<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/in.bauddha.taisho.1772.2.71 -->

[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [觀彌勒上生兜率天經贊](https://indike.org/pramana/in.bauddha.taisho.1772) › 2.71

# 觀彌勒上生兜率天經贊 2.71

觀彌勒上生兜率天經贊 2.71

- **Language:** Classical Chinese

### [2.71](https://indike.org/pramana/in.bauddha.taisho.1772.2.71)

贊曰：第四大段願遂中大神造柱。於中有四：一於宮四角各有一柱。二寶柱各有寶珠樓閣梵摩尼者，謂淨摩尼或大梵王如意珠也，此柱皆以梵如意珠而為交絡。三閣間天女手執樂器。四樂音演法。內修四念住心住不動，外感四柱種種莊嚴。

> The commentary says: The fourth major section, on the fulfillment of vows, concerns the great deity creating the pillars. Here there are four points: 1. at each of the four corners of the palace there is a pillar; 2. each of the jeweled pillars has jeweled multi-storied pavilions, and 'Brahmā-maṇi' refers to pure maṇi or the cintāmaṇi of the Great Brahmā King, these pillars all being interlaced with Brahmā cintāmaṇis; 3. the heavenly maidens within the pavilions hold musical instruments in their hands; 4. the musical sounds expound the Dharma. Inwardly cultivating the four applications of mindfulness, the mind abides unmoving; outwardly this evokes the various adornments of the four pillars.  
> — English (machine translation) (machine translation)

- [Previous: 2.70](https://indike.org/pramana/in.bauddha.taisho.1772.2.70)
- [Next: 2.72](https://indike.org/pramana/in.bauddha.taisho.1772.2.72)
- [Up: 2](https://indike.org/pramana/in.bauddha.taisho.1772.2)

## Translations (1)

- [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1772~en-mt.2.71) — English, machine translation

---
Source: [https://indike.org/pramana/in.bauddha.taisho.1772.2.71](https://indike.org/pramana/in.bauddha.taisho.1772.2.71) · Pramāṇa
