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# 佛祖歷代通載 14.42

佛祖歷代通載 14.42

- **Language:** Classical Chinese

### [14.42](https://indike.org/pramana/in.bauddha.taisho.2036.14.42)

（二十七　丙子）　十二年。宣河東節度使禮部尚書李詵。備禮迎法師澄觀入京。觀至。有旨命同罽賓三藏般若。翻譯烏茶國所進華嚴後分梵夾。帝親預譯場一日不至。即差僧寂光依僧欲云。皇帝國事因緣如法僧事與欲清淨。觀承叡旨。翻宣既就進之帝命開示華嚴宗旨。群臣大集。觀陞高座曰。我皇御宇德合乾坤。光宅萬方重譯來貢。東風入律。西天輸越海之誠。南印御書。北闕獻朝宗之敬。特回明詔再譯真詮。光闡大猷增輝新理。澄觀顧多天幸。欽屬盛明。奉詔譯場。承旨幽贊。抃躍競惕三復竭愚。露滴天池。喜含百川之味。塵培華岳。無增萬仞之高。極虛空之可度。體無邊涯大也。竭滄溟而可飲。法門無盡方也。碎塵剎而可數。用無能測廣也。離覺所覺朗萬法之幽邃佛也。芬敷萬行榮耀眾德華也。圓茲行德飾彼十身嚴也。貫攝玄微以成真光之彩經也。總斯七字為一部之宏綱。將契本性非行莫階。故說普賢無邊勝行。行起解絕智證圓明。無礙融通現前受用。帝大悅。賜觀紫方袍。號教授和尚。其後相國齊抗鄭餘慶高郢。請撰華嚴綱要三卷。相國李吉甫侍郎歸登駙馬杜琮。請述正要一卷。又為南康王韋皐相國武元衡。著法界觀玄鏡一卷。僕射高崇文。請著鏡燈說文一卷。司徒嚴綬司空鄭元刺史陸長源。請撰三聖圓融觀一卷。節度使薛華觀察使孟簡中書錢徽拾遺白居易給事杜羔等。請製七處九會華藏界圖心鏡說文十卷。又與僧錄靈邃大師十八首座十寺三學上流。製華嚴圓覺四分中觀等經律論關脈三十餘部。皆古錦純金隨器任用云。

> (Twenty-seven; bingzi) In the twelfth year, an imperial decree commanded Li Shen, Military Commissioner of Hedong and Minister of Rites, to prepare formal etiquette to welcome Dharma Master Chengguan to the capital. When Chengguan arrived, an edict ordered him to join the Kashmiri Tripiṭaka master Prajñā in translating the Sanskrit manuscript of the latter portion of the Avataṃsaka-sūtra presented by the kingdom of Uḍḍiyāna. The Emperor personally attended the translation bureau, and on any day he could not come, he dispatched the monk Jiguang to convey his consent according to the monastic procedure, saying: 'The Emperor's state affairs are a condition for Dharma-accordant Saṃgha affairs, and he grants his pure consent.' Chengguan received the imperial decree. When the translation and proclamation were complete, it was presented, and the Emperor ordered him to expound the essential tenets of the Avataṃsaka. The assembly of ministers gathered in great numbers. Chengguan ascended the high seat and said: 'Our August Sovereign presides over the realm, his virtue matching Heaven and Earth. Illumining the myriad quarters, tributary embassies come through multiple interpreters. The east wind conforms to the musical pitch-pipes; the Western Heavens offer their sincerity across the oceans. The imperial letter from South India and the homage of tributary devotion presented at the Northern Palace Gates: you have specially issued a luminous decree to translate anew the genuine teachings, gloriously propagating the great model and adding brilliance to the newly revealed principles. Chengguan reflects on his abundant heavenly fortune, reverently living in this flourishing brightness. Having received the imperial decree at the translation bureau and accepted the command to subtly assist, leaping with joy yet cautious and fearful, I have repeatedly exhausted my meager capacities. A drop of dew falling into the heavenly pond is gladdened to contain the flavor of a hundred rivers; a speck of dust banking Mount Hua adds nothing to its height of ten thousand fathoms. Reaching the limits of space that can be traversed, the essence being without boundary, is "Great" (mahā). Exhausting the vast ocean that can be drunk, the Dharma-gates being inexhaustible, is "Correct" (vaipulya). Shattering dust-mote buddha-fields that can be counted, the function being unfathomable, is "Vast" (ava-). Transcending awakening and what is awakened, illumining the profound depths of the myriad phenomena, is "Buddha". Blossoming into myriad practices, gloriously shining with manifold virtues, is "Flower" (taṃsa-). Perfecting these practices and virtues to adorn those ten bodies is "Adornment" (avataṃsaka). Stringing together and gathering the subtle and profound to form the radiance of true light is "Sūtra". These seven characters sum up the great overarching framework of the entire work. If one wishes to accord with the original nature, there are no steps except through practice; thus Samantabhadra's boundless supreme practices are preached. When practice arises, conceptual understanding ceases; wisdom verifies complete illumination, unimpeded and fully penetrating, brought forth to be enjoyed right before one.' The Emperor was greatly pleased, and bestowed upon Chengguan the purple square robe and the title of Teaching Preceptor (jiaoshou heshang). Thereafter, Grand Councilors Qi Kang, Zheng Yuqing, and Gao Ying requested him to compose the Huayan gangyao (Essential Outline of the Avataṃsaka) in three fascicles. Grand Councilor Li Jifu, Vice Minister Gui Deng, and Imperial Son-in-law Du Cong requested him to author the Zhengyao (Essential Compendium) in one fascicle. He also wrote the Fajie guan xuanjing (Profound Mirror of the Contemplation of the Dharmadhātu) in one fascicle for King of Nankang Wei Gao and Grand Councilor Wu Yuanheng. Vice Director Gao Chongwen requested him to compose the Jingdeng shuowen (Exposition on the Mirror and the Lamp) in one fascicle. Minister of Works Yan Shou, Minister of Works Zheng Yuan, and Prefect Lu Changyuan requested him to compose the Sansheng yuanrong guan (Contemplation of the Perfect Harmonization of the Three Sages) in one fascicle. Military Commissioner Xue Hua, Surveillance Commissioner Meng Jian, Palace Secretariat Drafter Qian Hui, Reminder Bai Juyi, and Supervising Censor Du Gao requested him to produce the Qichu jiuhui huazangjie tu xinjing shuowen (Exposition of the Mind-Mirror Diagram of the Ocean of Worlds of the Lotus Treasury of Seven Locations and Nine Assemblies) in ten fascicles. Furthermore, together with Master Lingsui, the Grand Monastic Registrar, eighteen chief seat monks, and the elite scholars of the Three Learnings from ten monasteries, he produced more than thirty works on the pivotal connections of sūtras, vinayas, and treatises, including the Avataṃsaka, Complete Enlightenment, Four-Part Vinaya, and Madhyamaka, which were all like antique brocade and pure gold, applied according to the capacity \[of the vessel\].  
> — English (machine translation) (machine translation)

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## Translations (1)

- [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.2036~en-mt.14.42) — English, machine translation

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Source: [https://indike.org/pramana/in.bauddha.taisho.2036.14.42](https://indike.org/pramana/in.bauddha.taisho.2036.14.42) · Pramāṇa
