一義者,累無不盡不可為有、德無不圓不可為無,名為中道。 是故經云「佛性名為中道種子,中道之法名之為佛,說中道故名大法師。 」此三種中道必有次第,由佛性本是中道,中道未現名種子、中道顯現目之為佛、還為眾生說中道法名大法師。 次言無義者,經云「遠離二邊,不著中道。 」如後文說「敬禮難思議」,心行滅故不可思、言語斷故不可議。 故如來之德,舒之則遍乎法界、卷之則慮絕言亡。 若體斯意者,方可識此中文也。 今且就三德釋之,初兩偈歎法身、次一偈歎解脫、後一偈歎般若。 《涅槃經》三法,以解脫為初、法身為次、般若為後。 今法身為端者,正以仰對金容,就迹尋本也。 但解三德不同,江南有其三釋。 第一雲法師云:舉法身對生死色、舉般若對生死中心。 生死色心被縛,佛地法身般若無累,故舉解脫對彼有縛。 第二藏法師云:法身當體,舉解脫對昔有餘涅槃、舉般若對昔無餘涅槃。 第三旻法師云:法身當體與第二不異,但萬德不出智斷,舉解脫明斷、舉般若明智。 北土諸師云:夫涅槃以對生死。 生死有三:一果報身、二業、三煩惱。 對生死報身故說法身、對生死故說解脫、對生死煩惱故說般若。 今明可具此諸義也。 初歎法身二偈,四門釋之:一卷舒門、二出正解門、三同異門、四詳得失門。 卷舒門者,有四義、三義、二義、一義、無義、有義。 所言四義者,初偈歎應身; 「如來色無盡」一句,歎色報身; 「智慧亦復然」,歎智慧身; 「一切法常住」,歎如如身。 《楞伽經》中有此四身。 言三義者,初有五句,歎佛色身; 「智慧亦復然」,歎佛智慧; 「一切法常住」,歎餘戒定等諸功德法。 言二義者,前別歎色智、後總美眾德,謂總別一雙也。 言一義者,雖有總別不同,望後解脫波若皆屬歎法身,故是一義。 又一義者,如肇公云:「本迹雖殊,不思議一」,故一義也。 又一義者,即寂而動,故真即是應; 即動而寂,故應即是真。 故肇師云:「豈近捨丈六,遠求法身者哉? 」言無義者,即寂而動、雖真而應,即動而寂、雖應而真。 雖真而應,故真非定真; 雖應而真,故應非定應。 非真非應,慮絕言亡,稱為無義。 雖非真應,而真應宛然,故是無義而有義,故稱有義也。 第二正釋門者,古舊釋次第相生。 「如來妙色身」者,既面覩金容,故前歎妙色。 一從妙因所生、二由妙本所垂,是故稱妙也。 「世間無與等」者,無物與之齊,故言無等。
Second, the section explaining the names: embodying Thusness (tathatā) and coming (āgata), he is therefore called Tathāgata. Furthermore, he is just as (tathā) all the buddhas are, hence called Tathāgata. Question: Embodying Thusness and coming, he is therefore called Tathāgata. This applies to the responsive body (nirmāṇakāya), which can possess the meaning of 'coming'. How can the dharmakāya of true Thusness have any 'coming'? Answer: When what was originally hidden now becomes manifest, it may also be termed 'coming'. Virtues are not falsely proclaimed, hence called 'real'. An ancient commentary says: 'The holy response eliminates delusion; this is the reality of merit.' The ultimate principle that cannot be surpassed is called 'foremost'. That which possesses profound reason is termed 'significance' (artha). What is obtained through cultivating merit is therefore called 'virtuous merit' (guṇa). Furthermore, merit itself is virtue: just as a lamp has the meritorious function of destroying darkness and revealing objects, and this very function is the virtue of the lamp, it is therefore called 'virtuous merit'. Praising his actual virtues is called 'praise'. Next, the section on the structural divisions: this chapter is broadly divided into two parts: first, praising the Buddha's virtues; second, requesting protection. Why are there these two? Because the Buddha possesses supreme virtues, he is extolled; because she wishes to generate the aspiration and vow to seek [them], she requests protection. Under the first, praising the Buddha, there are again two parts: first, specific praises; second, general praises. The Tathāgata's vast virtues cannot be made manifest without being specific, hence specific praises come first; yet they cannot be exhausted by specific [praises], hence general praises are necessary. Moreover, the former directly clarifies the praise, while the latter explains that which praise cannot praise, thereby exhausting the beauty of praise. Within the specific praises, there are four meanings, three meanings, two meanings, one meaning, and no meaning. The so-called four meanings are: 1. praising the responsive body; 2. praising the dharmakāya; 3. praising liberation; 4. praising prajñā. Seeing the golden countenance face to face, she therefore first praises the responsive body. Because it is the root, next she praises the dharmakāya. The dharmakāya is pure and free of all unwholesome phenomena, hence next she praises liberation. Liberation being accomplished is due to the efficacy of prajñā, hence next she praises prajñā. The so-called three meanings are: the responsive body and the true body both belong to the dharmakāya; next she praises liberation, and afterwards she praises prajñā. As for the sequence of these three: saṃsāra has three aspects, namely retribution, karma, and afflictions, which form a sequence; dharmakāya corresponds to retribution, liberation corresponds to karma, and prajñā corresponds to afflictions, which likewise forms a sequence. The so-called two meanings are: although there are three virtues, they do not exceed two meanings: the single virtue of liberation completely exhausts all encumbrances; dharmakāya and prajñā lack nothing in the perfection of virtue. The so-called one meaning is: completely exhausting all encumbrances cannot be called existence; lacking nothing in the perfection of virtue cannot be called non-existence; this is called the Middle Way. Therefore the sūtra says: 'Buddhadhātu is called the seed of the Middle Way; the Dharma of the Middle Way is called the Buddha; preaching the Middle Way is called a great Dharma master.' These three kinds of Middle Way must have a sequence: because buddhadhātu is fundamentally the Middle Way, when the Middle Way is not yet manifest it is called the seed; when the Middle Way becomes manifest it is termed the Buddha; and when in turn preaching the Dharma of the Middle Way for the sake of living beings, he is called a great Dharma master. Next, the statement of no meaning: the sūtra says, 'Apart from the two extremes, one does not cling to the Middle Way.' As the text later says, 'I pay homage to the Inconceivable'; because the activities of the mind are extinguished, it cannot be thought, and because language is cut off, it cannot be discussed. Therefore the virtues of the Tathāgata, when expanded, pervade the dharmadhātu; when contracted, thought is extinguished and words perish. Only when one embodies this intention can one recognise the text here. Now, explaining it in terms of the three virtues for the moment: the first two verses praise the dharmakāya; the next single verse praises liberation; the last single verse praises prajñā. The three dharmas in the Nirvāṇa Sūtra take liberation as the first, dharmakāya as the second, and prajñā as the last. Here taking dharmakāya as the beginning is precisely because, looking up directly at the golden countenance, one traces back to the source from the traces. But interpretations of the three virtues differ; south of the Yangzi there are three explanations. The first, Master Yun, says: dharmakāya is adduced to correspond to the form of saṃsāra; prajñā is adduced to correspond to the mind within saṃsāra. The form and mind of saṃsāra are bound; the dharmakāya and prajñā of the buddha-ground have no encumbrances; hence liberation is adduced to correspond to that bondage. The second, Master Zang, says: dharmakāya is the essence itself; liberation is adduced to correspond to the former nirvāṇa with remainder; prajñā is adduced to correspond to the former nirvāṇa without remainder. The third, Master Min, says: dharmakāya as the essence itself does not differ from the second; however, the myriad virtues do not exceed wisdom and eradication; liberation is adduced to explain eradication, and prajñā is adduced to explain wisdom. The various masters of the northern land say: nirvāṇa corresponds to saṃsāra. Saṃsāra has three aspects: 1. the body of retribution; 2. karma; 3. afflictions. In correspondence to the body of retribution of saṃsāra, dharmakāya is taught; in correspondence to saṃsāra, liberation is taught; in correspondence to the afflictions of saṃsāra, prajñā is taught. Now we clarify that it can contain all these meanings. The first two verses praising the dharmakāya are explained through four gates: 1. the gate of contracting and expanding; 2. the gate of providing the correct explanation; 3. the gate of similarities and differences; 4. the gate of examining strengths and weaknesses. As for the gate of contracting and expanding, there are four meanings, three meanings, two meanings, one meaning, no meaning, and having meaning. The so-called four meanings are: the first verse praises the responsive body; the single line 'The Tathāgata's form is inexhaustible' praises the form body of retribution (saṃbhogakāya); 'Wisdom is likewise so' praises the wisdom body; 'All dharmas are eternally abiding' praises the tathatā body. These four bodies are present in the Laṅkāvatāra-sūtra. As for the three meanings: the first five lines praise the Buddha's form body; 'Wisdom is likewise so' praises the Buddha's wisdom; 'All dharmas are eternally abiding' praises the remaining dharmas of virtuous merit such as morality and concentration. As for the two meanings: the former specifically praises form and wisdom, and the latter generally extols the myriad virtues, which is a single pair of general and specific. As for the one meaning: although there is the distinction of general and specific, in looking toward the subsequent liberation and prajñā, they all belong to praising the dharmakāya, hence it is one meaning. Another 'one meaning': as Lord Zhao said, 'Though source and traces differ, they are inconceivably one'; hence it is one meaning. Still another 'one meaning': stillness itself is movement, so the true is precisely the responsive; movement itself is stillness, so the responsive is precisely the true. Therefore Master Zhao said: 'How could one discard the sixteen-foot [manifestation] near at hand to seek the dharmakāya afar?' As for 'no meaning': stillness itself is movement—though true, it is responsive; movement itself is stillness—though responsive, it is true. Because though true it is responsive, the true is not definitively true; because though responsive it is true, the responsive is not definitively responsive. Neither true nor responsive, thought is extinguished and words perish; this is termed 'no meaning'. Although neither true nor responsive, true and responsive are distinctly manifest; hence it is having meaning within no meaning, and is thus called 'having meaning'. Second, the gate of the correct explanation: the ancient explanations follow a sequential generation. 'The Tathāgata's wonderful physical body': since she sees the golden countenance face to face, she therefore first praises the wonderful physical form. First, it is born from wonderful causes; second, it is manifested from the wonderful source; hence it is called 'wonderful'. 'Unrivalled in the world': nothing is equal to it, hence called 'unrivalled'.
1.37.2
無物可比,故言無比。 出情識之外,故言不思。 超言說之境,稱為不議。 此皆自近之遠有五歎也。 言自近之遠者,妙微語過世間,亦有無等語能過出世間。 雖過世間,於出世中有二乘菩薩可得比類,是故今明於出世中亦無比類,猶言可思可議,是故今明心不能思、口不能議。 有此妙身,是故今敬禮。 又上三句辨歎,下一句明敬。 自有敬而不歎、歎而不敬,今則具足。 又三句辨口業,下句明身業,心通二處。 「如來色無盡」者,上雖五歎,恐物有盡極,未必能一切處一切時常應,是故今明能應物無盡。 所以無盡者,由本無盡,故應常不盡; 由群生無盡,故垂形不窮,故有無盡歎也。 「智慧亦復然」者,上歎色形,今美智慧。 歎色有六:一微妙、二無等、三無比、四不思、五不議、六不盡。 今歎智慧,義亦應然,但略示智同於色。 色既無盡,則智亦無盡。 無盡者,無量無邊之智慧也。 所以偏歎色智者,形則無倫、智則無盡,蓋是物之欣要,故偏說之。 問:上覩金容,可歎妙色; 未明智慧,云何歎智? 答:將一色類智,既有絕妙之身,必有超群之智。 又前赴感中具明色智,知感即應,故是智無不周; 普放淨光,故形色無比。 上既雙覩,故今俱歎。 「一切法常住」者,上雖歎色智,恐未必具於餘德,是故今明具一切德。 故下文說「成就一切佛法,名如來法身。 」問:若爾,法身攝一切德,何故復有波若? 答:若作法身名說,無非法身,餘二亦爾。 故下文說「智慧身自在」,則波若中有法身。 今法身中亦有波若,故云智慧亦復然。 解脫亦有法身,故云是故禮法王。 若就別義者,《攝論》云「法身是眾德所依,如身根為眾根所依,是故法身具一切德。 」雖具眾德,未必是常,故云常住。 所以常者,如來藏中過恒沙佛法顯成今德,是故為常。 若是無常,不足歸依; 以是常住,故可歸依。 今佛異昔佛,故明常住佛; 今歸異昔歸,故歸依常住。 古舊之釋判其真應者,一行半歎應身,「常住」已下歎法身。 今用此意。 第三同異門。 初偈及第二偈下半,人無異釋。 有人言:「如來色無盡」者,此歎報身,報身其有常色,常故無盡。 「智慧亦復然」者,此歎智慧,報身之中不出功德智慧,以智慧同色常住,故言亦復然。 第四詳論得失門。 且前問後家,若言無盡是常住義者,下句復云「一切法常住」,文則為煩。 又下歸依章中明無盡歸、常住歸,若無盡即是常住者,文則不應兩出,又即言不巧。 世間云:絕倫之貌、無盡之才。 若以常釋無盡,則於歎不巧,是故應用初師之說。 次論法身有色無色,古今論諍。 有人言:法身有色,《泥洹經》云「妙色湛然常安穩,不隨時節劫數遷」,《涅槃》云「捨無常色,獲得常色」,《地論》云「如來相好莊嚴為實報身」。 又菩薩廣劫修作相好之因,而何無果? 以文義推之,當知法身有色。 破無色者云:若言色是礙義,故佛果無色者,亦應心是緣義,應說佛果無心。 佛遂有無緣之心,應有無礙之色。 問:無礙云何名色? 答:若爾,佛無緣,云何有知? 次江南雲、旻、藏等悉云:佛果無色,故《涅槃》云「願得如來無色主身」,《文殊十禮經》云「無色無形相,無根無住處,不生不滅故,敬禮無所觀」也。 破有色者云:若言佛果有色者,應架芎隆之屋帶楚之裳。 難意云:法身既有無礙之色,應處無礙之宅、應著無礙之衣也。 肇公注《淨名》「至人空洞無像,豈國土之有恒」,竺道生著《法身無淨土論》明法身無淨土,此皆用無色義也。 通初家難云:色與心此二非類,麁心可研習為妙心、麁色不可研習為妙色,是故佛果則無色有心。 問:若爾,經云何言捨無常色? 答:蓋是妙有炳然,故言色耳。 二家各執,互成諍論。 今依龍樹一言決之。 《中論.法品》云「諸佛或說我,或說於無我。
Because there is no thing to compare to [him], he is said to be "incomparable." Because he transcends the reach of affective consciousness, he is said to be "inconceivable." Because he surpasses the realm of speech, he is called "inexpressible." These are five praises proceeding from the near to the far. That they proceed "from the near to the far" means that while "subtle" and "fine" express his surpassing the mundane, there is also the phrase "unequalled" which can express his surpassing the supramundane. Although he surpasses the mundane, within the supramundane there are the two vehicles and bodhisattvas with whom he might still be compared; therefore it is now clarified that even within the supramundane he has no comparison. It might still be said that he can be conceived or expressed; therefore it is now clarified that the mind cannot conceive him and the mouth cannot express him. Having this wondrous body, we therefore now pay homage. Furthermore, the upper three lines explain the praise, and the lower single line explains the veneration. There can be veneration without praise, or praise without veneration; here both are fully present. Moreover, three lines explain the karma of speech, and the lower line clarifies the karma of body, with the mind running through both places. As for "the Tathāgata’s form is inexhaustible": although there were five praises above, one might fear that material forms have an exhaustion and a limit, and might not necessarily respond constantly in all places and at all times; therefore it is now clarified that his capacity to respond to things is inexhaustible. Why is it inexhaustible? Because the fundamental is inexhaustible, the response is constantly inexhaustible; because sentient beings are inexhaustible, the manifestation of his form is endless. Hence there is the praise of "inexhaustible." As for "wisdom is also likewise": having praised his physical form above, [the text] now extols his wisdom. Praising his form has six aspects: first, subtly fine; second, unequalled; third, incomparable; fourth, inconceivable; fifth, inexpressible; sixth, inexhaustible. Now in praising his wisdom, the meaning should also be likewise; it merely indicates in brief that wisdom is the same as form. Since form is inexhaustible, wisdom is also inexhaustible. "Inexhaustible" means wisdom that is immeasurable and boundless. Why are form and wisdom praised in particular? Because his form has no peer and his wisdom is inexhaustible; being what beings delight in and seek as essential, they are spoken of in particular. Question: Above, having beheld the golden countenance, it was permissible to praise his wondrous form; but since wisdom was not yet apparent, why is wisdom praised? Answer: Taking form as an analogy for wisdom, since he possesses an incomparable body, he must possess pre-eminent wisdom. Furthermore, in the earlier section on responding to capacities, both form and wisdom were fully explained: knowing capacities and immediately responding is wisdom pervading everything; universally emitting pure light is physical form being incomparable. Since both were seen above, both are now praised together. As for "all dharmas are permanently abiding": although form and wisdom were praised above, one might fear that he does not necessarily possess the remaining virtues; therefore it is now clarified that he possesses all virtues. Hence a later passage states: "Accomplishing all buddha-dharmas is called the Tathāgata’s dharmakāya." Question: If so, and the dharmakāya subsumes all virtues, why is there also prajñā? Answer: If spoken of under the name of the dharmakāya, there is nothing that is not the dharmakāya; the other two are also likewise. Hence a later passage states, "The wisdom-body is sovereign"; thus within prajñā there is the dharmakāya. Now within the dharmakāya there is also prajñā, and so it says: "Wisdom is also likewise." Liberation also has the dharmakāya, and so it says: "Therefore I pay homage to the Dharmarāja." If we take up their differentiated meanings, the Mahāyānasaṃgraha says: "The dharmakāya is the locus of all virtues, just as the body sense-faculty is the locus of the various faculties; therefore the dharmakāya possesses all virtues." Although possessing all virtues, they might not necessarily be permanent; hence it says "permanently abiding." Why are they permanent? Because the buddha-dharmas surpassing the sands of the Ganges within the tathāgatagarbha are revealed to constitute his present virtues; therefore they are permanent. If they were impermanent, they would not be worthy of taking refuge in; because they are permanently abiding, they can be taken refuge in. The present Buddha differs from the former Buddha; hence it clarifies the permanently abiding Buddha. Taking refuge now differs from taking refuge formerly; hence one takes refuge in the permanently abiding. As for the interpretations of older authorities in distinguishing between the true and the responsive [bodies]: a verse and a half praises the responsive body; from "permanently abiding" onward praises the dharmakāya. We now adopt this view. Third, the section on similarities and differences. Regarding the first gāthā and the lower half of the second gāthā, people have no differing interpretations. Some say: "The Tathāgata’s form is inexhaustible" praises the reward body; the reward body has permanent form, and being permanent, it is inexhaustible. "Wisdom is also likewise" praises wisdom; within the reward body, it does not go beyond merit and wisdom, and because wisdom is the same as form in permanently abiding, it says "is also likewise." Fourth, the section evaluating strengths and weaknesses. First, to question the latter position: if one says that "inexhaustible" means "permanently abiding," then the lower line again saying "all dharmas are permanently abiding" would render the text redundant. Furthermore, below in the chapter on taking refuge, it clarifies the inexhaustible refuge and the permanently abiding refuge; if "inexhaustible" were identical with "permanently abiding," the text should not present both, and furthermore the wording would not be skillful. In worldly parlance they say: "peerless countenance, inexhaustible talent." If one explains "inexhaustible" by means of "permanent," then it is unskillful as praise; therefore one should adopt the explanation of the first master. Next, concerning whether the dharmakāya has form or is formless, there has been debate from past to present. Some say: the dharmakāya has form. The Niḥsarana Sūtra says: "Wondrous form is tranquil and constantly peaceful, not shifting with seasons, periods, and kalpas." The Nirvāṇa says: "Relinquishing impermanent form, one attains permanent form." The Daśabhūmivyākhyāna says: "The marks and signs adorning the Tathāgata are the real reward body." Furthermore, a bodhisattva cultivates the causes for the marks and signs over vast kalpas, so how could there be no fruit? Deducing from the textual meanings, one should know that the dharmakāya has form. Those who refute formlessness say: if one says that form means obstruction and therefore the buddha-fruit has no form, then mind means having an object, and one should say that the buddha-fruit has no mind. But the Buddha after all has an objectless mind; so he should have unobstructed form. Question: Being unobstructed, how can it be called form? Answer: If so, when the Buddha is without objects, how can he have knowing? Next, south of the Yangtze River, [masters] Yun, Min, Zang, and others all said: the buddha-fruit has no form. Therefore the Nirvāṇa says: "May I attain the Tathāgata’s formless, sovereign body." The Sūtra of Mañjuśrī's Ten Homages says: "Without form and without shape or marks, without faculties and without a dwelling place, because it is neither produced nor destroyed, I pay homage to that which cannot be observed." Those who refute the possession of form say: if one says that the buddha-fruit has form, he should erect a vaulted house and wear the garments of Chu. The intent of the objection is: since the dharmakāya has unobstructed form, it should dwell in an unobstructed residence and wear unobstructed clothing. Master Sengzhao’s commentary on the Vimalakīrtinirdeśa says: "The Perfect Person is empty and vast, without images; how could his land be constant?" Zhu Daosheng composed the Treatise on the Dharmakāya Having No Pure Land, clarifying that the dharmakāya has no pure land; these all employ the meaning of formlessness. Resolving the objection of the first position, they say: form and mind—these two are not of the same category; a coarse mind can be trained and practiced into a wondrous mind, but coarse form cannot be trained and practiced into wondrous form; therefore the buddha-fruit has no form but has mind. Question: If so, why does the sūtra speak of relinquishing impermanent form? Answer: It is merely that wondrous existence is brilliantly clear, and hence it is called form. The two schools each cling to their own view, engaging in mutual debate. Now, relying on Nāgārjuna, we resolve it with a single statement. The "Chapter on Dharmas" in the Mūlamadhyamakakārikā says: "The Buddhas have sometimes spoken of a self, and sometimes spoken of no-self."
1.37.3
諸法實相中,無我非無我。 」亦應云:諸佛或說色,或說於非色。 諸法實相中,非色非無色。 又非色非不色,不知何以目之,歎美為色; 亦非心非不心,不知何以目之,歎美為心。 故色與無色,義不相違。 又若言有色異心、有心異色,則成二見。 經云「諸有二者,無道無果。 」又若言有色有心,則名有所得。 有所得者,無四無礙。 有色無色,此雖一句之經,乃是佛法大事,悉須用龍樹意通之,則無所滯著也。 「降伏心過惡」者,第二歎解脫。 前既明法身,則無非法,故次明解脫。 又前既對生死之報以明法身,今對生死之業,故次明解脫。 降伏心過惡者,斷意地煩惱,除其因患,謂心解脫也。 「及以身四種」,歎離果患。 身有生老病死四種之縛,佛悉斷盡,故言身四種。 色難已窮、心滯復盡,便到佛果難伏之地。 如來生不能生、老不能老、病不能病、死不能死,故云難伏地。 佛能伏於眾累,不為眾累所伏。 以能伏眾累,不為眾累所伏,便是自在法王,是故致敬。 有人言:身四種者,分段之身四大所成,以為四種。 如六種成人,是業果義。 言難伏地者,謂金剛心,金剛能滅眾惑,不為眾惑所侵,故言已到。 馥師以無明住地為難伏地,無始無明最為大力,唯佛能除。 二乘不斷,到之言度,謂已過此累也。 此實是斷,而言伏者,如降伏四魔。 難伏已伏,則高昇累表,於法自在,故稱法王。 有人言:降伏心過惡,則是遠離意三邪也。 及與身者,身三殺盜婬也。 及四種者,離口四過。 但舉身則兼口、言四則兼意三,蓋是偈要略之巧也。 「知一切爾炎」者,第三歎般若。 障累得除,功由般若,故次歎之。 又歎法身無感不應,讚解脫則無累不除,美般若則無境不照。 問:上云「智慧亦復然」已歎智竟,今何故復歎? 答:上略歎,今廣歎。 又上歎為成法身,今別歎般若也。 釋此不同。 有人言:知者,敘其能照之智也。 爾炎者,一切境界,是其所照境也。 攬智慧以成身,縱任達觀,故言「智慧身自在」也。 一切萬境秉在佛心,無不練知,故言「攝持一切法」。 妙德過人,堪可致敬,言「是故今敬禮」。 此不分智釋也。 初句境智一雙、次句體用一雙、下句能持所持一雙。 有人言:初句歎智能照盡有無,故云「知一切爾炎」。 一切即是有無二諦境。 次句歎智用隨心,故云自在。 第三一句,攝理在心,記持不忘,如鏡在高臺,萬像皆現,故云持一切法也。 初句明智體、次句明智用,此二句明遍知。 今辨常知也。 古注云:照得其會、理宣於解,為攝持。 有人言:初有兩句,歎於空慧; 「攝持一切法」,歎於有慧。 即權實二智,亦是一切智、一切種智也。 有人言:「知一切爾炎」,此歎一切智也。 爾炎謂智母,以能生智故。 又亦名為智境,則五明等法能生智解,故智母; 為智所照,名智境也。 「智慧身自在」者,歎無礙智也。 於諸法中,不假方便任運能知,故云自在也。 「攝持一切法」,歎清淨智也。 如實法性,謂一切法也。 明證在心,故曰攝持。 此三智出《地持》文。 《法華.囑累品》亦明三智,謂如來智、佛智、自然智,即是《地持》三也。 一切智,謂知世諦諸法。 以無礙智,於世諦法知之自在也。 三清淨智,證第一義。 又即是《法華經》三智,謂佛智、自然智、如來智。 「敬禮過稱量」下,有人言:上來別歎,今是結歎,亦云總歎。 正歎者,歎應身、法身、般若、解脫四德也。 今明結歎前四也,即成四別。 「敬禮過稱量」者,結歎前應身過於稱量境界也。 「敬禮無譬類」者,結歎前真身非譬類所及也。 「敬禮無邊法」者,結前歎解脫自在,離於繫縛,無邊表也。 「敬禮難思議」者,結前歎般若,內智深遠,下地不測也。 今明不然,前已四歎,今更結者便是煩重,又攝德不盡。
In the true nature of all phenomena, there is neither self nor non-self.' One should also say: The Buddhas sometimes speak of form, and sometimes speak of non-form. In the true nature of all phenomena, there is neither form nor non-form. Moreover, it is neither form nor not-form; not knowing what to name it, one praises it as form. It is also neither mind nor not-mind; not knowing what to name it, one praises it as mind. Therefore, form and the formless do not contradict each other in meaning. Furthermore, if one says that there is form distinct from mind, or mind distinct from form, this becomes two views. The sūtra says: 'Those who hold to duality have neither the path nor the fruit.' Again, if one says that there is form and there is mind, it is called having apprehension. Those who have apprehension lack the four unobstructed knowledges. Although this is only a single phrase of the sūtra—'having form and being formless'—it is indeed a great matter of the Buddha-Dharma; it must entirely be resolved using Nāgārjuna's intent, and then there will be no stagnation or attachment.
'Having subdued the faults and evils of the mind' is the second praise, praising liberation. Having previously explained the dharmakāya, wherein there is no un-Dharma, liberation is explained next. Moreover, having previously explained the dharmakāya in opposition to the retributive results of birth and death, liberation is now explained in opposition to the karma of birth and death. 'Having subdued the faults and evils of the mind' refers to severing the afflictions of the mental ground and eliminating their causal afflictions; this is called mental liberation.
'As well as the four kinds of the body' praises freedom from the afflictions of fruition. The body has four kinds of bondage: birth, old age, sickness, and death. The Buddha has completely severed them all; therefore it says 'the four kinds of the body.' When bodily tribulations are exhausted and mental entanglements are also ended, one reaches the ground of difficult subdual of the Buddha-fruit. Because for the Tathāgata, birth cannot bring about birth, old age cannot age [him], sickness cannot sicken [him], and death cannot kill [him], it is called the 'ground of difficult subdual.' The Buddha can subdue all burdens and is not subdued by all burdens. Because he can subdue all burdens and is not subdued by all burdens, he is the sovereign Dharmarāja; for this reason, homage is paid.
Some say: 'The four kinds of the body' refers to the body of mortal transmigration composed of the four great elements, taking these as the four kinds. Just as six elements form a person, this is the meaning of karmic fruition. When it speaks of the 'ground of difficult subdual,' it refers to the vajra-mind; the vajra can destroy all delusions and is not infringed upon by all delusions; thus it says 'having reached.' Master Fu took the ground of the entrenchment of ignorance as the ground of difficult subdual: beginningless ignorance is the most powerful, and only the Buddha can eliminate it. The two vehicles do not sever it; 'reaching' means crossing over, meaning that he has already transcended this burden. This is truly severance, but it is spoken of as subdual, just like subduing the four Māras. Having subdued what is difficult to subdue, he rises high above burdens and is sovereign in phenomena; thus he is called the Dharmarāja.
Some say: Subduing the faults and evils of the mind means departing from the three wrong actions of the mind. 'As well as the body' refers to the three bodily actions of killing, stealing, and sexual misconduct. 'And the four kinds' refers to departing from the four faults of speech. Merely raising the body subsumes speech; mentioning the four subsumes the three of the mind. This is indeed the skill of verse condensation.
'Knowing all jñeya' is the third praise, praising prajñā. That hindrances and burdens are eliminated is due to the efficacy of prajñā; therefore it is praised next. Moreover, praising the dharmakāya means that there is no stimulus to which it does not respond; praising liberation means that there is no burden it does not eliminate; and extolling prajñā means that there is no object it does not illuminate.
Question: Above, 'wisdom is likewise thus' had already finished praising wisdom; why praise it again here?
Answer: Above was a brief praise; here is an extensive praise. Furthermore, the praise above was to complete the dharmakāya; here, prajñā is praised separately.
Explanations of this differ. Some say: 'Knowing' relates the wisdom that can illuminate. 'Jñeya' refers to all objective spheres, which are the objects illuminated by it. Gathering wisdom to form the body and freely giving rein to thorough insight, it therefore says 'the wisdom-body is sovereign.' All the myriad spheres are held within the Buddha's mind, and there is none he does not thoroughly know; thus it says 'comprehending and holding all phenomena.' His wondrous virtue surpasses others, making him worthy of paying homage; it says 'therefore I now pay homage.' This is an explanation that does not divide wisdom.
The first line is the pair of object and wisdom; the next line is the pair of substance and function; the lower line is the pair of that which holds and that which is held.
Some say: The first line praises wisdom being able to illuminate completely existence and non-existence, thus saying 'knowing all jñeya.' 'All' means the objective spheres of the two truths of existence and non-existence. The next line praises the function of wisdom according with the mind, thus saying 'sovereign.' The third line means taking the principle into the mind, retaining and not forgetting it, just as a mirror upon a high terrace reflects all myriad images; thus it says 'holding all phenomena.' The first line explains the substance of wisdom; the next line explains the function of wisdom. These two lines explain all-knowingness. Now it clarifies constant knowing. An ancient commentary says: Illuminating and encountering their union, the principle is proclaimed in understanding; this is 'comprehending and holding.'
Some say: The first two lines praise empty wisdom; 'comprehending and holding all phenomena' praises existent wisdom. That is, the two wisdoms of upāya and reality; they are also the all-knowledge and the knowledge of all modes.
Some say: 'Knowing all jñeya' praises the all-knowledge. Jñeya means the mother of wisdom, because it can give birth to wisdom. It is also called the object of wisdom: phenomena such as the five sciences can give birth to wisdom-understanding, so it is the mother of wisdom; being illuminated by wisdom, it is called the object of wisdom. 'The wisdom-body is sovereign' praises unobstructed wisdom. Among all phenomena, knowing spontaneously without relying on upāya, it is thus called 'sovereign.' 'Comprehending and holding all phenomena' praises pure wisdom. The true nature of phenomena is what is meant by 'all phenomena.' Clearly realizing it in the mind, it is called 'comprehending and holding.' These three wisdoms come from the text of the *Bodhisattvabhūmi*. The 'Entrustment' chapter of the *Lotus Sūtra* also explains three wisdoms: Tathāgata-wisdom, Buddha-wisdom, and spontaneous wisdom, which are the three of the *Bodhisattvabhūmi*. All-knowledge refers to knowing all phenomena of conventional truth. With unobstructed wisdom, one knows phenomena of conventional truth with sovereignty. Third, pure wisdom realizes the primary truth. These are also the three wisdoms of the *Lotus Sūtra*: Buddha-wisdom, spontaneous wisdom, and Tathāgata-wisdom.
From 'Homage to that which exceeds measurement' downward, some say: The above was a distinct praise; this is a concluding praise, also called a comprehensive praise. The direct praise praises the four virtues of the response body, dharmakāya, prajñā, and liberation. Now it clarifies the concluding praise of the previous four, which forms four distinct [praises]. 'Homage to that which exceeds measurement' is the concluding praise of the previous response body exceeding the sphere of measurement. 'Homage to that which has no comparison' is the concluding praise of the previous true body being beyond the reach of comparison. 'Homage to the boundless Dharma' concludes the previous praise of liberation being sovereign, free from fetters, and without boundary or limit. 'Homage to the difficult to conceive' concludes the previous praise of prajñā, whose internal wisdom is deep and far-reaching, unfathomable by lower stages. Now it is explained that this is not so: having already made four praises above, to conclude them again here would be redundant and burdensome, and it also would not exhaustively gather the virtues.
1.37.4
今明所以有此文來者,上但略歎三德,人情謂如來理極於此,故今明如來體與虛空同量不可窮盡,上所歎者略歎少分耳。 又上來歎如來德,人謂佛德可歎; 今明歎所不能歎,乃窮稱歎之美,故有此文來也。 又上歎四德,此一一德具過稱量等四義。 世間之物,可稱其重輕、量其長短; 佛德過稱之故,言過稱量也。 世間之物,可以譬況、可以類取; 佛德不爾,故云無譬類。 世間之物,有其邊表畔齊; 佛德不爾,故稱無邊法。 世間之法,可以心思、可以口議; 佛德不爾,故言敬禮難思議也。 問:云何名為難思議? 答:夫欲禮佛,須精識佛。 龍樹《中論》云「如來在世時,不言有與無,亦有及亦無,非有及非無。 」滅後亦爾,佛既絕乎四句,不可作四句而禮。 若作有而禮,佛非是有,此則謗佛。 又是禮有,不名禮佛。 下三句亦然。 問:作絕四句而禮,是禮佛不? 答:亦非禮佛。 所以然者,《大品》云「行亦不受,亦行亦不行亦不受,非行非不行亦不受,不受亦不受。 」則知五句皆捨。 而般若即是佛,龍樹云:「若如法觀佛,般若及涅槃,是三則一相,其實無有異。 」故知般若絕五,佛亦如之。 問:所禮之佛既絕五句,能禮之人其義云何? 答:須識不二二義、二不二義。 若不二而二,師弟宛然; 二而不二,則尊卑寂滅。 故《維摩》云「普於一切國,供養諸如來,諸佛及以身,無有分別想。 」此意明上半即是不二二義,下半即是二不二義也。 禮佛既爾,念與歸依義亦如是。 此雖一句之經,乃是佛法大事,不可不留心也。
Now it is explained that the reason this text appears is that above, the three virtues were only briefly praised, and human sentiment might assume that the Tathāgata's principle culminates here. Therefore, it is now explained that the Tathāgata's essence is equal in measure to empty space and cannot be exhausted; what was praised above was merely a brief praise of a small fraction. Furthermore, the above praised the Tathāgata's virtues, and people assumed that the Buddha's virtues could be praised; now it is explained that praising what cannot be praised exhausts the excellence of praise; hence this text appears. Moreover, the four virtues were praised above, and each one of these virtues is endowed with the four meanings of exceeding measurement and the like. Worldly things can be weighed for their lightness and heaviness, or measured for their length and shortness; because the Buddha's virtues exceed weighing, it says 'exceeds measurement.' Worldly things can be illustrated by metaphor or categorized by likeness; the Buddha's virtues are not like this, so it says 'has no comparison.' Worldly things have boundaries, edges, and limits; the Buddha's virtues are not like this, so it is called 'the boundless Dharma.' Worldly phenomena can be thought of with the mind and discussed with speech; the Buddha's virtues are not like this, so it says 'homage to the difficult to conceive.'
Question: Why is it called 'difficult to conceive'?
Answer: One who wishes to pay homage to the Buddha must accurately recognize the Buddha. Nāgārjuna's *Mūlamadhyamakakārikā* states: 'When the Tathāgata was in the world, he did not say existent or non-existent, both existent and non-existent, or neither existent nor non-existent.' It is likewise after his extinction. Since the Buddha is completely beyond the four propositions, one cannot pay homage by framing him within the four propositions. If one pays homage treating him as existent, the Buddha is not existent, and this is slandering the Buddha. Moreover, this is paying homage to existence, and is not called paying homage to the Buddha. The lower three propositions are also like this.
Question: If one pays homage while transcending the four propositions, is that paying homage to the Buddha?
Answer: It is also not paying homage to the Buddha. Why is this so? The *Pañcaviṃśatisāhasrikā Prajñāpāramitā* says: 'Practice is also not accepted; both practice and non-practice are also not accepted; neither practice nor non-practice is also not accepted; non-acceptance is also not accepted.' Thus we know that all five propositions are relinquished. And prajñā is none other than the Buddha. Nāgārjuna says: 'If one contemplates the Buddha in accordance with the Dharma, prajñā, and nirvāṇa, these three are of one characteristic, and in reality there is no difference.' Therefore, we know that prajñā is beyond five [propositions], and the Buddha is likewise.
Question: Since the Buddha who is the object of homage is beyond the five propositions, what is the meaning of the person who pays homage?
Answer: One must recognize the meaning of duality in non-duality, and the meaning of non-duality in duality. If there is duality in non-duality, master and disciple are distinctly evident; if there is non-duality in duality, then high and low are quiescent and extinguished. Therefore, the *Vimalakīrti-nirdeśa* says: 'Everywhere in all lands, make offerings to the Tathāgatas; regarding the Buddhas and oneself, there is no conceptual thought of distinction.' The intent here clarifies that the first half is the meaning of duality in non-duality, and the second half is the meaning of non-duality in duality. Paying homage to the Buddha being like this, the meanings of mindfulness and taking refuge are also like this. Although this is only a single phrase of the sūtra, it is indeed a great matter of the Buddha-Dharma, and one must not fail to pay close attention to it.
Translations (1)
- English (machine translation) — English, machine translation