[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [宏智禪師廣錄](https://indike.org/pramana/in.bauddha.taisho.2001) › 2.3 # 宏智禪師廣錄 2.3 宏智禪師廣錄 2.3 - **Language:** Classical Chinese ### [2.3](https://indike.org/pramana/in.bauddha.taisho.2001.2.3) 長蘆和尚。摭古德機緣二百則。頌以宣其義。拈以振其綱。揚淮壖兩席之光。繼雪竇百年之踵。爛成春意。東風暖而山被錦雲。湛作秋容。半夜寒而水懷璧月。縱奪有則。趣舍何心。剪蓁蘙而闢正塗。頌見古人之克力。震雷霆而破蟄戶。拈彰底事之全機。綿密契同。方圓㳷合。鑿枘不爽。斤斧亡痕。屈曲相通。肖貫珠之絲蟻。裴回相附。猶布雨之雲龍。赤肉團獨露真常。髑髏眼瀝乾漏識。箭鋒函蓋。影草探竿。脫功勳而空劫非家。垂方便而通身是手。洗磨鸞鑑。清吹排雲夢之氛。膠續鳳絃。雅韻奏雪樓之曲。禪人法潤集以成編。小子嗣宗序而為引。建炎三年自恣日敘。 > The venerable master of Changlu gathered two hundred encounter dialogues of ancient worthies, composing verses to proclaim their significance and raising their points to revitalise their essential guidelines. He raised high the radiance of the two seats by the banks of the Huai, following in the footsteps of Xuedou from a hundred years before. Blossoming into spring's mood, the east wind is warm and the mountains are cloaked in brocade clouds; settling into autumn's countenance, the midnight is cold and the waters harbour the jade moon. In letting go and snatching away there are standards; what mind is there for grasping or rejecting? Cutting away tangled brush to open the correct path, the verses reveal the ancient masters' dedicated effort. Thundering with lightning to break open the hibernators' dens, raising their points manifests the complete functioning of this matter. Meticulously harmonising and tallying, circle and square fully coincide; mortise and tenon never err, the axe leaves no mark. Winding and interconnecting, like an ant threading a pearl on a silk cord; hovering and adhering to each other, like clouds and dragons bringing down rain. The clump of red flesh alone exposes the true and constant; the skull's eye completely drains leaking consciousness. The point of an arrow and the box's lid; the shadow grass and the probing pole. Stripped of merits, the kalpa of emptiness is no home; bestowing expedient means, the entire body is hands. Washing and polishing the luan-bird mirror, the clear breeze disperses the mist of Yunmeng; splicing the phoenix strings, elegant melodies play the tune of the Snow Tower. The Chan practitioner Farun gathered them into a volume; the junior Sizong wrote this preface as an introduction. Written on the day of Pravāraṇā, the third year of the Jianyan era. > — English (machine translation) (machine translation) - [Previous: 2.2](https://indike.org/pramana/in.bauddha.taisho.2001.2.2) - [Next: 2.4](https://indike.org/pramana/in.bauddha.taisho.2001.2.4) - [Up: 2](https://indike.org/pramana/in.bauddha.taisho.2001.2) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.2001~en-mt.2.3) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.2001.2.3](https://indike.org/pramana/in.bauddha.taisho.2001.2.3) · Pramāṇa