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# 宋高僧傳 26.31

宋高僧傳 26.31

- **Language:** Classical Chinese

### [26.31](https://indike.org/pramana/in.bauddha.taisho.2061.26.31)

釋代病者，台州天台人也，姓陳氏。以其甞發大願，盡一報代眾生之病，致本名不顯矣。誕育之辰，祥光充室，隣里異焉。七歲喪父，哀毀幾于滅性。白母求出家，母纔艱阻，遂斷一指，親黨敦勸，偏親乃送於國清寺。因戒法登滿，誓志觀方。初止今東京，次於河陽，為民救旱，按經繢八龍王，立道場。啟祝畢，投諸河。舉眾咸覩畫像沈躍不定，斯須雲起膚寸，雷雨大作，千里告足。自此歸心者眾。先是三城間多暴風雹，動傷苗稼雉堞，號為毒龍為之也。代病為誦密語，後經歲序，都亡是患。盟津民立堂宇若生祠焉。大曆元年，登太行，遊霍山，乃深入幽邃，結茅而居。有盜其盂食，俄見二虎據路，會逢代病，盜叩頭陳悔。慰諭畢，因摩挲虎頭，如是累伏猛獸。其盜本樵子，願依附為苦行焉。其中山神廟——晉、絳之間傳其肹蠁——，代病入廟，勸其受歸戒，絕烹燀牲牢。其神石像屢屢隨勸頷首，顧其神婦，略無俞答之狀。遂剃神之髮，毀撤神婦。鄉人怪之，聞白州邑。太守怒之曰：「此唐高祖初起至此，久困陰雨，其神見形示路，以迎義師。厥後礱石為像，薦饗無虧。此之髠師無狀敢爾。」俾繫閉於嘉泉寺，扃鍵且嚴。至二十日啟關，寂然禪定，傾城咸往觀禮，或聲磬，舒徐而起。太守急召之不來，以至約令斷頭。代病斬一指以付使者。太守感之，躬就迎請，移置大梵寺，別營甎浮圖以藏其指節矣！由是檀信駢肩躡踵。有窴毒於酒者，賄貧女往施之。代病已知。貧女紿之曰：「妾家醞覺美，酌施和尚求福。況以佛不逆眾生願。」代病曰：「汝亦是佛。」然貧女懼反飲，具以情告。代病執杯啜之，俄爾酒氣及兩脛足，地為之僨裂，聞者驚怪。以酒供養，自茲始也。汾隰、西河人有疾，止給與淨水，飲之必瘳。凡屬荐饑，必募糧設食。後於趙州救斯荒歉，作施食道場，前後八會，遐邇賴之，道感多類。以貞元十九年秋七月八日，奄然跏趺示滅。四眾初謂如嘉泉寺之禪定歟，香華供養。至于隔歲，膚肉漸堅，方知永逝，遂漆布繢畫之。武宗廢塔像，無巨細皆毀除，或議之移入陶竈中。既而生瑞草一本，其狀亭亭若蓋，盤錯縈紆，庇其風雨而有餘也。宣宗即位，佛事中興，綱紏比丘造小亭，移真形窴於此。先於嘉泉寺斷指節，已過百齡，筋肉甲爪光潤且如金色。或屬兵革，城陷指亡。後有齎出逃難，事息歸還。亦陰福其逋亡者，至今平陽人崇信焉。

> Shi Daibing was a native of Tiantai in Taizhou, surnamed Chen. Because he once made a great vow to take upon himself the illnesses of all sentient beings for the entirety of this single retribution, his original name became unrecorded. On the day of his birth, an auspicious light filled the room, which the neighbors found extraordinary. At the age of seven he lost his father, grieving to the point of almost destroying his own life. He addressed his mother requesting to renounce the household life; his mother had barely raised difficulties and obstacles when he severed one of his fingers; his relatives and clan urged and persuaded her, and his widowed mother finally sent him to Guoqing Temple. Having fully received the precepts, he took a vow to travel and observe the various directions. At first he stopped at the present Eastern Capital, and next at Heyang; to relieve drought for the people, he followed the scriptures to paint the eight dragon kings and established a bodhimaṇḍa. When the prayers were completed, he cast them into the river. The entire multitude saw the painted images dive and leap erratically; in a short moment clouds arose from thin air, thunder and rain burst forth violently, and sufficiency was announced for a thousand li. From this time, those who placed their faith in him were numerous. Prior to this, fierce winds and hail were frequent among the three cities, constantly damaging crops and parapets, which was said to be the work of a venomous dragon. Daibing intoned secret mantras for them, and throughout the years that followed, this calamity was completely gone. The people of Mengjin erected a hall for him as a shrine to a living person. In the first year of the Dali era, he ascended Mount Taihang and traveled through Mount Huo, penetrating deep into the secluded wilderness to knot thatch and reside. A person stole his bowl of food, but shortly saw two tigers barring the road; just then encountering Daibing, the thief kowtowed and expressed remorse. After Daibing consoled and instructed him, he stroked the tigers' heads; in this manner he repeatedly subdued ferocious beasts. That thief was originally a woodcutter, and wished to rely on him to practice austerities. In that area was a shrine to the mountain spirit—its spiritual efficacy was widely circulated between Jin and Jiang—and Daibing entered the shrine, urging the spirit to take the refuges and precepts, and to put an end to the boiling and roasting of sacrificial beasts. The stone image of the spirit repeatedly nodded in assent following his exhortation, but looking at his spirit wife, she showed no sign of agreement whatsoever. He thereupon shaved the spirit's hair and dismantled and removed the spirit wife. The villagers thought this strange and reported it to the prefecture and town. The prefect was furious, saying: "When Emperor Gaozu of the Tang first rose and arrived here, he was long beleaguered by overcast skies and rain; this spirit manifested his form and showed the path to welcome the righteous army. Thereafter, stone was polished to make his image, and sacrificial offerings have never been deficient. How dare this shaven-headed monk be so outrageous?" He had him bound and confined in Jiacuan Temple, locking him up under strict guard. On the twentieth day, when the locks were opened, he was in serene dhyāna absorption; the entire town went to gaze upon and pay homage to him, and when someone struck a chime, he slowly arose. The prefect urgently summoned him, but he did not come, even under the threat of having his head cut off. Daibing severed another finger and handed it to the messenger. The prefect was moved, personally went to welcome and invite him, relocated him to Dafan Temple, and separately constructed a brick stūpa to store his severed finger-joint! From then on, patrons and faithful rubbed shoulders and followed heel to heel. A person placed poison in wine and bribed a poor woman to go and offer it. Daibing already knew this. The poor woman deceived him, saying: "My home brew feels very fine; I pour and offer it to the Reverend to seek blessings. Moreover, the Buddha does not oppose the wishes of sentient beings." Daibing said: "You too are a Buddha." However, the poor woman feared being made to drink it in return, and fully reported the truth. Daibing took the cup and sipped it; in a moment, the vapor of the wine reached his two shins and feet, and the ground cracked open for it; those who heard of it were astonished. Making offerings of wine began from this. When the people of Fenxi and Xihe were ill, he merely gave them pure water, and drinking it, they were inevitably cured. Whenever successive famines occurred, he always solicited grain to set out food. Later, in Zhaozhou, to rescue from this barren famine, he conducted bodhimaṇḍas for distributing food, eight assemblies in all; both far and near relied on him, and instances of his spiritual resonance were numerous. On the eighth day of the seventh month in the autumn of the nineteenth year of the Zhenyuan era, he suddenly passed away seated cross-legged. The fourfold assembly at first thought it was like the dhyāna absorption at Jiacuan Temple, and offered incense and flowers. Only when the next year arrived and his flesh gradually hardened did they realize he had passed away forever; they then covered him with lacquer cloth and painted him. When Emperor Wuzong abolished stūpas and images, destroying all without regard to size, someone suggested moving him into a pottery kiln. Soon afterward, an auspicious plant grew there, towering like a canopy, intertwining and winding around, more than sufficient to shelter him from wind and rain. When Emperor Xuanzong ascended the throne and Buddhist affairs enjoyed a resurgence, the administrative monk built a small pavilion and moved his true form to be placed within it. His finger-joint, severed earlier at Jiacuan Temple, had passed over a hundred years, yet its muscle, flesh, and fingernail were glossy and looked like gold. Once during warfare, the city fell and the finger was lost. Later, someone carried it out while fleeing the disaster, and returned it when the trouble ceased. It also invisibly blessed that refugee; to this day, the people of Pingyang revere and believe in it.  
> — English (machine translation) (machine translation)

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## Translations (1)

- [English (machine translation)](https://indike.org/pramana/in.bauddha.taisho.2061~en-mt.26.31) — English, machine translation

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Source: [https://indike.org/pramana/in.bauddha.taisho.2061.26.31](https://indike.org/pramana/in.bauddha.taisho.2061.26.31) · Pramāṇa
