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宗鏡錄 18.25

宗鏡錄 18.25

Language
Classical Chinese

18.25.1

答。 不共作一佛。 不各各自成。 此義難了。 試舉喻看。 如國清寺。 法界也。 住寺僧。 古佛也。 遠人暫遊。 暫感佛也。 他日愛慕剃髮。 配寺。 國清即我寺也。 五峯松徑。 臺殿房廊。 悉我有也。 頓得受用。 不減他物。 成我家也。 不人人別造一寺也。 不若他分一寺也。 分即隨人去。 常住法界不可分也。 此義出涅槃經中。 譬如路有一大樹。 樹陰清涼。 來者即納。 無人遮護。 無持去者。 既印金口。 可以奉持。 又機應相關。 感應緣會。 能見一切無邊佛事。 以佛是增上緣。 廣大悲願。 慈善根力。 以眾生是等流果。 志誠所感。 根熟而見。 然總不出自心。 如師子現指。 醉象禮足。 慈母遇子。 盲賊得明。 城變瑠璃。 石舉空界。 釋女瘡合。 調達病痊。 皆是本師。 積劫熏修慈善根力。 令一切眾生。 自心所見。 如上等事。 可證今文。 故大涅槃經云。 佛言。 善男子。 如提婆達多。 教阿闍世王。 欲害如來。 是時我入王舍大城。 次第乞食。 阿闍世王。 即放護財狂醉之象。 欲令害我。 及諸弟子。 乃至我於爾時。 為欲降伏護財象故。 即入慈定。 舒手示之。 即於五指出五師子。 是象見已。 其心怖畏。 尋即失糞。 舉身投地。 敬禮我足。 善男子。 我於爾時。 手五指頭。 實無師子。 乃是修慈善根力故。 令彼調伏。 復次善男子。 我欲涅槃。 始初發足。 向拘尸那城。 有五百力士。 於其中路。 平治掃灑。 中有一石。 眾欲舉棄。 盡力不能。 我時憐愍。 即起慈心。 彼諸力士。 尋即見我。 以足拇指。 舉此大石擲置虛空。 還以手接。 安置右掌。 吹令碎粖。 復還聚合。 令彼力士。 貢高心息。 即為略說種種法要。 令其俱發阿耨多羅三藐三菩提心。 善男子。 如來爾時。 實不以指。 舉此大石。 在虛空中。 還置右掌。 吹令碎粖復合如本。 善男子。 當知即是慈善根力。 令諸力士見如是事。 復次善男子。 此南天竺。 有一大城。 名首波羅。 於是城中。 有一長者。 名曰盧至。 為眾導主。 已於過去無量佛所。 植諸善本。 善男子。 彼大城中。 一切人民。 信伏邪道。 奉事尼乾。 我時欲度彼長者故。 從王舍城。 至彼城邑。 其路中間相去六十五由旬。 步涉而往。 為欲化度彼諸人故。 彼眾尼乾。 聞我欲至首波羅城。 即作是念。 沙門瞿曇。 若至此者。 此諸人民。 便當捨我。 更不供給。 我等窮悴。 奈何自活。 諸尼乾輩。 各各分散。 告彼城人。 沙門瞿曇今欲來此。 然彼沙門。 委棄父母。 東西馳騁。 所至之處。 能令土地穀米不登。 人民饑饉。 死亡者眾。 病瘦相尋。 無可救解。 瞿曇無賴。 純將諸惡羅剎鬼神。 以為侍從。 無父無母。 孤窮之人。 而來諮啟為作門徒。 所可教詔。 純說虛空。 隨其至處。 初無安樂。 彼人聞已。 即懷怖畏。 頭面敬禮尼乾子足。 白言。 大師。 我等今者。 當設何計。 尼乾答言。 沙門瞿曇。 性好叢林。 流泉清水。 外設有者。 宜應破壞。 汝等便可相與出城。 諸有之處。 斬伐令盡。 莫使有遺。 流泉井池。 悉置糞穢。 堅閉城門。 各嚴器仗。 當壁防護。 勤自固守。 彼設來者。 莫令得前。 若不前者。 汝當安隱。 我等亦當作種種術。 令彼瞿曇。 復道還去。 彼諸人民。 聞是語已。 敬諾施行。 斬伐樹木。 污辱諸水。 莊嚴器仗。 牢自防護。 善男子。 我於爾時。 至彼城已。 不見一切樹木叢林。 唯見諸人莊嚴器仗。 當壁自守。 見是事已。 尋生憐愍。 慈心向之。 所有樹木還生如本。 復更生長。 其餘諸樹。 不可稱計。 河池泉井。 其水清淨。 盈滿其中。 如青瑠璃。

Answer: They do not together make up a single Buddha, nor does each separately become one. This principle is difficult to comprehend; let us try to cite an analogy to consider it. It is like Guoqing Monastery: it is the dharmadhātu. The monks residing in the monastery are the ancient Buddhas. A traveler from afar visiting temporarily is one who temporarily resonates with the Buddha. On a later day, out of admiration he shaves his head and is assigned to the monastery; Guoqing is then my monastery. The pine paths of the Five Peaks, the terraces, halls, chambers, and corridors—all are mine. Instantly I obtain their enjoyment, without diminishing what belongs to others; it becomes my home. It is not that each person separately constructs a monastery; nor is it like others dividing up a monastery. If it were divided, it would depart along with the person; but the ever-abiding dharmadhātu cannot be divided. This meaning comes from the Nirvāṇa Sūtra: for example, by the road there is a great tree; its shade is cool and refreshing, and anyone who comes receives it, with no one barring them and no one carrying it away. Since this has been sealed by the golden mouth [of the Buddha], it can be upheld and practiced. Furthermore, capacity and response are interrelated; when the conditions of resonance and response converge, one can see all boundless Buddha-activities. This is because the Buddha is the sovereign condition, with his vast compassionate vows and the power of his wholesome roots of benevolence; and sentient beings are the fruition of equal flow, responding through their utmost sincerity, seeing him when their faculties are mature. Yet in general, none of this goes beyond one's own mind. Like the manifestation of lions from the fingers, the drunken elephant bowing to the feet, the compassionate mother meeting her child, the blind thief gaining sight, the city turning into lapis lazuli, the rock being hoisted into empty space, the Śākya woman's sores healing, and Devadatta's illness being cured—all are the power of the wholesome roots of benevolence cultivated and perfumed through accumulated kalpas by our original teacher, causing all sentient beings to see them within their own minds. Such matters as those above can corroborate the present text. Therefore the Mahāparinirvāṇa Sūtra says: The Buddha said: "Good son, when Devadatta instructed King Ajātaśatru to harm the Tathāgata, at that time I entered the great city of Rājagṛha, begging for food in sequential order. King Ajātaśatru then released the wild, intoxicated elephant Dhanapāla, intending to harm me and my disciples. Thereupon, in order to subdue the elephant Dhanapāla, I entered the absorption of loving-kindness, extended my hand and displayed it to him, whereupon five lions emerged from my five fingers. When the elephant saw this, fear arose in its mind, and it immediately evacuated its bowels, threw its whole body to the ground, and paid homage at my feet. Good son, at that time, at the tips of the five fingers of my hand there were in reality no lions; it was merely through the power of having cultivated the wholesome roots of benevolence that I caused him to be subdued. "Furthermore, good son, when I was about to enter nirvāṇa and had just set out toward the city of Kuśinagara, there were five hundred wrestlers along the road leveling, sweeping, and sprinkling it. In the middle of the road was a boulder; the crowd wished to lift and remove it, but with all their strength they could not. At that time I felt pity and gave rise to a mind of loving-kindness. Those wrestlers immediately saw me lift this great boulder with my big toe, hurl it into the sky, catch it again with my hand, place it on my right palm, blow on it so that it shattered into powder, and then bring it together again as before, causing the wrestlers' pride to subside. I then briefly expounded various essentials of the Dharma for them, causing them all to give rise to the mind of anuttarasaṃyaksaṃbodhi. Good son, at that time the Tathāgata in truth did not lift this great boulder with his toe, hold it in the sky, place it back on his right palm, blow on it to shatter it into powder, and restore it as it originally was. Good son, you should know that it was the power of the wholesome roots of benevolence that caused the wrestlers to see such things. "Furthermore, good son, in South India there is a great city named Śūrpāraka. In this city there was an elder named Ruci, who was a leader of the multitude and had already planted wholesome roots before immeasurable Buddhas of the past. Good son, in that great city all the people had faith in and submitted to heterodox paths, serving the Nirgranthas. At that time, wishing to deliver that elder, I traveled on foot from the city of Rājagṛha to that city, a distance of sixty-five yojanas between them along the road, wishing to transform and deliver those people. When those Nirgranthas heard that I was about to arrive at the city of Śūrpāraka, they had this thought: 'If the recluse Gautama arrives here, these people will surely abandon us and provide for us no longer; we will be impoverished and distressed—how will we sustain ourselves?' The Nirgranthas then dispersed in various directions and told the people of that city: 'The recluse Gautama now wishes to come here. But that recluse abandoned his father and mother, rushing about east and west; wherever he goes, he causes the land to fail to yield grain, the people to suffer famine, many to die, and emaciation and disease to follow one after another without relief. Gautama is a vagrant who brings only evil rākṣasas and spirits as his retinue; fatherless, motherless, solitary and destitute people come to inquire of him and become his disciples. What he teaches speaks purely of emptiness; wherever he goes, there is never any peace or joy.' When those people heard this, they harbored fear, bowed their heads to the ground in homage at the feet of the Nirgranthas, and said: 'Great teachers, what plan should we devise now?' The Nirgranthas replied: 'The recluse Gautama by nature loves groves, forests, flowing springs, and clear waters; if there are any outside, they ought to be destroyed. You should go out of the city together, wherever such things exist, and cut them all down completely, leaving none behind. In flowing springs, wells, and ponds, deposit filth and feces. Firmly bolt the city gates, let each equip their weapons, guard the ramparts, and vigilantly maintain your defense. If he should come, do not let him advance. If he does not advance, you will be secure. We shall also perform various arts to cause that Gautama to retrace his path and depart.' Having heard these words, those people respectfully assented and carried them out: cutting down trees, polluting all waters, equipping weapons, and firmly defending themselves. Good son, when I arrived at that city at that time, I did not see any trees, groves, or forests; I saw only the people equipped with weapons, guarding themselves upon the walls. Having seen this, I immediately felt pity and directed a mind of loving-kindness toward them: all the trees grew back as they originally were, and grew even further, and the remaining trees were beyond count; the rivers, ponds, springs, and wells became filled with pure water, like blue lapis lazuli."

English (machine translation) (machine translation)

18.25.2

生眾雜華。 彌覆其上。 變其城壁。 為紺瑠璃。 城內人民。 悉得徹見我及大眾。 門自開闢。 無能制者。 所嚴器仗。 變成雜華。 盧至長者而為上首。 與其人民俱共相隨。 往至佛所。 我即為說種種法要。 令彼諸人。 一切皆發阿耨多羅三藐三菩提心。 善男子。 我於爾時。 實不化作種種樹木。 清淨流水。 盈滿河池。 變其本城。 為紺瑠璃。 令彼人民徹見於我。 開其城門。 器仗為華。 善男子。 當知皆是慈善根力。 能令彼人見如是事。 復次善男子。 舍衛城中。 有婆羅門女。 姓婆私吒。 唯有一子。 愛之甚重。 遇病命終。 爾時女人。 愁毒入心。 狂亂失性。 裸形無恥。 遊行四衢。 啼哭失聲。 唱言。 子子汝何處去。 周遍城邑。 無有疲已。 而是女人。 已於先佛植眾德本。 善男子。 我於是女。 起慈愍心。 是時女人。 即得見我。 便生子想。 還得本心。 前抱我身嗚𠯗我口。 我時即告。 侍者阿難。 汝可持衣。 與是女人。 既與衣已。 便為種種說諸法要。 是女聞法。 歡喜踊躍。 發阿耨多羅三藐三菩提心。 善男子。 我於爾時。 實非彼子。 彼非我母。 亦無抱持。 善男子。 當知皆是慈善根力。 令彼女人見如是事。 復次善男子。 波羅柰城。 有優婆夷。 字曰摩訶斯那達多。 已於過去無量光佛。 種諸善根。 是優婆夷。 夏九十日。 請命眾僧。 奉施醫藥。 是時眾中有一比丘。 身嬰重病。 良醫診之。 當須肉藥。 若得肉者。 病則可除。 若不得肉。 命將不全。 時優婆夷。 聞醫此言。 尋持黃金。 遍至市𮠔。 唱如是言。 誰有肉賣。 吾以金買。 若有肉者。 當等與金。 周遍城市求不能得。 是優婆夷。 尋自取刀割其髀肉。 切以為臛。 下種種香。 送病比丘。 比丘服已。 病即得差。 是優婆夷。 患瘡苦惱。 不能堪忍。 即發聲言。 南無佛陀。 南無佛陀。 我於爾時。 在舍衛城。 聞其音聲。 於是女人。 起大慈心。 是女尋見我持良藥。 塗其瘡上。 還合如本。 我即為其種種說法。 聞法歡喜。 發阿耨多羅三藐三菩提心。 善男子。 我於爾時。 實不往至波羅奈城。 持藥塗是優婆夷瘡。 善男子。 當知皆是慈善根力。 令彼女人見如是事。 復次善男子。 調達惡人。 貪不知足。 多服酥故。 頭痛腹滿。 受大苦惱。 不能堪忍。 發如是言。 南無佛陀。 南無佛陀。 我時住在優禪尼城。 聞其音聲。 即生慈心。 爾時調達。 尋便見我往至其所。 手摩頭腹。 授與鹽湯。 而令服之。 服已平復。 善男子。 我實不往調達所。 摩其頭腹。 授湯令服。 善男子。 當知皆是慈善根力。 令調達見如是事。 復次善男子。 憍薩羅國。 有諸群賊。 其數五百。 群黨抄劫。 為害滋甚。 波斯匿王。 患其縱暴。 遣兵伺捕。 得已挑目。 逐著黑闇叢林之下。 是諸群賊。 已於先佛植眾德本。 既失目已。 受大苦惱。 各作是言。 南無佛陀。 南無佛陀。 我等今者。 無有救護。 啼哭號咷。 我時住在祇桓精舍。 聞其音聲。 即生慈心。 時有涼風。 吹香山中。 種種香藥滿其眼眶。 尋還得眼。 如本不異。 諸賊開眼。 即見如來住立其前。 而為說法。 賊聞法已。 發阿耨多羅三藐三菩提心。 善男子。 我於爾時。 實不作風。 吹香山中種種香藥。 住其人前而為說法。 善男子。 當知皆是慈善根力。 令彼群賊見如是事。 復次善男子。 瑠璃太子。 以愚癡故。 廢其父王。 自立為主。 復念宿嫌。 多害釋種。 取萬二千釋種諸女。 刵劓耳鼻。 斷截手足。 推之坑塹。 時諸女人。 身受苦惱。 作如是言。 南無佛陀。 南無佛陀。 我等今者。 無有救護。 復大號咷。 是諸女人。

produced diverse flowers completely covering over it, transforming its city walls into deep blue lapis lazuli. The people within the city were all able to see through clearly to me and the great assembly. The gates opened of themselves, with none able to hinder them. The weapons they had arrayed turned into assorted flowers. With the elder Ruci as their leader, the people accompanied one another and went to where the Buddha was. I then taught them various essential dharmas, causing all of those people to generate the aspiration for anuttarasamyaksaṃbodhi. Good sons, at that time I did not truly conjure various trees, pure flowing waters, overflowing rivers and ponds, nor transform their native city into deep blue lapis lazuli, nor cause those people to see clearly through to me, open their city gates, or turn weapons into flowers. Good sons, you should know that these were all the power of the roots of goodness of loving-kindness, which could cause those people to see such things. Furthermore, good sons, in the city of Śrāvastī there was a brahmin woman of the Vāsiṣṭha clan who had only an only son whom she loved deeply. When he contracted an illness and died, the woman's grief pierced her heart like poison; she was driven mad and lost her sanity. Naked without shame, she wandered about the four crossroads weeping and wailing, crying out, 'Child, child, where have you gone?' She traversed the cities and towns without fatigue. Yet this woman had already planted roots of virtue under past buddhas. Good sons, I gave rise to a mind of loving-kindness and pity toward this woman. At that time the woman was then able to see me, and immediately conceiving the thought that I was her child, she regained her original mind, came forward to embrace my body, and kissed my mouth. I then told my attendant Ānanda, 'You may take robes and give them to this woman.' After giving her robes, I preached various essential dharmas for her. Hearing the Dharma, the woman rejoiced exceedingly and generated the aspiration for anuttarasamyaksaṃbodhi. Good sons, at that time I was truly not her child, nor was she my mother, nor was there any embracing. Good sons, you should know that these were all the power of the roots of goodness of loving-kindness, which caused that woman to see such things. Furthermore, good sons, in the city of Vārāṇasī there was an upāsikā named Mahāsenadattā, who had already planted roots of goodness under past buddhas of immeasurable light. For ninety days of the summer, this upāsikā invited the saṅgha of monks and offered them medicines. At that time, one monk among the assembly was stricken with a grave illness. When a skilled physician examined him, [the physician stated that] he required meat as medicine: if he could obtain meat, the illness could be cured; if he could not obtain meat, his life would not be preserved. When the upāsikā heard these words of the physician, she immediately took gold and went throughout the marketplaces, crying out, 'Who has meat for sale? I will buy it with gold. If anyone has meat, I will give an equal amount of gold.' Having searched throughout the city, she was unable to obtain any. This upāsikā then took a knife, cut the flesh from her own thigh, minced it to make a broth, seasoned it with various spices, and sent it to the sick monk. After taking it, the monk's illness was cured. The upāsikā, tormented by the suffering of the wound beyond endurance, called out, 'Namo Buddhāya! Namo Buddhāya!' At that time, I was in the city of Śrāvastī. Hearing her voice, I gave rise to great loving-kindness toward this woman. The woman immediately saw me holding fine medicine, which I applied to her wound so that it joined back together as before. I then preached various dharmas for her. Hearing the Dharma, she rejoiced and generated the aspiration for anuttarasamyaksaṃbodhi. Good sons, at that time I did not truly go to the city of Vārāṇasī to apply medicine to this upāsikā's wound. Good sons, you should know that these were all the power of the roots of goodness of loving-kindness, which caused that woman to see such things. Furthermore, good sons, that evil man Devadatta was greedy and insatiable. Because he consumed a large amount of ghee, his head ached and his belly swelled, causing him great agony beyond endurance. He called out, 'Namo Buddhāya! Namo Buddhāya!' At that time I was staying in the city of Ujjayinī. Hearing his voice, I gave rise to a mind of loving-kindness. Devadatta then immediately saw me go to where he was, rub his head and belly with my hand, and give him salt broth to drink. Having drunk it, he recovered. Good sons, I did not truly go to where Devadatta was to rub his head and belly, nor give him broth to drink. Good sons, you should know that these were all the power of the roots of goodness of loving-kindness, which caused Devadatta to see such things. Furthermore, good sons, in the kingdom of Kośala there was a band of robbers, five hundred in number, who pillaged in gangs and caused immense harm. King Prasenajit, troubled by their violence, dispatched soldiers to watch for and capture them. Once captured, their eyes were gouged out, and they were cast out beneath a dark, dense forest. These robbers had already planted many roots of virtue under past buddhas. Having lost their eyes and experiencing great agony, each cried out, 'Namo Buddhāya! Namo Buddhāya! We now have no one to rescue or protect us!' and they wept and wailed. At that time I was staying in the Jeta Grove vihāra. Hearing their cries, I gave rise to a mind of loving-kindness. Then a cool breeze blew various fragrant medicines from Mount Gandhamādana, filling their eye sockets, and immediately their eyes were restored, no different from before. When the robbers opened their eyes, they saw the Tathāgata standing right before them, expounding the Dharma for them. Having heard the Dharma, the robbers generated the aspiration for anuttarasamyaksaṃbodhi. Good sons, at that time I did not truly make the wind blow various fragrant medicines from Mount Gandhamādana, nor stand before those people to expound the Dharma for them. Good sons, you should know that these were all the power of the roots of goodness of loving-kindness, which caused that band of robbers to see such things. Furthermore, good sons, Prince Virūḍhaka, out of foolishness, deposed his father the king and set himself up as ruler. Harboring an old grudge, he slaughtered many of the Śākya clan, taking twelve thousand Śākya women, cutting off their ears and noses, severing their hands and feet, and casting them into pits and moats. At that time, these women suffered agony and cried out, 'Namo Buddhāya! Namo Buddhāya! We now have no one to rescue or protect us!' and wailed loudly. These women,

English (machine translation) (machine translation)

18.25.3

已於先佛種諸善根。 我於爾時。 在竹林中。 聞其音聲。 即起慈心。 諸女爾時見我來至迦毘羅城。 以水洗瘡。 以藥傅之。 苦痛尋除。 耳鼻手足。 還復如本。 我時即為略說法要。 悉令俱發。 阿耨多羅三藐三菩提心。 即於大愛道比丘尼所。 出家受具足戒。 善男子。 如來爾時。 實不往至迦毘羅城。 以水洗瘡傅藥止苦。 善男子。 當知皆是慈善根力。 令彼女人見如是事。 悲喜之心。 亦復如是。 善男子。 以是義故。 菩薩摩訶薩。 修慈思惟。 即是真實。 非虛妄也。 善男子。 夫無量者。 不可思議。 菩薩所行。 不可思議。 諸佛所行。 亦不可思議。 是大乘典。 大涅槃經。 亦不可思議。 以此明文。 可為誠證。 則知三界九有。 一切染淨等法。 皆不出法界眾生之心。 猶如畫師。 畫出一切境界。 心之畫師。 亦復如是。 所以正法念處經云。 又彼比丘。 如是觀察。 云何眾生有種種色。 種種形相。 有種種道。 種種依止。 又彼觀察。 有種種心。 種種依止。 種種信解。 有種種業。 此如是等種種諸色。 種種形相。 種種諸道。 種種依止。 譬如黠慧善巧畫師。 若其弟子。 觀察善平堅滑好地。 得此地已。 種種彩色。 種種雜色。 若好若醜。 隨心所作。 如彼形相。 心業畫師。 若其弟子。 亦復如是。 善平堅滑業果報地。 生死地界。 隨其所解。 作種種形相。 種種諸道。 種種依止。 心業畫師。 業作眾生。 又諸彩色。 取白作白。 取赤作赤。 取黃作黃。 若取鴿色。 則為鴿色。 取黑作黑。 心業畫師。 亦復如是。 緣白取白。 於天人中。 則成白色。 何義名白。 欲等漏垢所不染污。 故名白色。 又復如是。 心業畫師。 取赤彩色。 於天人中。 能作赤色。 何義名赤。 所謂愛聲味觸香色。 畫觀察衣。 又復如是。 心業畫師。 取黃彩色。 於畜生道。 能作黃色。 何義名黃。 彼此遞互飲血噉肉。 貪欲嗔癡。 更相殺害。 故名黃色。 又復如是。 心業畫師。 取鴿彩色。 攀緣觀察。 於餓鬼道。 作垢鴿色。 何義名鴿。 彼身猶如火燒林樹。 飢渴所惱。 種種苦逼。 心業畫師嫉心所秉。 癡闇所覆。 又復如是。 心業畫師。 取黑彩色。 於地獄中。 畫作黑色。 何義名黑。 以黑業故。 生地獄中。 有黑鐵壁。 被然被縛。 得黑色身。 作種種病。 飢渴苦身。 無量苦逼。 皆是自業。 非他所作。 又彼比丘。 觀察如是三界五道。 五種彩色。 生死畫衣。 於三地住。 謂欲界地。 色無色地。 心業畫師。 習近婬欲。 攀緣欲界種種色畫。 緣色依止。 有二十種。 離欲四禪。 以為畫筆。 依十六地。 是所畫處。 作色界。 離緣色界三摩跋提。 緣無色界。 畫為四處。 心業畫師。 廣畫如是三界大衣。 又彼比丘觀察如是心業畫師。 身如彩器。 貪欲瞋癡。 以為堅牢。 攀緣之心。 猶如梯隥。 根如畫筆。 外諸境界。 聲觸味色。 及諸香等。 如種種彩。 生死如地。 智如光明。 勤發精進。 如手相似。 眾生如畫。 神通如彼無量形服。 有無量種業果報生。 如畫成就。 又彼比丘。 依禪觀察。 心業畫師。 有異種法。 如彼畫師。 不生疲倦。 善治彩色。 各各明淨。 善識好筆。 畫作好色。 心業畫師。 亦復如是。 不生疲倦。 若修禪定。 善治禪彩。 攀緣明淨。 如彩光明。 修道之師。 如善好筆。 知禪上下。 如善識知。 有取有捨。 如不疲倦。 如是禪定心業畫師。 畫彼禪地。 如彼好色。 又彼如是。 心業畫師。 若有疲倦。 則畫不善。 地獄餓鬼畜生道處。 同業因緣。 鐵杵為筆。 不善彩色。 畫非器人。 所謂地獄餓鬼畜生。 如是等色。 非好色畫。

"[They] had already planted roots of goodness under former buddhas. At that time, I was in the Bamboo Grove, and hearing their cries, I immediately gave rise to a mind of loving-kindness. Those women then saw me arrive in the city of Kapilavastu, wash their sores with water, and apply medicine to them, whereupon their agony was immediately removed, and their ears, noses, hands, and feet were restored to their original state. I then briefly expounded the essentials of the Dharma to them, causing them all to give rise to the mind of anuttarā-samyak-saṃbodhi, and at the place of the bhikṣuṇī Mahāprajāpatī they went forth from the household and received the complete precepts. Good son, at that time the Tathāgata in truth did not go to the city of Kapilavastu, wash their sores with water, or apply medicine to stop their pain. Good son, you should know that all this was through the power of the roots of goodness of loving-kindness, which enabled those women to see such things. The mind of compassion and sympathetic joy is likewise also like this. Good son, for this reason, when bodhisattva-mahāsattvas cultivate the contemplation of loving-kindness, it is real and not false. Good son, the immeasurable is inconceivable; that which bodhisattvas practice is inconceivable; that which buddhas practice is also inconceivable; and this Mahāyāna scripture, the Great Nirvāṇa Sūtra, is also inconceivable.'
Using this clear text, it can serve as a genuine proof. Thus we know that all the defiled and pure phenomena of the three realms and nine states of existence do not go beyond the citta of the sentient beings of the dharmadhātu. It is just like a painter who paints all kinds of scenes; the painter that is the citta is also like this.
Therefore the Saddharmasmṛtyupasthānasūtra states: 'Furthermore, that bhikṣu contemplates thus: How is it that sentient beings have various forms and various characteristics, have various destinies and various bases? Furthermore, he contemplates that they have various minds, various bases, various convictions, and various karmas. These various forms, various characteristics, various destinies, and various bases are like a clever and skillful painter or his apprentice who inspects a fine, flat, firm, and smooth ground. Having obtained this ground, with various pigments and various mixed colours, whether fine or base, he produces according to his mind such forms and characteristics. The painter of mind and karma, or his apprentice, is also like this: on the fine, flat, firm, and smooth ground of karmic retribution—the ground and realm of saṃsāra—according to his understanding he produces various forms and characteristics, various destinies, and various bases. The painter of mind and karma through karma makes sentient beings.
'Furthermore, as for the various pigments: taking white, he makes white; taking red, he makes red; taking yellow, he makes yellow; if he takes dove-colour, it becomes dove-colour; taking black, he makes black. The painter of mind and karma is also like this: conditioning white, he takes white, and among devas and humans it becomes white colour. What is the meaning of "white"? It is not defiled by the stains of the outflows such as desire; therefore it is called white colour. Furthermore, the painter of mind and karma takes red pigment, and among devas and humans can make red colour. What is the meaning of "red"? It refers to attachment to sounds, tastes, touches, scents, and sights, painting the garment of contemplation. Furthermore, the painter of mind and karma takes yellow pigment, and in the animal destiny can make yellow colour. What is the meaning of "yellow"? They mutually drink each other's blood and devour each other's flesh; through desire, dveṣa, and moha they further kill and harm one another; therefore it is called yellow colour. Furthermore, the painter of mind and karma takes dove-colour pigment, and by grasping and contemplating, makes the soiled dove-colour in the hungry ghost destiny. What is the meaning of "dove-colour"? Their bodies are like trees in a forest burned by fire, distressed by hunger and thirst and pressed by various sufferings; it is sustained by the envious mind of the painter of mind and karma and covered by the darkness of moha. Furthermore, the painter of mind and karma takes black pigment, and in the hells paints black colour. What is the meaning of "black"? Because of black karma, they are born in the hells where there are black iron walls, and being burned and bound, they obtain black bodies, developing various diseases, bodies tormented by hunger and thirst, and pressed by immeasurable sufferings. All this is their own karma, not made by another.
'Furthermore, that bhikṣu contemplates these three realms and five destinies, the five pigments, the painted garment of saṃsāra, abiding in the three grounds—namely, the ground of the desire realm, and the grounds of form and formlessness. The painter of mind and karma indulges in sexual desire, grasping at and painting the various forms of the desire realm; relying on form as a basis, there are twenty kinds. Taking the four dhyānas free from desire as the paintbrush, relying on the sixteen grounds as the place to be painted, he makes the form realm. Leaving behind the samāpattis conditioning the form realm and conditioning the formless realm, he paints the four places. The painter of mind and karma extensively paints such a great garment of the three realms.
'Furthermore, that bhikṣu contemplates this painter of mind and karma: the body is like the vessel of pigments; desire, dveṣa, and moha are taken as the firmness [of the vessel]; the mind that grasps at conditions is like a ladder; the faculties are like paintbrushes; external objects—sounds, touches, tastes, sights, and various scents—are like the various pigments; saṃsāra is like the ground; wisdom is like the light; diligently generating vīrya is similar to the hand; sentient beings are like the painting; supernormal powers are like those immeasurable forms and attires; and the immeasurable varieties of karmic retribution born are like the completion of the painting.
'Furthermore, that bhikṣu, relying on dhyāna, contemplates that the painter of mind and karma has distinct principles: Just as that painter does not become weary, prepares pigments well so that each is bright and pure, knows fine brushes well, and paints fine colours, the painter of mind and karma is also like this: he does not become weary, and if he cultivates dhyāna-concentration, he prepares the pigments of dhyāna well; his grasping at conditions is bright and pure, like the brilliance of pigments; the master of cultivating the Path is like a fine and good brush; knowing the higher and lower levels of dhyāna is like skillful knowing; adopting and discarding is like not being weary. Such a painter of mind and karma in dhyāna-concentration paints that ground of dhyāna like those fine colours.
'Furthermore, if this painter of mind and karma becomes weary, then he paints unvirtuously: in the places of the destinies of hells, hungry ghosts, and animals, with conditions of shared karma, he takes an iron pestle as a brush and unvirtuous pigments to paint unfit beings—namely, hell beings, hungry ghosts, and animals; such colours are paintings of unfine colours.'"

English (machine translation) (machine translation)

18.25.4

廣說如前。 釋曰。 是以畫師運巧拙之意。 執五彩之筆。 於平正之地。 邈出一切精麁之像。 如眾生稟愚智之心。 興三業之筆。 於善惡之地。 畫出一切。 苦樂之事。 又如世畫師。 只畫得色陰。 若心畫師。 能畫五陰。 又世畫不堅牢。 色退像即滅。 心畫經長劫。 身謝業不亡。 又世畫甚易知。 妍醜皆可見。 心畫極難審。 果報莫可知。 如正法念處經頌云。 諸業之所作。 過於巧畫師。 業畫師天中。 作種種樂報。 種種眾彩色。 現觀則可數。 心業布眾彩。 其數不可知。 毀壁畫則亡。 二俱同時滅。 若身喪滅時。 業畫不可失。 譬如一畫師。 造作眾文飾。 一心亦如是。 造作種種業。 五彩光色現。 見之生愛樂。 五根畫亦爾。 如業有生死。 如世巧畫師。 現前則可見。 心畫師微細。 一切不可見。 圖畫好醜形。 令壁眾像現。 心業亦如是。 能作善惡報。 是心於晝夜。 思念恒不住。 如是業隨心。 展轉常不離。 風塵煙雲熱。 畫色則毀滅。 捨善不善持。 諸業爾乃失。 又依般舟經。 見佛略有四喻。 一夢喻。 如夢所見。 從分別生。 見一切佛。 從自心起。 二水影喻。 水喻心性。 則佛之月影。 皆是眾生真心中物。 心佛交徹。 唯真心也。 三幻喻。 自心猶如幻術。 一切佛如幻所作。 謂有能幻法。 方成幻事。 無能念心。 無所見佛。 四響喻。 譬如空谷。 隨聲發響。 悟解自心。 隨念見佛。 上之四喻。 一正喻唯心。 二唯心故空。 三唯心故假。 四唯心故中。 又夢喻不來不去。 影喻不出不入。 幻喻非有非無。 響喻非合非散。 如經頌云。 心者不知心。 心者不見心。 心有想則癡。 無想則泥洹。 是法不堅固。 常立在於念。 以解見空者。 一切無想念。 釋云。 若心自見心。 先心為能見。 佛為所見。 刀不自割。 指不自觸。 云何自心還見自心。 能所不分。 見相斯絕。 故經云。 心有想則癡。 若無想則心冥性佛。 永絕思求矣。 如上是眾生自心感現。 次諸佛菩薩因地願力。 示現化門。 無有斷絕。 所以維摩經云。 雖示成正覺。 不捨菩薩道。 雖悟即心是佛。 頓成菩提。 然為眾生未達。 廣修福業。 以導未聞。 皆令開解。 同歸此地。 如華嚴經云。 雖能一念。 即成阿耨多羅三藐三菩提。 然為眾生故。 於無量劫行菩薩行。 無有休息。 是為如山增上心。 又云。 佛子。 菩薩摩訶薩。 又作是念。 阿耨多羅三藐三菩提。 以心為本。 心若清淨。 則能圓滿一切善根。 於佛菩提。 必得自在。 欲成阿耨多羅三藐三菩提。 隨意即成。 若欲除斷一切取緣。 住一向道。 我亦能得。 而我不斷。 為欲究竟佛菩提故。 亦不即證無上菩提。 何以故。 為滿本願。 盡一切世界。 行菩薩行。 化眾生故。 是為第九如金剛大乘誓願心。 如上況喻。 證信無疑。 則佛道立成。 匪由他教。 終不起於餘念。 唯自淨於一心。 可謂順佛本懷。 得教正意矣。

As is explained at length above. Explanation: Thus, a painter moves the mind of skill or clumsiness and holds a brush of the five colours, sketching out all manner of fine and coarse images upon a level and flat ground; just so, sentient beings are endowed with minds of delusion or wisdom and wield the brush of the three karmas, painting all matters of suffering and joy upon the ground of good and evil. Furthermore, a worldly painter can only paint the form aggregate (rūpaskandha), whereas the mind painter can paint all five aggregates (pañcaskandha). Again, a worldly painting is not durable: when the colour fades, the image is destroyed; the mind's painting endures through long kalpas: though the body perishes, the karma is not lost. Again, a worldly painting is very easy to understand: beauty and ugliness can both be seen; the mind's painting is extremely difficult to investigate: its retributions cannot be known. As a verse in the Saddharmasmṛtyupasthānasūtra says: / 'What is created by all karma / Surpasses a skillful painter. / The karma-painter among the gods / Creates all kinds of pleasurable retributions. / Various colours / Can be counted when directly observed; / Karma of the mind spreads multiple colours, / Whose number cannot be known. / If the wall is destroyed, the painting perishes: / The two are extinguished at the same time. / But when the body is destroyed and dies, / The painting of karma cannot be lost. / Just as a single painter / Produces various ornaments, / So too does the one mind / Produce various karmas. / When the radiant colours of the five pigments appear, / Seeing them gives rise to attachment and pleasure; / The painting of the five sense-faculties is also like this: / In accordance with karma, there is birth and death. / Just as a worldly skilled painter / Can be seen in the present, / The painter of the mind is subtle: / He cannot be seen at all. / Painting shapes of beauty and ugliness, / He causes various images to appear on the wall; / Karma of the mind is also like this: / It can produce good and evil retributions. / Day and night, this mind / Thinks and ponders without ever stopping; / In this way, karma follows the mind, / Constantly accompanying it and never parting. / Through wind, dust, smoke, clouds, and heat, / The colours of a painting are destroyed; / But unless good is abandoned and bad is not maintained, / Only then are the various karmas lost.' / Furthermore, according to the Pratyutpannasamādhisūtra, seeing the Buddha has roughly four similes: First, the dream simile: just as what is seen in a dream is produced from conceptual differentiation, so seeing all buddhas arises from one's own mind. Second, the water-reflection simile: water is a simile for the nature of the mind; thus, the moon-reflection of the Buddha is entirely an entity within the true mind of sentient beings. Mind and Buddha interpenetrate: it is solely the true mind. Third, the illusion simile: one's own mind is like the art of illusion, and all buddhas are like what is produced by illusion; this means that only because there is a phenomenon capable of illusion is an illusory matter formed: without the mind capable of mindfulness, there is no Buddha to be seen. Fourth, the echo simile: just as an empty valley produces an echo following a sound, so through understanding one's own mind, one sees the Buddha following upon thought. Among the above four similes, the first directly illustrates mind-only; the second, being mind-only, is therefore empty; the third, being mind-only, is therefore provisional; the fourth, being mind-only, is therefore the middle. Furthermore, the dream simile illustrates neither coming nor going; the reflection simile illustrates neither exiting nor entering; the illusion simile illustrates neither existing nor not existing; the echo simile illustrates neither uniting nor separating. As a verse in the sūtra says: / 'The mind does not know the mind; / The mind does not see the mind. / When the mind has ideation, it is delusion; / When it has no ideation, it is nirvāṇa. / These phenomena are not durable; / They are always established upon mindfulness. / Those who see emptiness through understanding / Have no conceptual thoughts at all.' / Explanation: If the mind were to see the mind itself, then the prior mind would be the seer and the Buddha would be the seen. A knife does not cut itself; a finger does not touch itself. How could one's own mind turn back and see one's own mind? Grasping and grasped are not distinct; seeing and characteristics are thus terminated. Therefore, the sūtra says: 'When the mind has ideation, it is delusion.' If there is no ideation, then the mind merges with the Buddha of the nature, and thinking and seeking are forever terminated. The above concerns sentient beings' own minds inducing appearances. Next, the power of the causal vows of all buddhas and bodhisattvas manifests transformative teachings without interruption. Therefore, the Vimalakīrtinirdeśasūtra says: 'Although displaying the realization of complete enlightenment, they do not abandon the bodhisattva path.' Although awakening to 'the mind itself is Buddha' and immediately accomplishing bodhi, yet because sentient beings have not realized it, they extensively cultivate meritorious karma to guide those who have not heard, causing all to open up understanding and return together to this ground. As the Avataṃsakasūtra says: 'Although capable of accomplishing anuttarā samyaksaṃbodhi in a single thought, yet for the sake of sentient beings, they practice the bodhisattva conduct throughout immeasurable kalpas without resting. This is the mount-like sovereign mind.' It also says: 'Sons of the Buddha! The bodhisattva mahāsattva also generates this thought: “Anuttarā samyaksaṃbodhi has the mind as its foundation. If the mind is pure, then one can consummate all wholesome roots and will definitely attain mastery over the Buddha's bodhi. If wishing to accomplish anuttarā samyaksaṃbodhi, one accomplishes it immediately at will. If wishing to eradicate all conditions of grasping and abide in the unilateral path, I can also attain it. Yet I do not eradicate them; because I wish to culminate the Buddha's bodhi, I also do not immediately realize unexcelled bodhi. Why? In order to fulfill the original vows, exhaust all worlds, practice the bodhisattva conduct, and transform sentient beings.” This is the ninth, the vajra-like Mahāyāna mind of vow.' By the above comparisons and similes, faith is verified without doubt; then the Buddha Way is established at once, not derived from the instruction of others. In the end, one does not give rise to any other thought, but solely purifies the one mind itself. This may be called according with the Buddha's original intention and attaining the correct meaning of the teaching.

English (machine translation) (machine translation)

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