[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [Taishō Tripiṭaka (Chinese Buddhist canon)](https://indike.org/pramana/in.bauddha.taisho) › [高僧傳](https://indike.org/pramana/in.bauddha.taisho.2059) › 1.25 # 高僧傳 1.25 高僧傳 1.25 - **Language:** Classical Chinese ### [1.25](https://indike.org/pramana/in.bauddha.taisho.2059.1.25) 會於建初寺譯出眾經，所謂《阿難念彌》、《鏡面王》、《察微王》、《梵皇經》等，又出《小品》及《六度集》、《雜譬喻》等，並妙得經體，文義允正。又傳泥洹唄聲，清靡哀亮，一代模式。又注《安般守意》、《法鏡》、《道樹》等三經，并製經序，辭趣雅便，義旨微密，並見於世。 > At the Jianchu Monastery, Senghui translated various sūtras, namely the \*Ānanda-nimī\* (\*Anannianmi\*), the \*Mirror-Faced King\* (\*Jingmianwang\*), the \*Chaweiwang\*, the \*Fanhoushen jing\*, and others; he also produced the \*Aṣṭasāhasrikā-prajñāpāramitā\* (\*Xiaopin\*), the \*Ṣaṭpāramitā-saṃgraha\* (\*Liudu ji jing\*), the \*Saṃyukta-avadāna\* (\*Za piyu jing\*), and others. All subtly captured the style of the sūtras, with language and meaning fitting and correct. Furthermore, he transmitted the chanting style of the \*Parinirvāṇa-sūtra\*, which was clear, melodious, plaintive, and resonant, serving as a model for a whole generation. He also annotated three sūtras—the \*Ānāpānasmṛti\*, the \*Fajing jing\* (\*Dharmadarśa\*), and the \*Daoshu jing\*—and composed prefaces to the sūtras; their literary style was elegant and apt, and their doctrinal significance subtle and profound, all of which circulate in the world. > — English (machine translation) (machine translation) - [Previous: 1.24](https://indike.org/pramana/in.bauddha.taisho.2059.1.24) - [Next: 1.26](https://indike.org/pramana/in.bauddha.taisho.2059.1.26) - [Up: 1](https://indike.org/pramana/in.bauddha.taisho.2059.1) ## Translations (1) - [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.2059~en-mt.1.25) — English, machine translation --- Source: [https://indike.org/pramana/in.bauddha.taisho.2059.1.25](https://indike.org/pramana/in.bauddha.taisho.2059.1.25) · Pramāṇa