[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [維摩經略疏垂裕記](https://indike.org/pramana/in.bauddha.taisho.1779) › 10.24 # 維摩經略疏垂裕記 10.24 維摩經略疏垂裕記 10.24 - **Language:** Classical Chinese ### [10.24](https://indike.org/pramana/in.bauddha.taisho.1779.10.24) 二、「至于」下，釋三塗果。「入無垢三昧」者，荊溪云：此中諸文皆用二十五三昧中諸三昧者，以王三昧秖是三諦三昧故耳。以依次第但唯用俗，下去諸句一一悉然。婆藪，如前記。象等，具如《止觀記》中。鵽鳥，篤括反。《爾雅》郭璞注云「大如鴿，似雌雉。」 > Second, under "As for..." explaining the fruits of the three destinies. Regarding "Entering the immaculate samādhi": Jingxi says: The various samādhis among the twenty-five samādhis are all used in these passages because the king of samādhis is simply the samādhi of the three truths. Because it is based on stages, it only employs the conventional; the lines below are all likewise. Vasu is as recorded previously. The elephant and so forth are fully as in the Record of Cessation and Contemplation. The dwo-bird (duo gua fan): Guo Pu's commentary on the Erya says: "It is as large as a pigeon and resembles a female pheasant." > — English (machine translation) (machine translation) - [Previous: 10.23](https://indike.org/pramana/in.bauddha.taisho.1779.10.23) - [Next: 10.25](https://indike.org/pramana/in.bauddha.taisho.1779.10.25) - [Up: 10](https://indike.org/pramana/in.bauddha.taisho.1779.10) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1779~en-mt.10.24) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.1779.10.24](https://indike.org/pramana/in.bauddha.taisho.1779.10.24) · Pramāṇa