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# Sangitisutta 1.10.1-148

Saṅgītisutta 1.10.1-148

- **Language:** Pāli

### [1.10.1](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.1)

Atthi kho, āvuso, tena bhagavatā jānatā passatā arahatā sammāsambuddhena tayo dhammā sammadakkhātā.

> There are teachings grouped by three that have been rightly explained by the Buddha.  
> — Reciting in Concert

### [1.10.2](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.2)

Tattha sabbeheva saṅgāyitabbaṃ …pe… atthāya hitāya sukhāya devamanussānaṃ.

> You should all recite these in concert.  
> — Reciting in Concert

### [1.10.3](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.3)

Katame tayo?

> What are the teachings grouped by three?  
> — Reciting in Concert

### [1.10.4](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.4)

Tīṇi akusalamūlāni—

> Three unskillful roots:  
> — Reciting in Concert

### [1.10.5](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.5)

lobho akusalamūlaṃ, doso akusalamūlaṃ, moho akusalamūlaṃ.

> greed, hate, and delusion.  
> — Reciting in Concert

### [1.10.6](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.6)

Tīṇi kusalamūlāni—

> Three skillful roots:  
> — Reciting in Concert

### [1.10.7](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.7)

alobho kusalamūlaṃ, adoso kusalamūlaṃ, amoho kusalamūlaṃ.

> contentment, love, and understanding.  
> — Reciting in Concert

### [1.10.8](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.8)

Tīṇi duccaritāni—

> Three ways of performing bad conduct:  
> — Reciting in Concert

### [1.10.9](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.9)

kāyaduccaritaṃ, vacīduccaritaṃ, manoduccaritaṃ.

> by body, speech, and mind.  
> — Reciting in Concert

### [1.10.10](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.10)

Tīṇi sucaritāni—

> Three ways of performing good conduct:  
> — Reciting in Concert

### [1.10.11](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.11)

kāyasucaritaṃ, vacīsucaritaṃ, manosucaritaṃ.

> by body, speech, and mind.  
> — Reciting in Concert

### [1.10.12](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.12)

Tayo akusalavitakkā—

> Three unskillful thoughts:  
> — Reciting in Concert

### [1.10.13](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.13)

kāmavitakko, byāpādavitakko, vihiṃsāvitakko.

> sensuality, malice, and cruelty.  
> — Reciting in Concert

### [1.10.14](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.14)

Tayo kusalavitakkā—

> Three skillful thoughts:  
> — Reciting in Concert

### [1.10.15](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.15)

nekkhammavitakko, abyāpādavitakko, avihiṃsāvitakko.

> renunciation, good will, and harmlessness.  
> — Reciting in Concert

### [1.10.16](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.16)

Tayo akusalasaṅkappā—

> Three unskillful intentions:  
> — Reciting in Concert

### [1.10.17](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.17)

kāmasaṅkappo, byāpādasaṅkappo, vihiṃsāsaṅkappo.

> sensuality, malice, and cruelty.  
> — Reciting in Concert

### [1.10.18](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.18)

Tayo kusalasaṅkappā—

> Three skillful intentions:  
> — Reciting in Concert

### [1.10.19](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.19)

nekkhammasaṅkappo, abyāpādasaṅkappo, avihiṃsāsaṅkappo.

> renunciation, good will, and harmlessness.  
> — Reciting in Concert

### [1.10.20](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.20)

Tisso akusalasaññā—

> Three unskillful perceptions:  
> — Reciting in Concert

### [1.10.21](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.21)

kāmasaññā, byāpādasaññā, vihiṃsāsaññā.

> sensuality, malice, and cruelty.  
> — Reciting in Concert

### [1.10.22](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.22)

Tisso kusalasaññā—

> Three skillful perceptions:  
> — Reciting in Concert

### [1.10.23](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.23)

nekkhammasaññā, abyāpādasaññā, avihiṃsāsaññā.

> renunciation, good will, and harmlessness.  
> — Reciting in Concert

### [1.10.24](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.24)

Tisso akusaladhātuyo—

> Three unskillful elements:  
> — Reciting in Concert

### [1.10.25](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.25)

kāmadhātu, byāpādadhātu, vihiṃsādhātu.

> sensuality, malice, and cruelty.  
> — Reciting in Concert

### [1.10.26](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.26)

Tisso kusaladhātuyo—

> Three skillful elements:  
> — Reciting in Concert

### [1.10.27](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.27)

nekkhammadhātu, abyāpādadhātu, avihiṃsādhātu.

> renunciation, good will, and harmlessness.  
> — Reciting in Concert

### [1.10.28](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.28)

Aparāpi tisso dhātuyo—

> Another three elements:  
> — Reciting in Concert

### [1.10.29](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.29)

kāmadhātu, rūpadhātu, arūpadhātu.

> the sensual realm, the realm of luminous form, and the formless realm.  
> — Reciting in Concert

### [1.10.30](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.30)

Aparāpi tisso dhātuyo—

> Another three elements:  
> — Reciting in Concert

### [1.10.31](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.31)

rūpadhātu, arūpadhātu, nirodhadhātu.

> the realm of luminous form, the formless realm, and cessation.  
> — Reciting in Concert

### [1.10.32](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.32)

Aparāpi tisso dhātuyo—

> Another three elements:  
> — Reciting in Concert

### [1.10.33](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.33)

hīnadhātu, majjhimadhātu, paṇītadhātu.

> lower, middle, and higher.  
> — Reciting in Concert

### [1.10.34](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.34)

Tisso taṇhā—

> Three cravings:  
> — Reciting in Concert

### [1.10.35](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.35)

kāmataṇhā, bhavataṇhā, vibhavataṇhā.

> for sensual pleasures, for continued existence, and for nonexistence.  
> — Reciting in Concert

### [1.10.36](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.36)

Aparāpi tisso taṇhā—

> Another three cravings:  
> — Reciting in Concert

### [1.10.37](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.37)

kāmataṇhā, rūpataṇhā, arūpataṇhā.

> for the sensual realm, the realm of luminous form, and the formless realm.  
> — Reciting in Concert

### [1.10.38](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.38)

Aparāpi tisso taṇhā—

> Another three cravings:  
> — Reciting in Concert

### [1.10.39](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.39)

rūpataṇhā, arūpataṇhā, nirodhataṇhā.

> for the realm of luminous form, and the formless realm, and cessation.  
> — Reciting in Concert

### [1.10.40](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.40)

Tīṇi saṃyojanāni—

> Three fetters:  
> — Reciting in Concert

### [1.10.41](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.41)

sakkāyadiṭṭhi, vicikicchā, sīlabbataparāmāso.

> substantialist view, doubt, and misapprehension of precepts and observances.  
> — Reciting in Concert

### [1.10.42](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.42)

Tayo āsavā—

> Three defilements:  
> — Reciting in Concert

### [1.10.43](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.43)

kāmāsavo, bhavāsavo, avijjāsavo.

> sensuality, desire for continued existence, and ignorance.  
> — Reciting in Concert

### [1.10.44](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.44)

Tayo bhavā—

> Three realms of existence:  
> — Reciting in Concert

### [1.10.45](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.45)

kāmabhavo, rūpabhavo, arūpabhavo.

> sensual, luminous form, and formless.  
> — Reciting in Concert

### [1.10.46](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.46)

Tisso esanā—

> Three searches:  
> — Reciting in Concert

### [1.10.47](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.47)

kāmesanā, bhavesanā, brahmacariyesanā.

> for sensual pleasures, for continued existence, and for a spiritual path.  
> — Reciting in Concert

### [1.10.48](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.48)

Tisso vidhā—

> Three kinds of discrimination:  
> — Reciting in Concert

### [1.10.49](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.49)

seyyohamasmīti vidhā, sadisohamasmīti vidhā, hīnohamasmīti vidhā.

> ‘I’m better’, ‘I’m equal’, and ‘I’m worse’.  
> — Reciting in Concert

### [1.10.50](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.50)

Tayo addhā—

> Three periods:  
> — Reciting in Concert

### [1.10.51](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.51)

atīto addhā, anāgato addhā, paccuppanno addhā.

> past, future, and present.  
> — Reciting in Concert

### [1.10.52](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.52)

Tayo antā—

> Three extremes:  
> — Reciting in Concert

### [1.10.53](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.53)

sakkāyo anto, sakkāyasamudayo anto, sakkāyanirodho anto.

> substantial reality, the origin of substantial reality, and the cessation of substantial reality.  
> — Reciting in Concert

### [1.10.54](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.54)

Tisso vedanā—

> Three feelings:  
> — Reciting in Concert

### [1.10.55](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.55)

sukhā vedanā, dukkhā vedanā, adukkhamasukhā vedanā.

> pleasure, pain, and neutral.  
> — Reciting in Concert

### [1.10.56](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.56)

Tisso dukkhatā—

> Three forms of suffering:  
> — Reciting in Concert

### [1.10.57](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.57)

dukkhadukkhatā, saṅkhāradukkhatā, vipariṇāmadukkhatā.

> the suffering inherent in painful feeling, the suffering inherent in conditions, and the suffering inherent in perishing.  
> — Reciting in Concert

### [1.10.58](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.58)

Tayo rāsī—

> Three heaps:  
> — Reciting in Concert

### [1.10.59](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.59)

micchattaniyato rāsi, sammattaniyato rāsi, aniyato rāsi.

> the heap of surety in the wrong way, the heap of surety in the right way, and the heap of lack of surety.  
> — Reciting in Concert

### [1.10.60](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.60)

Tayo tamā—

> Three darknesses:  
> — Reciting in Concert

### [1.10.61](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.61)

atītaṃ vā addhānaṃ ārabbha kaṅkhati vicikicchati nādhimuccati na sampasīdati, anāgataṃ vā addhānaṃ ārabbha kaṅkhati vicikicchati nādhimuccati na sampasīdati, etarahi vā paccuppannaṃ addhānaṃ ārabbha kaṅkhati vicikicchati nādhimuccati na sampasīdati.

> one is doubtful, uncertain, undecided, and lacking confidence about the past, future, and present.  
> — Reciting in Concert

### [1.10.62](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.62)

Tīṇi tathāgatassa arakkheyyāni—

> Three things a Realized One need not hide:  
> — Reciting in Concert

### [1.10.63](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.63)

parisuddhakāyasamācāro āvuso tathāgato, natthi tathāgatassa kāyaduccaritaṃ, yaṃ tathāgato rakkheyya:

> The Realized One’s behavior by way of body, speech, and mind is pure. He has no misconduct in these three ways that need be hidden, thinking:  
> — Reciting in Concert

### [1.10.64](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.64)

‘mā me idaṃ paro aññāsī’ti.

> ‘Don’t let others find this out about me!’  
> — Reciting in Concert

### [1.10.65](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.65)

Parisuddhavacīsamācāro āvuso, tathāgato, natthi tathāgatassa vacīduccaritaṃ, yaṃ tathāgato rakkheyya:

### [1.10.66](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.66)

‘mā me idaṃ paro aññāsī’ti.

### [1.10.67](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.67)

Parisuddhamanosamācāro, āvuso, tathāgato, natthi tathāgatassa manoduccaritaṃ yaṃ tathāgato rakkheyya:

### [1.10.68](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.68)

‘mā me idaṃ paro aññāsī’ti.

### [1.10.69](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.69)

Tayo kiñcanā—

> Three possessions:  
> — Reciting in Concert

### [1.10.70](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.70)

rāgo kiñcanaṃ, doso kiñcanaṃ, moho kiñcanaṃ.

> greed, hate, and delusion.  
> — Reciting in Concert

### [1.10.71](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.71)

Tayo aggī—

> Three fires:  
> — Reciting in Concert

### [1.10.72](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.72)

rāgaggi, dosaggi, mohaggi.

> greed, hate, and delusion.  
> — Reciting in Concert

### [1.10.73](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.73)

Aparepi tayo aggī—

> Another three fires:  
> — Reciting in Concert

### [1.10.74](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.74)

āhuneyyaggi, gahapataggi, dakkhiṇeyyaggi.

> a fire for those worthy of offerings dedicated to the gods, a fire for householders, and a fire for those worthy of a religious donation.  
> — Reciting in Concert

### [1.10.75](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.75)

Tividhena rūpasaṅgaho—

> Threefold classification of the physical:  
> — Reciting in Concert

### [1.10.76](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.76)

sanidassanasappaṭighaṃ rūpaṃ, anidassanasappaṭighaṃ rūpaṃ, anidassanaappaṭighaṃ rūpaṃ.

> visible and resistant, invisible and resistant, and invisible and non-resistant.  
> — Reciting in Concert

### [1.10.77](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.77)

Tayo saṅkhārā—

> Three choices:  
> — Reciting in Concert

### [1.10.78](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.78)

puññābhisaṅkhāro, apuññābhisaṅkhāro, āneñjābhisaṅkhāro.

> good choices, bad choices, and imperturbable choices.  
> — Reciting in Concert

### [1.10.79](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.79)

Tayo puggalā—

> Three individuals:  
> — Reciting in Concert

### [1.10.80](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.80)

sekkho puggalo, asekkho puggalo, nevasekkho nāsekkho puggalo.

> a trainee, an adept, and one who is neither a trainee nor an adept.  
> — Reciting in Concert

### [1.10.81](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.81)

Tayo therā—

> Three seniors:  
> — Reciting in Concert

### [1.10.82](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.82)

jātithero, dhammathero, sammutithero.

> a senior by birth, a senior in the teaching, and a senior by convention.  
> — Reciting in Concert

### [1.10.83](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.83)

Tīṇi puññakiriyavatthūni—

> Three grounds for making merit:  
> — Reciting in Concert

### [1.10.84](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.84)

dānamayaṃ puññakiriyavatthu, sīlamayaṃ puññakiriyavatthu, bhāvanāmayaṃ puññakiriyavatthu.

> giving, ethical conduct, and meditation.  
> — Reciting in Concert

### [1.10.85](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.85)

Tīṇi codanāvatthūni—

> Three grounds for accusations:  
> — Reciting in Concert

### [1.10.86](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.86)

diṭṭhena, sutena, parisaṅkāya.

> what is seen, heard, and suspected.  
> — Reciting in Concert

### [1.10.87](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.87)

Tisso kāmūpapattiyo—

> Three kinds of sensual rebirth:  
> — Reciting in Concert

### [1.10.88](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.88)

santāvuso sattā paccupaṭṭhitakāmā, te paccupaṭṭhitesu kāmesu vasaṃ vattenti, seyyathāpi manussā ekacce ca devā ekacce ca vinipātikā.

> There are sentient beings who desire what is present. They fall under the sway of presently arisen sensual pleasures. Namely, humans, some gods, and some beings in the underworld.  
> — Reciting in Concert

### [1.10.89](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.89)

Ayaṃ paṭhamā kāmūpapatti.

> This is the first kind of sensual rebirth.  
> — Reciting in Concert

### [1.10.90](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.90)

Santāvuso, sattā nimmitakāmā, te nimminitvā nimminitvā kāmesu vasaṃ vattenti, seyyathāpi devā nimmānaratī.

> There are sentient beings who desire to create. Having repeatedly created, they fall under the sway of sensual pleasures. Namely, the gods who love to create.  
> — Reciting in Concert

### [1.10.91](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.91)

Ayaṃ dutiyā kāmūpapatti.

> This is the second kind of sensual rebirth.  
> — Reciting in Concert

### [1.10.92](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.92)

Santāvuso sattā paranimmitakāmā, te paranimmitesu kāmesu vasaṃ vattenti, seyyathāpi devā paranimmitavasavattī.

> There are sentient beings who desire what is created by others. They fall under the sway of sensual pleasures created by others. Namely, the gods who control what is created by others.  
> — Reciting in Concert

### [1.10.93](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.93)

Ayaṃ tatiyā kāmūpapatti.

> This is the third kind of sensual rebirth.  
> — Reciting in Concert

### [1.10.94](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.94)

Tisso sukhūpapattiyo—

> Three kinds of pleasant rebirth:  
> — Reciting in Concert

### [1.10.95](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.95)

santāvuso sattā uppādetvā uppādetvā sukhaṃ viharanti, seyyathāpi devā brahmakāyikā.

> There are sentient beings who, having repeatedly given rise to it, dwell in pleasure. Namely, the gods of the Divinity’s host.  
> — Reciting in Concert

### [1.10.96](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.96)

Ayaṃ paṭhamā sukhūpapatti.

> This is the first pleasant rebirth.  
> — Reciting in Concert

### [1.10.97](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.97)

Santāvuso, sattā sukhena abhisannā parisannā paripūrā paripphuṭā.

> There are sentient beings who are drenched, steeped, filled, and soaked with pleasure.  
> — Reciting in Concert

### [1.10.98](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.98)

Te kadāci karahaci udānaṃ udānenti:

> Every so often they feel inspired to exclaim:  
> — Reciting in Concert

### [1.10.99](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.99)

‘aho sukhaṃ, aho sukhan’ti, seyyathāpi devā ābhassarā.

> ‘Oh, what bliss! Oh, what bliss!’ Namely, the gods of sublime luminosity.  
> — Reciting in Concert

### [1.10.100](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.100)

Ayaṃ dutiyā sukhūpapatti.

> This is the second pleasant rebirth.  
> — Reciting in Concert

### [1.10.101](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.101)

Santāvuso, sattā sukhena abhisannā parisannā paripūrā paripphuṭā.

> There are sentient beings who are drenched, steeped, filled, and soaked with pleasure.  
> — Reciting in Concert

### [1.10.102](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.102)

Te santaṃyeva tusitā sukhaṃ paṭisaṃvedenti, seyyathāpi devā subhakiṇhā.

> Since they’re truly content, they experience pleasure. Namely, the gods of universal beauty.  
> — Reciting in Concert

### [1.10.103](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.103)

Ayaṃ tatiyā sukhūpapatti.

> This is the third pleasant rebirth.  
> — Reciting in Concert

### [1.10.104](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.104)

Tisso paññā—

> Three kinds of wisdom:  
> — Reciting in Concert

### [1.10.105](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.105)

sekkhā paññā, asekkhā paññā, nevasekkhānāsekkhā paññā.

> the wisdom of a trainee, the wisdom of an adept, and the wisdom of one who is neither a trainee nor an adept.  
> — Reciting in Concert

### [1.10.106](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.106)

Aparāpi tisso paññā—

> Another three kinds of wisdom:  
> — Reciting in Concert

### [1.10.107](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.107)

cintāmayā paññā, sutamayā paññā, bhāvanāmayā paññā.

> wisdom produced by thought, learning, and meditation.  
> — Reciting in Concert

### [1.10.108](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.108)

Tīṇāvudhāni—

> Three weapons:  
> — Reciting in Concert

### [1.10.109](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.109)

sutāvudhaṃ, pavivekāvudhaṃ, paññāvudhaṃ.

> learning, seclusion, and wisdom.  
> — Reciting in Concert

### [1.10.110](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.110)

Tīṇindriyāni—

> Three faculties:  
> — Reciting in Concert

### [1.10.111](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.111)

anaññātaññassāmītindriyaṃ, aññindriyaṃ, aññātāvindriyaṃ.

> the faculty of understanding that enlightenment is imminent, the faculty of enlightenment, and the faculty of one who is enlightened.  
> — Reciting in Concert

### [1.10.112](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.112)

Tīṇi cakkhūni—

> Three eyes:  
> — Reciting in Concert

### [1.10.113](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.113)

maṃsacakkhu, dibbacakkhu, paññācakkhu.

> the eye of the flesh, the eye of clairvoyance, and the eye of wisdom.  
> — Reciting in Concert

### [1.10.114](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.114)

Tisso sikkhā—

> Three trainings:  
> — Reciting in Concert

### [1.10.115](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.115)

adhisīlasikkhā, adhicittasikkhā, adhipaññāsikkhā.

> in higher ethics, higher mind, and higher wisdom.  
> — Reciting in Concert

### [1.10.116](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.116)

Tisso bhāvanā—

> Three kinds of development:  
> — Reciting in Concert

### [1.10.117](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.117)

kāyabhāvanā, cittabhāvanā, paññābhāvanā.

> the development of physical endurance, the development of the mind, and the development of wisdom.  
> — Reciting in Concert

### [1.10.118](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.118)

Tīṇi anuttariyāni—

> Three unsurpassable qualities:  
> — Reciting in Concert

### [1.10.119](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.119)

dassanānuttariyaṃ, paṭipadānuttariyaṃ, vimuttānuttariyaṃ.

> unsurpassable seeing, practice, and freedom.  
> — Reciting in Concert

### [1.10.120](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.120)

Tayo samādhī—

> Three kinds of immersion:  
> — Reciting in Concert

### [1.10.121](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.121)

savitakkasavicāro samādhi, avitakkavicāramatto samādhi, avitakkaavicāro samādhi.

> Immersion with placing the mind and keeping it connected. Immersion without placing the mind, merely keeping it connected. Immersion without placing the mind or keeping it connected.  
> — Reciting in Concert

### [1.10.122](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.122)

Aparepi tayo samādhī—

> Another three kinds of immersion:  
> — Reciting in Concert

### [1.10.123](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.123)

suññato samādhi, animitto samādhi, appaṇihito samādhi.

> emptiness, signless, and undirected.  
> — Reciting in Concert

### [1.10.124](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.124)

Tīṇi soceyyāni—

> Three purities:  
> — Reciting in Concert

### [1.10.125](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.125)

kāyasoceyyaṃ, vacīsoceyyaṃ, manosoceyyaṃ.

> purity of body, speech, and mind.  
> — Reciting in Concert

### [1.10.126](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.126)

Tīṇi moneyyāni—

> Three kinds of sagacity:  
> — Reciting in Concert

### [1.10.127](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.127)

kāyamoneyyaṃ, vacīmoneyyaṃ, manomoneyyaṃ.

> sagacity of body, speech, and mind.  
> — Reciting in Concert

### [1.10.128](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.128)

Tīṇi kosallāni—

> Three skills:  
> — Reciting in Concert

### [1.10.129](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.129)

āyakosallaṃ, apāyakosallaṃ, upāyakosallaṃ.

> skill in progress, skill in regress, and skill in means.  
> — Reciting in Concert

### [1.10.130](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.130)

Tayo madā—

> Three vanities:  
> — Reciting in Concert

### [1.10.131](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.131)

ārogyamado, yobbanamado, jīvitamado.

> the vanity of health, the vanity of youth, and the vanity of life.  
> — Reciting in Concert

### [1.10.132](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.132)

Tīṇi ādhipateyyāni—

> Three ways of putting something in charge:  
> — Reciting in Concert

### [1.10.133](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.133)

attādhipateyyaṃ, lokādhipateyyaṃ, dhammādhipateyyaṃ.

> putting oneself, the world, or the teaching in charge.  
> — Reciting in Concert

### [1.10.134](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.134)

Tīṇi kathāvatthūni—

> Three topics of discussion:  
> — Reciting in Concert

### [1.10.135](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.135)

atītaṃ vā addhānaṃ ārabbha kathaṃ katheyya:

> You might discuss the past:  
> — Reciting in Concert

### [1.10.136](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.136)

‘evaṃ ahosi atītamaddhānan’ti;

> ‘That is how it was in the past.’  
> — Reciting in Concert

### [1.10.137](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.137)

anāgataṃ vā addhānaṃ ārabbha kathaṃ katheyya:

> You might discuss the future:  
> — Reciting in Concert

### [1.10.138](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.138)

‘evaṃ bhavissati anāgatamaddhānan’ti;

> ‘That is how it will be in the future.’  
> — Reciting in Concert

### [1.10.139](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.139)

etarahi vā paccuppannaṃ addhānaṃ ārabbha kathaṃ katheyya:

> Or you might discuss the present:  
> — Reciting in Concert

### [1.10.140](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.140)

‘evaṃ hoti etarahi paccuppannaṃ addhānan’ti.

> ‘This is how it is at present.’  
> — Reciting in Concert

### [1.10.141](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.141)

Tisso vijjā—

> Three knowledges:  
> — Reciting in Concert

### [1.10.142](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.142)

pubbenivāsānussatiñāṇaṃ vijjā, sattānaṃ cutūpapāteñāṇaṃ vijjā, āsavānaṃ khayeñāṇaṃ vijjā.

> recollection of past lives, knowledge of the death and rebirth of sentient beings, and knowledge of the ending of defilements.  
> — Reciting in Concert

### [1.10.143](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.143)

Tayo vihārā—

> Three meditative abidings:  
> — Reciting in Concert

### [1.10.144](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.144)

dibbo vihāro, brahmā vihāro, ariyo vihāro.

> the heavenly meditation, the divine meditation, and the noble meditation.  
> — Reciting in Concert

### [1.10.145](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.145)

Tīṇi pāṭihāriyāni—

> Three demonstrations:  
> — Reciting in Concert

### [1.10.146](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.146)

iddhipāṭihāriyaṃ, ādesanāpāṭihāriyaṃ, anusāsanīpāṭihāriyaṃ.

> The demonstration of psychic power, the demonstration of revealing, and the demonstration of instruction.  
> — Reciting in Concert

### [1.10.147](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.147)

Ime kho, āvuso, tena bhagavatā jānatā passatā arahatā sammāsambuddhena tayo dhammā sammadakkhātā.

> These are the teachings grouped by three that have been rightly explained by the Buddha.  
> — Reciting in Concert

### [1.10.148](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.148)

Tattha sabbeheva saṅgāyitabbaṃ …pe… atthāya hitāya sukhāya devamanussānaṃ.

> You should all recite these in concert.  
> — Reciting in Concert

## Translations (3)

- [Zajedničko recitovanje](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~sr-brankokovacevic.1.10.1) — sr
- [Im Chor aufsagen](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~de-sabbamitta.1.10.1) — German
- [Reciting in Concert](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~en-sujato.1.10.1) — English

## Commentaries (1)

- [Sumaṅgalavilāsinī](https://indike.org/pramana/in.bauddha.theravada.sp.digha!sumangalavilasini.33.305) — Buddhaghosa, Pāli

## Linked texts (12)

- [Vibhaṅga](https://indike.org/pramana/in.bauddha.theravada.ap.vibhanga.17.160.2) — Pāli
- [Nettippakaraṇa](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.nettippakarana.5.15.7) — Mahākaccāna, Pāli
- [Mahāvibhaṅga](https://indike.org/pramana/in.bauddha.theravada.vp.suttavibhanga.maha.pj.1.8.1.17) — Pāli
- [Chaṭṭhasaṅgāyana-pucchāvissajjanā](https://indike.org/pramana/in.bauddha.theravada_postcanon.modern.sangayana-puccha.11.6.360) — Pāli
- [長阿含經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirghagama*zh-buddhayasas.9.10) — Classical Chinese
- [Dasuttarasutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.34.1.4.39) — Pāli
- [大集法門經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirgha.sangitisutra*zh-danapala.1.12) — Classical Chinese
- [Kathāvatthusutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.3.67.1.1) — Pāli
- [Arakkheyyasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.7.58.2.1) — Pāli
- [Kathāvatthu](https://indike.org/pramana/in.bauddha.theravada.ap.kathavatthu) — Moggaliputta Tissa, Pāli
- [Milindapañha](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.milindapanha) — Pāli
- [Peṭakopadesa](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.petakopadesa) — Mahākaccāna, Pāli

---
Source: [https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.1-148](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.1.10.1-148) · Pramāṇa