[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [注大乘入楞伽經](https://indike.org/pramana/in.bauddha.taisho.1791) › 4.112 # 注大乘入楞伽經 4.112 注大乘入楞伽經 4.112 - **Language:** Classical Chinese ### [4.112](https://indike.org/pramana/in.bauddha.taisho.1791.4.112) 又通頌七喻，顯有無、一異、常無常等四句見不實。畫喻上文無。 > This again generally versifies seven analogies, revealing that views of the four propositions—such as existence and non-existence, identity and difference, permanence and impermanence—are unreal. The analogy of painting was not in the text above. > — English (machine translation) (machine translation) - [Previous: 4.111](https://indike.org/pramana/in.bauddha.taisho.1791.4.111) - [Next: 4.113](https://indike.org/pramana/in.bauddha.taisho.1791.4.113) - [Up: 4](https://indike.org/pramana/in.bauddha.taisho.1791.4) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1791~en-mt.4.112) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.1791.4.112](https://indike.org/pramana/in.bauddha.taisho.1791.4.112) · Pramāṇa