[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [釋迦氏譜](https://indike.org/pramana/in.bauddha.taisho.2041) › 1.261 # 釋迦氏譜 1.261 釋迦氏譜 1.261 - **Language:** Classical Chinese ### [1.261](https://indike.org/pramana/in.bauddha.taisho.2041.1.261) 祐案。畫像原始出自覺製。於是金石香紵鑄刻遂滋。皆所以摹影相好髣髴尊儀。及優填所造殆其神力所化乎。 > You notes: The origin of painting images came from the institution of the Awakened One. Thereupon casting and carving in metal, stone, incense, and ramie gradually increased. All these are ways to copy the marks and signs and approximate the revered countenance. As for what was made by Udayana, was it not transformed by his spiritual power? > — English (machine translation) (machine translation) - [Previous: 1.260](https://indike.org/pramana/in.bauddha.taisho.2041.1.260) - [Next: 1.262](https://indike.org/pramana/in.bauddha.taisho.2041.1.262) - [Up: 1](https://indike.org/pramana/in.bauddha.taisho.2041.1) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.2041~en-mt.1.261) — English, machine translation ## Linked texts (1) - [釋迦譜](https://indike.org/pramana/in.bauddha.taisho.2040.3.25) — 僧祐, Classical Chinese --- Source: [https://indike.org/pramana/in.bauddha.taisho.2041.1.261](https://indike.org/pramana/in.bauddha.taisho.2041.1.261) · Pramāṇa