[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [大毘盧遮那成佛經疏](https://indike.org/pramana/in.bauddha.taisho.1796) › 16.20 # 大毘盧遮那成佛經疏 16.20 大毘盧遮那成佛經疏 16.20 - **Language:** Classical Chinese ### [16.20](https://indike.org/pramana/in.bauddha.taisho.1796.16.20) 次地神印。作寶瓶，圓白之中，其瓶插諸寶穀花果等嚴之，以金剛圍之。請召火天印，當側申右手，其風指第三節稍屈，又屈空指上節向掌中。若先直而屈，是請召也；若先屈而還展，是發遣也。當以諸大仙而圍遶之，謂迦葉、瞿曇仙等皆次畫之，並在火院之中。火院即是三角壇，其中色赤，名赤院也。其印如前五通仙人說四圍陀印是也。此是梵行者祕記，若誦圍陀者見此手印，知是何論何部等也。瞿曇仙（虛空中行欲，有二渧污下地，生地甘蔗、日炙，生二子，為釋王者是）、末建拏（坐禪，蟻作對遍身，恐損蟻，復入定者是）、竭伽仙（山名，約處得名也）、嚩私仙（即舊云婆藪仙人者也）、㼜竭羅私（是身汗液義也。此仙不從胎生，從汗液而生，故得名也），南方閻摩王當作風壇，壇中畫但荼印（若印等，此壇一角向身，一角向外也，或隨彼便安置）。王右邊畫死后，以鈴為印。若畫形即持之。左邊畫黑暗后，以幢為印，此幢也（梵云計都，亦旗也）。大自在忿怒，作輸羅印，此輸羅也，大自在子之后，作鑠底印，此鑠底也。大梵天明妃作蓮印，謂未開蓮也。那羅延，作輪印。七母，同用沒蘗羅印，此是也。俱吠離耶，作在毘沙門方頂骨印。此顱骨，以笑手狀持之（謂屈水地指於掌中，散舒餘三指如笑手狀，以持頂骨，如持鉢狀）。七母等眷屬，謂鷲狐及婆栖鳥（似鵄，少黃土色，觜亦黃，是鸇類也。此鳥有祕身法也），此等並在風輪中，圍遶七母等（凡閻王部類皆在風輪中也）。若持花，得此鳥等，亦持七母真言也。此等各別自有持誦法，今入此漫荼羅會，故爾皆悉以為莊嚴。泥哩底方，當作大刀印。那羅延天，作輪印（如上）。俱摩羅，作鑠底印（大自在之子）。難陀龍兄弟，作雲印（雲中有電，復有水形，俱在壇門邊也）。商羯羅，三戟印。商羯羅后，鉢致印。月天，作白瓶并有蓮。日天，作車輅印，在金輪中（即是正方壇也）。社耶、毘社耶，作弓印（亦在金剛輪中也。弓傍須有箭）風天，作風幢印。妙音天，作琵琶印。嚩嚕龍，作羂索印。如首，作圓漫荼羅，取本種子字圍之。大我，即告執金剛也。右此等略標印記，若廣作者具如法中，謂彼類各自在真言別行法也。以上釋迦部類行法也。 > Next, the Earth Deity's mudrā: make a treasure vase, within a round, white \[space\]; the vase is adorned with various precious grains, flowers, fruits, and the like inserted in it, surrounded by vajras. For the mudrā of invoking Agni, sideways extend the right hand, slightly bend the third joint of the wind finger, and bend the upper joint of the space finger toward the palm. If first straightened and then bent, it is invocation; if first bent and then extended, it is dismissal. He should be surrounded by great ṛṣis, meaning Kaśyapa, Gautama ṛṣi, and others drawn in succession, all residing within the fire tier. The fire tier is a triangular altar; its interior is red, called the red tier. Its mudrās are as previously described for the ṛṣis of the five superknowledges when explaining the four Veda mudrās. These are the secret records of the brahmacārins; if reciters of the Vedas see these hand mudrās, they know what treatise and what section they belong to. Gautama ṛṣi (who practiced desire in the open sky, two drops soiled the earth below, which produced sugarcane; scorched by the sun, it produced two sons who became the Śākya kings); Mārkaṇḍeya (who sat in dhyāna, and ants made nests covering his body, and fearing to hurt the ants, he re-entered samādhi); Garga ṛṣi (named after a mountain, taking his name from the place); Vasiṣṭha ṛṣi (the one formerly called the Vasu ṛṣi); and Śvetaraśmi (which means the sweat and secretions of the body; this ṛṣi was not born from a womb, but born from bodily sweat, hence obtaining this name). In the south, King Yama should be given a wind altar, within which the daṇḍa mudrā is drawn (for this mudrā and others, one corner of this altar faces the body and one corner faces outward, or it may be placed according to convenience). To the right of the king, draw Queen Mṛtyu, with a bell as her mudrā; if her body is drawn, she holds it. To the left, draw Queen Kālarātri, with a banner as her mudrā; this is a dhvaja (in Sanskrit, ketu, which is also a flag). Wrathful Maheśvara makes the śūla mudrā; this is a trident. The consort of the son of Maheśvara makes the śakti mudrā; this is a spear. The Vidyārājñī of Mahābrahmā makes the lotus mudrā, meaning an unblossomed lotus. Nārāyaṇa makes the wheel mudrā. The Seven Mātṛs together use the mudgara mudrā; this is a club. Kauverī makes the cranial bone mudrā in the direction of Vaiśravaṇa. This skull bone is held in the manner of the smiling hand (meaning bending the water and earth fingers in the palm, loosely extending the remaining three fingers in the manner of a smiling hand to hold the cranial bone, like holding an alms bowl). The retinue of the Seven Mātṛs and others means vultures, foxes, and the vāsa bird (resembling an osprey, somewhat yellow-ochre in color, with a yellow beak, of the falcon family; this bird possesses the method of concealing the body), and these are all within the wind wheel, surrounding the Seven Mātṛs and the others (in general, the retinue of King Yama are all within the wind wheel). If holding flowers, one also acquires these birds and the like, and also upholds the mantras of the Seven Mātṛs. Each of these individually has its own recitation ritual; now they enter this maṇḍala assembly, and thus they all serve as adornments. In the Nairṛti direction, one should make the great sword mudrā. Nārāyaṇa-deva makes the wheel mudrā (as above). Kumāra makes the śakti mudrā (he is the son of Maheśvara). The Nanda Nāga brothers make the cloud mudrā (clouds with lightning and the shape of water, both beside the altar gate). Śaṅkara makes the trident mudrā. Śaṅkara's consort makes the paṭṭi mudrā. Candra makes a white vase together with a lotus. Sūrya makes a chariot mudrā within a golden wheel (which is a square altar). Jaya and Vijaya make the bow mudrā (also within the vajra wheel; beside the bow there must be arrows). Vāyu makes the wind banner mudrā. Sarasvatī makes the vīṇā mudrā. Varuṇa Nāga makes the pāśa noose mudrā. According to the heads, make a circular maṇḍala, surrounded by their respective bīja syllables. The Great Self speaks to the Vajradhara. The above briefly indicates the mudrā marks; if performed extensively, it is fully as in the ritual manuals, meaning the separate ritual methods of the respective independent mantras of those classes. The above is the ritual method for the retinue of Śākyamuni. > — English (machine translation) (machine translation) - [Previous: 16.19](https://indike.org/pramana/in.bauddha.taisho.1796.16.19) - [Next: 16.21](https://indike.org/pramana/in.bauddha.taisho.1796.16.21) - [Up: 16](https://indike.org/pramana/in.bauddha.taisho.1796.16) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1796~en-mt.16.20) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.1796.16.20](https://indike.org/pramana/in.bauddha.taisho.1796.16.20) · Pramāṇa