[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [The Pāli Canon](https://indike.org/pramana/in.bauddha.theravada) › [Basket of Discourses](https://indike.org/pramana/in.bauddha.theravada.sp) › [Dīghanikāya](https://indike.org/pramana/in.bauddha.theravada.sp.digha) › [Sangitisutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33) › 3.1.168-183 # Sangitisutta 3.1.168-183 Saṅgītisutta 3.1.168-183 - **Language:** Pāli ### [3.1.168](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.168) Aṭṭha vimokkhā. > Eight liberations: > — Reciting in Concert ### [3.1.169](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.169) Rūpī rūpāni passati. > Having physical form, they see forms. > — Reciting in Concert ### [3.1.170](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.170) Ayaṃ paṭhamo vimokkho. > This is the first liberation. > — Reciting in Concert ### [3.1.171](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.171) Ajjhattaṃ arūpasaññī bahiddhā rūpāni passati. > Not perceiving physical form internally, they see forms externally. > — Reciting in Concert ### [3.1.172](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.172) Ayaṃ dutiyo vimokkho. > This is the second liberation. > — Reciting in Concert ### [3.1.173](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.173) Subhanteva adhimutto hoti. > They’re focused only on beauty. > — Reciting in Concert ### [3.1.174](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.174) Ayaṃ tatiyo vimokkho. > This is the third liberation. > — Reciting in Concert ### [3.1.175](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.175) Sabbaso rūpasaññānaṃ samatikkamā paṭighasaññānaṃ atthaṅgamā nānattasaññānaṃ amanasikārā ‘ananto ākāso’ti ākāsānañcāyatanaṃ upasampajja viharati. > Going totally beyond perceptions of form, with the disappearance of perceptions of impingement, not focusing on perceptions of diversity, aware that ‘space is infinite’, they enter and remain in the dimension of infinite space. > — Reciting in Concert ### [3.1.176](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.176) Ayaṃ catuttho vimokkho. > This is the fourth liberation. > — Reciting in Concert ### [3.1.177](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.177) Sabbaso ākāsānañcāyatanaṃ samatikkamma ‘anantaṃ viññāṇan’ti viññāṇañcāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of infinite space, aware that ‘consciousness is infinite’, they enter and remain in the dimension of infinite consciousness. > — Reciting in Concert ### [3.1.178](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.178) Ayaṃ pañcamo vimokkho. > This is the fifth liberation. > — Reciting in Concert ### [3.1.179](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.179) Sabbaso viññāṇañcāyatanaṃ samatikkamma ‘natthi kiñcī’ti ākiñcaññāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of infinite consciousness, aware that ‘there is nothing at all’, they enter and remain in the dimension of nothingness. > — Reciting in Concert ### [3.1.180](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.180) Ayaṃ chaṭṭho vimokkho. > This is the sixth liberation. > — Reciting in Concert ### [3.1.181](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.181) Sabbaso ākiñcaññāyatanaṃ samatikkamma nevasaññānāsaññāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of nothingness, they enter and remain in the dimension of neither perception nor non-perception. > — Reciting in Concert ### [3.1.182](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.182) Ayaṃ sattamo vimokkho. > This is the seventh liberation. > — Reciting in Concert ### [3.1.183](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.183) Sabbaso nevasaññānāsaññāyatanaṃ samatikkamma saññāvedayitanirodhaṃ upasampajja viharati. > Going totally beyond the dimension of neither perception nor non-perception, they enter and remain in the cessation of perception and feeling. > — Reciting in Concert ## Translations (3) - [Zajedničko recitovanje](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~sr-brankokovacevic.3.1.168) — sr - [Im Chor aufsagen](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~de-sabbamitta.3.1.168) — German - [Reciting in Concert](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~en-sujato.3.1.168) — English ## Linked texts (11) - [長阿含經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirghagama*zh-buddhayasas.9.29) — Classical Chinese - [Mahāparinibbānasutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.16.3.33.1) — Pāli - [Dasuttarasutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.34.2.1.190-206) — Pāli - [Mahāsakuludāyisutta](https://indike.org/pramana/in.bauddha.theravada.sp.majjhima.77.22.1) — Pāli - [Mahānidānasutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.15.35.1) — Pāli - [大集法門經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirgha.sangitisutra*zh-danapala.2.37) — Classical Chinese - [阿毘達磨集異門足論](https://indike.org/pramana/in.bauddha.sanskrit.darsana.abhidharma.sarvastivada.sangitiparyaya*zh-xuanzang) — Classical Chinese - [Saḷāyatanavibhaṅgasutta](https://indike.org/pramana/in.bauddha.theravada.sp.majjhima.137) — Pāli - [Aparaaccharāsaṅghātavagga](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.1.394-574) — Pāli - [Vimokkhasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.8.66) — Pāli - [~](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.8.120) — Pāli --- Source: [https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.168-183](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.1.168-183) · Pramāṇa