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# 大毘盧遮那成佛經疏 16.9

大毘盧遮那成佛經疏 16.9

- **Language:** Classical Chinese

### [16.9](https://indike.org/pramana/in.bauddha.taisho.1796.16.9)

作此佛部漫荼羅，作圓漫荼羅，其圓如月，中白如貝色。此圓中先作白蓮花，花上盡三角，此三角中作赤色，其中畫佛像也（作何佛更問）。繞三角以金剛圍之，如圖也。繞三角置點，點，標也（更問）。其外輪作光，如却敵形也。圓外周匝安點（疑此點一一皆是本尊之位。更問。或可置字）。光普皆流出者，謂想光從佛身中流出，漸次流布在三角外也。真言主，謂本尊也，遍身有光流出。前大壇中亦有三角印，與此用處不同。前者但是印，此中置佛或置印，作法圓具於彼也。

> In constructing this Buddha-family maṇḍala, make a circular maṇḍala; its circle is like the moon, white inside like the color of a conch shell. Within this circle, first make a white lotus flower. Upon the flower is a complete triangle; inside this triangle, make it red, and paint a Buddha image within it (as to which Buddha is made, inquire further). Surround the triangle with vajras, as in the diagram. Around the triangle, place dots; the dots are markers (inquire further). On the outer wheel, make rays of light, shaped like parapets. Outside the circle, place dots all around (it is suspected that each of these dots is the station of a principal deity; inquire further; or perhaps syllables may be placed). "Light emanates everywhere" means visualizing light emanating from the Buddha's body and gradually spreading outside the triangle. The "Lord of Mantras" refers to the principal deity, with light emanating from his entire body. In the previous great altar there was also a triangular mudrā, but its application differs from this one. The former was merely a mudrā, whereas here a Buddha or a mudrā is installed, and the ritual procedure is fully provided there.  
> — English (machine translation) (machine translation)

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## Translations (1)

- [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.1796~en-mt.16.9) — English, machine translation

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Source: [https://indike.org/pramana/in.bauddha.taisho.1796.16.9](https://indike.org/pramana/in.bauddha.taisho.1796.16.9) · Pramāṇa
