[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Buddhist Literature](https://indike.org/pramana/in.bauddha) › [The Pāli Canon](https://indike.org/pramana/in.bauddha.theravada) › [Basket of Discourses](https://indike.org/pramana/in.bauddha.theravada.sp) › [Dīghanikāya](https://indike.org/pramana/in.bauddha.theravada.sp.digha) › [Sangitisutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33) › 3.2 # Sangitisutta 3.2: 9. Navaka Saṅgītisutta 3.2 - **Language:** Pāli ### 9. Navaka ### [3.2.1](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.1) Atthi kho, āvuso, tena bhagavatā jānatā passatā arahatā sammāsambuddhena nava dhammā sammadakkhātā; > There are teachings grouped by nine that have been rightly explained by the Buddha. > — Reciting in Concert ### [3.2.2](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.2) tattha sabbeheva saṅgāyitabbaṃ …pe… atthāya hitāya sukhāya devamanussānaṃ. > You should all recite these in concert. > — Reciting in Concert ### [3.2.3](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.3) Katame nava? > What are the teachings grouped by nine? > — Reciting in Concert ### [3.2.4](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.4) Nava āghātavatthūni. > Nine grounds for resentment: > — Reciting in Concert ### [3.2.5](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.5) ‘Anatthaṃ me acarī’ti āghātaṃ bandhati; > Thinking: ‘They did wrong to me,’ you harbor resentment. > — Reciting in Concert ### [3.2.6](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.6) ‘anatthaṃ me caratī’ti āghātaṃ bandhati; > Thinking: ‘They are doing wrong to me’ … > — Reciting in Concert ### [3.2.7](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.7) ‘anatthaṃ me carissatī’ti āghātaṃ bandhati; > ‘They will do wrong to me’ … > — Reciting in Concert ### [3.2.8](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.8) ‘piyassa me manāpassa anatthaṃ acarī’ti āghātaṃ bandhati …pe… > ‘They did wrong by someone I love’ … > — Reciting in Concert ### [3.2.9](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.9) anatthaṃ caratīti āghātaṃ bandhati …pe… > ‘They are doing wrong by someone I love’ … > — Reciting in Concert ### [3.2.10](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.10) anatthaṃ carissatīti āghātaṃ bandhati; > ‘They will do wrong by someone I love’ … > — Reciting in Concert ### [3.2.11](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.11) ‘appiyassa me amanāpassa atthaṃ acarī’ti āghātaṃ bandhati …pe… > ‘They helped someone I dislike’ … > — Reciting in Concert ### [3.2.12](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.12) atthaṃ caratīti āghātaṃ bandhati …pe… > ‘They are helping someone I dislike’ … > — Reciting in Concert ### [3.2.13](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.13) atthaṃ carissatīti āghātaṃ bandhati. > Thinking: ‘They will help someone I dislike,’ you harbor resentment. > — Reciting in Concert ### [3.2.14](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.14) Nava āghātapaṭivinayā. > Nine ways to get rid of resentment: > — Reciting in Concert ### [3.2.15](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.15) ‘Anatthaṃ me acari, taṃ kutettha labbhā’ti āghātaṃ paṭivineti; > Thinking: ‘They did wrong to me, but what can I possibly do?’ you get rid of resentment. > — Reciting in Concert ### [3.2.16](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.16) ‘anatthaṃ me carati, taṃ kutettha labbhā’ti āghātaṃ paṭivineti; > Thinking: ‘They are doing wrong to me …’ … > — Reciting in Concert ### [3.2.17](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.17) ‘anatthaṃ me carissati, taṃ kutettha labbhā’ti āghātaṃ paṭivineti; > ‘They will do wrong to me …’ … > — Reciting in Concert ### [3.2.18](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.18) ‘piyassa me manāpassa anatthaṃ acari …pe… > ‘They did wrong by someone I love …’ … > — Reciting in Concert ### [3.2.19](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.19) anatthaṃ carati …pe… > ‘They are doing wrong by someone I love …’ … > — Reciting in Concert ### [3.2.20](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.20) anatthaṃ carissati, taṃ kutettha labbhā’ti āghātaṃ paṭivineti; > ‘They will do wrong by someone I love …’ … > — Reciting in Concert ### [3.2.21](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.21) ‘appiyassa me amanāpassa atthaṃ acari …pe… > ‘They helped someone I dislike …’ … > — Reciting in Concert ### [3.2.22](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.22) atthaṃ carati …pe… > ‘They are helping someone I dislike …’ … > — Reciting in Concert ### [3.2.23](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.23) atthaṃ carissati, taṃ kutettha labbhā’ti āghātaṃ paṭivineti. > Thinking: ‘They will help someone I dislike, but what can I possibly do?’ you get rid of resentment. > — Reciting in Concert ### [3.2.24](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.24) Nava sattāvāsā. > Nine abodes of sentient beings: > — Reciting in Concert ### [3.2.25](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.25) Santāvuso, sattā nānattakāyā nānattasaññino, seyyathāpi manussā ekacce ca devā ekacce ca vinipātikā. > There are sentient beings that are diverse in body and diverse in perception, such as human beings, some gods, and some beings in the underworld. > — Reciting in Concert ### [3.2.26](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.26) Ayaṃ paṭhamo sattāvāso. > This is the first abode of sentient beings. > — Reciting in Concert ### [3.2.27](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.27) Santāvuso, sattā nānattakāyā ekattasaññino, seyyathāpi devā brahmakāyikā paṭhamābhinibbattā. > There are sentient beings that are diverse in body and unified in perception, such as the gods reborn in the Divinity’s host through the first absorption. > — Reciting in Concert ### [3.2.28](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.28) Ayaṃ dutiyo sattāvāso. > This is the second abode of sentient beings. > — Reciting in Concert ### [3.2.29](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.29) Santāvuso, sattā ekattakāyā nānattasaññino, seyyathāpi devā ābhassarā. > There are sentient beings that are unified in body and diverse in perception, such as the gods of sublime luminosity. > — Reciting in Concert ### [3.2.30](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.30) Ayaṃ tatiyo sattāvāso. > This is the third abode of sentient beings. > — Reciting in Concert ### [3.2.31](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.31) Santāvuso, sattā ekattakāyā ekattasaññino, seyyathāpi devā subhakiṇhā. > There are sentient beings that are unified in body and unified in perception, such as the gods of universal beauty. > — Reciting in Concert ### [3.2.32](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.32) Ayaṃ catuttho sattāvāso. > This is the fourth abode of sentient beings. > — Reciting in Concert ### [3.2.33](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.33) Santāvuso, sattā asaññino appaṭisaṃvedino, seyyathāpi devā asaññasattā. > There are sentient beings that are non-percipient and do not experience anything, such as the gods who are non-percipient beings. > — Reciting in Concert ### [3.2.34](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.34) Ayaṃ pañcamo sattāvāso. > This is the fifth abode of sentient beings. > — Reciting in Concert ### [3.2.35](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.35) Santāvuso, sattā sabbaso rūpasaññānaṃ samatikkamā paṭighasaññānaṃ atthaṅgamā nānattasaññānaṃ amanasikārā ‘ananto ākāso’ti ākāsānañcāyatanūpagā. > There are sentient beings that have gone totally beyond perceptions of form. With the disappearance of perceptions of impingement, not focusing on perceptions of diversity, aware that ‘space is infinite’, they have been reborn in the dimension of infinite space. > — Reciting in Concert ### [3.2.36](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.36) Ayaṃ chaṭṭho sattāvāso. > This is the sixth abode of sentient beings. > — Reciting in Concert ### [3.2.37](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.37) Santāvuso, sattā sabbaso ākāsānañcāyatanaṃ samatikkamma ‘anantaṃ viññāṇan’ti viññāṇañcāyatanūpagā. > There are sentient beings that have gone totally beyond the dimension of infinite space. Aware that ‘consciousness is infinite’, they have been reborn in the dimension of infinite consciousness. > — Reciting in Concert ### [3.2.38](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.38) Ayaṃ sattamo sattāvāso. > This is the seventh abode of sentient beings. > — Reciting in Concert ### [3.2.39](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.39) Santāvuso, sattā sabbaso viññāṇañcāyatanaṃ samatikkamma ‘natthi kiñcī’ti ākiñcaññāyatanūpagā. > There are sentient beings that have gone totally beyond the dimension of infinite consciousness. Aware that ‘there is nothing at all’, they have been reborn in the dimension of nothingness. > — Reciting in Concert ### [3.2.40](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.40) Ayaṃ aṭṭhamo sattāvāso. > This is the eighth abode of sentient beings. > — Reciting in Concert ### [3.2.41](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.41) Santāvuso, sattā sabbaso ākiñcaññāyatanaṃ samatikkamma nevasaññānāsaññāyatanūpagā. > There are sentient beings that have gone totally beyond the dimension of nothingness. They have been reborn in the dimension of neither perception nor non-perception. > — Reciting in Concert ### [3.2.42](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.42) Ayaṃ navamo sattāvāso. > This is the ninth abode of sentient beings. > — Reciting in Concert ### [3.2.43](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.43) Nava akkhaṇā asamayā brahmacariyavāsāya. > Nine lost opportunities for spiritual practice: > — Reciting in Concert ### [3.2.44](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.44) Idhāvuso, tathāgato ca loke uppanno hoti arahaṃ sammāsambuddho, dhammo ca desiyati opasamiko parinibbāniko sambodhagāmī sugatappavedito. > Firstly, a Realized One has arisen in the world. He teaches the Dhamma leading to peace, extinguishment, awakening, as proclaimed by the Holy One. > — Reciting in Concert ### [3.2.45](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.45) Ayañca puggalo nirayaṃ upapanno hoti. > But that individual has been reborn in hell. > — Reciting in Concert ### [3.2.46](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.46) Ayaṃ paṭhamo akkhaṇo asamayo brahmacariyavāsāya. > This is the first lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.47](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.47) Puna caparaṃ, āvuso, tathāgato ca loke uppanno hoti arahaṃ sammāsambuddho, dhammo ca desiyati opasamiko parinibbāniko sambodhagāmī sugatappavedito. > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.48](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.48) Ayañca puggalo tiracchānayoniṃ upapanno hoti. > But that individual has been reborn in the animal realm. > — Reciting in Concert ### [3.2.49](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.49) Ayaṃ dutiyo akkhaṇo asamayo brahmacariyavāsāya. > This is the second lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.50](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.50) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.51](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.51) pettivisayaṃ upapanno hoti. > But an individual has been reborn in the ghost realm. > — Reciting in Concert ### [3.2.52](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.52) Ayaṃ tatiyo akkhaṇo asamayo brahmacariyavāsāya. > This is the third lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.53](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.53) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.54](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.54) asurakāyaṃ upapanno hoti. > But that individual has been reborn among the titans. > — Reciting in Concert ### [3.2.55](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.55) Ayaṃ catuttho akkhaṇo asamayo brahmacariyavāsāya. > This is the fourth lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.56](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.56) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.57](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.57) aññataraṃ dīghāyukaṃ devanikāyaṃ upapanno hoti. > But that individual has been reborn in one of the long-lived orders of gods. > — Reciting in Concert ### [3.2.58](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.58) Ayaṃ pañcamo akkhaṇo asamayo brahmacariyavāsāya. > This is the fifth lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.59](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.59) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.60](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.60) paccantimesu janapadesu paccājāto hoti milakkhesu aviññātāresu, yattha natthi gati bhikkhūnaṃ bhikkhunīnaṃ upāsakānaṃ upāsikānaṃ. > But that individual has been reborn in the borderlands, among uneducated foreigners, where monks, nuns, laymen, and laywomen do not go. > — Reciting in Concert ### [3.2.61](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.61) Ayaṃ chaṭṭho akkhaṇo asamayo brahmacariyavāsāya. > This is the sixth lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.62](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.62) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.63](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.63) majjhimesu janapadesu paccājāto hoti. So ca hoti micchādiṭṭhiko viparītadassano: > And an individual is reborn in a central country. But they have wrong view and distorted perspective: > — Reciting in Concert ### [3.2.64](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.64) ‘natthi dinnaṃ, natthi yiṭṭhaṃ, natthi hutaṃ, natthi sukatadukkaṭānaṃ kammānaṃ phalaṃ vipāko, natthi ayaṃ loko, natthi paro loko, natthi mātā, natthi pitā, natthi sattā opapātikā, natthi loke samaṇabrāhmaṇā sammaggatā sammāpaṭipannā ye imañca lokaṃ parañca lokaṃ sayaṃ abhiññā sacchikatvā pavedentī’ti. > ‘There’s no meaning in giving, sacrifice, or offerings. There’s no fruit or result of good and bad deeds. There’s no afterlife. There’s no such thing as mother and father, or beings that are reborn spontaneously. And there’s no ascetic or brahmin who is rightly comported and rightly practiced, and who describes the afterlife after realizing it with their own insight.’ > — Reciting in Concert ### [3.2.65](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.65) Ayaṃ sattamo akkhaṇo asamayo brahmacariyavāsāya. > This is the seventh lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.66](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.66) Puna caparaṃ …pe… > Furthermore, a Realized One has arisen in the world … > — Reciting in Concert ### [3.2.67](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.67) majjhimesu janapadesu paccājāto hoti. So ca hoti duppañño jaḷo eḷamūgo, nappaṭibalo subhāsitadubbhāsitānamatthamaññātuṃ. > And an individual is reborn in a central country. But they’re witless, dull, idiotic, and unable to distinguish what is well said from what is poorly said. > — Reciting in Concert ### [3.2.68](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.68) Ayaṃ aṭṭhamo akkhaṇo asamayo brahmacariyavāsāya. > This is the eighth lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.69](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.69) Puna caparaṃ, āvuso, tathāgato ca loke na uppanno hoti arahaṃ sammāsambuddho, > Furthermore, no Realized One has arisen in the world, > — Reciting in Concert ### [3.2.70](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.70) dhammo ca na desiyati opasamiko parinibbāniko sambodhagāmī sugatappavedito. Ayañca puggalo majjhimesu janapadesu paccājāto hoti, so ca hoti paññavā ajaḷo aneḷamūgo, paṭibalo subhāsitadubbhāsitānamatthamaññātuṃ. > so there is no teaching of the Dhamma leading to peace, extinguishment, awakening, as proclaimed by the Holy One. But an individual is reborn in a central country. And they’re wise, bright, clever, and able to distinguish what is well said from what is poorly said. > — Reciting in Concert ### [3.2.71](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.71) Ayaṃ navamo akkhaṇo asamayo brahmacariyavāsāya. > This is the ninth lost opportunity for spiritual practice. > — Reciting in Concert ### [3.2.72](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.72) Nava anupubbavihārā. > Nine progressive meditations: > — Reciting in Concert ### [3.2.73](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.73) Idhāvuso, bhikkhu vivicceva kāmehi vivicca akusalehi dhammehi savitakkaṃ savicāraṃ vivekajaṃ pītisukhaṃ paṭhamaṃ jhānaṃ upasampajja viharati. > A mendicant, quite secluded from sensual pleasures, secluded from unskillful qualities, enters and remains in the first absorption, which has the rapture and bliss born of seclusion, while placing the mind and keeping it connected. > — Reciting in Concert ### [3.2.74](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.74) Vitakkavicārānaṃ vūpasamā …pe… dutiyaṃ jhānaṃ upasampajja viharati. > As the placing of the mind and keeping it connected are stilled, they enter and remain in the second absorption, which has the rapture and bliss born of immersion, with internal clarity and mind at one, without placing the mind and keeping it connected. > — Reciting in Concert ### [3.2.75](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.75) Pītiyā ca virāgā …pe… tatiyaṃ jhānaṃ upasampajja viharati. > And with the fading away of rapture, they enter and remain in the third absorption, where they meditate with equanimity, mindful and aware, experiencing for themselves the bliss of which the noble ones declare, ‘Equanimous and mindful, one meditates in bliss.’ > — Reciting in Concert ### [3.2.76](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.76) Sukhassa ca pahānā …pe… catutthaṃ jhānaṃ upasampajja viharati. > With the giving up of pleasure and pain and the disappearance of former happiness and sadness, they enter and remain in the fourth absorption, without pleasure or pain, with pure equanimity and mindfulness. > — Reciting in Concert ### [3.2.77](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.77) Sabbaso rūpasaññānaṃ samatikkamā …pe… ākāsānañcāyatanaṃ upasampajja viharati. > Going totally beyond perceptions of form, with the disappearance of perceptions of impingement, not focusing on perceptions of diversity, aware that ‘space is infinite’, they enter and remain in the dimension of infinite space. > — Reciting in Concert ### [3.2.78](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.78) Sabbaso ākāsānañcāyatanaṃ samatikkamma ‘anantaṃ viññāṇan’ti viññāṇañcāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of infinite space, aware that ‘consciousness is infinite’, they enter and remain in the dimension of infinite consciousness. > — Reciting in Concert ### [3.2.79](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.79) Sabbaso viññāṇañcāyatanaṃ samatikkamma ‘natthi kiñcī’ti ākiñcaññāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of infinite consciousness, aware that ‘there is nothing at all’, they enter and remain in the dimension of nothingness. > — Reciting in Concert ### [3.2.80](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.80) Sabbaso ākiñcaññāyatanaṃ samatikkamma nevasaññānāsaññāyatanaṃ upasampajja viharati. > Going totally beyond the dimension of nothingness, they enter and remain in the dimension of neither perception nor non-perception. > — Reciting in Concert ### [3.2.81](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.81) Sabbaso nevasaññānāsaññāyatanaṃ samatikkamma saññāvedayitanirodhaṃ upasampajja viharati. > Going totally beyond the dimension of neither perception nor non-perception, they enter and remain in the cessation of perception and feeling. > — Reciting in Concert ### [3.2.82](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.82) Nava anupubbanirodhā. > Nine progressive cessations: > — Reciting in Concert ### [3.2.83](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.83) Paṭhamaṃ jhānaṃ samāpannassa kāmasaññā niruddhā hoti. > For someone who has attained the first absorption, sensual perceptions have ceased. > — Reciting in Concert ### [3.2.84](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.84) Dutiyaṃ jhānaṃ samāpannassa vitakkavicārā niruddhā honti. > For someone who has attained the second absorption, the placing of the mind and keeping it connected have ceased. > — Reciting in Concert ### [3.2.85](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.85) Tatiyaṃ jhānaṃ samāpannassa pīti niruddhā hoti. > For someone who has attained the third absorption, rapture has ceased. > — Reciting in Concert ### [3.2.86](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.86) Catutthaṃ jhānaṃ samāpannassa assāsapassāssā niruddhā honti. > For someone who has attained the fourth absorption, breathing has ceased. > — Reciting in Concert ### [3.2.87](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.87) Ākāsānañcāyatanaṃ samāpannassa rūpasaññā niruddhā hoti. > For someone who has attained the dimension of infinite space, the perception of form has ceased. > — Reciting in Concert ### [3.2.88](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.88) Viññāṇañcāyatanaṃ samāpannassa ākāsānañcāyatanasaññā niruddhā hoti. > For someone who has attained the dimension of infinite consciousness, the perception of the dimension of infinite space has ceased. > — Reciting in Concert ### [3.2.89](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.89) Ākiñcaññāyatanaṃ samāpannassa viññāṇañcāyatanasaññā niruddhā hoti. > For someone who has attained the dimension of nothingness, the perception of the dimension of infinite consciousness has ceased. > — Reciting in Concert ### [3.2.90](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.90) Nevasaññānāsaññāyatanaṃ samāpannassa ākiñcaññāyatanasaññā niruddhā hoti. > For someone who has attained the dimension of neither perception nor non-perception, the perception of the dimension of nothingness has ceased. > — Reciting in Concert ### [3.2.91](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.91) Saññāvedayitanirodhaṃ samāpannassa saññā ca vedanā ca niruddhā honti. > For someone who has attained the cessation of perception and feeling, perception and feeling have ceased. > — Reciting in Concert ### [3.2.92](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.92) Ime kho, āvuso, tena bhagavatā jānatā passatā arahatā sammāsambuddhena nava dhammā sammadakkhātā. > These are the teachings grouped by nine that have been rightly explained by the Buddha. > — Reciting in Concert ### [3.2.93](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2.93) Tattha sabbeheva saṅgāyitabbaṃ …pe… atthāya hitāya sukhāya devamanussānaṃ. > You should all recite these in concert. > — Reciting in Concert ## Translations (3) - [Zajedničko recitovanje](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~sr-brankokovacevic.3.2.1) — sr - [Im Chor aufsagen](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~de-sabbamitta.3.2.1) — German - [Reciting in Concert](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33~en-sujato.3.2.1) — English ## Commentaries (1) - [Sumaṅgalavilāsinī](https://indike.org/pramana/in.bauddha.theravada.sp.digha!sumangalavilasini.33.340) — Buddhaghosa, Pāli ## Linked texts (16) - [Dasuttarasutta](https://indike.org/pramana/in.bauddha.theravada.sp.digha.34.2.2.34) — Pāli - [增壹阿含經](https://indike.org/pramana/in.bauddha.sanskrit.agama.ekottaragama*zh-sanghadeva.44.1) — Classical Chinese - [長阿含經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirghagama*zh-buddhayasas.9.30) — Classical Chinese - [大集法門經](https://indike.org/pramana/in.bauddha.sanskrit.agama.dirgha.sangitisutra*zh-danapala.2.41) — Classical Chinese - [Āghātapaṭivinayasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.10.80.1.1) — Pāli - [Āghātavatthusutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.10.79.1.1) — Pāli - [Āghātavatthusutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.9.29.1.1) — Pāli - [Āghātapaṭivinayasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.9.30.1.1) — Pāli - [Kathāvatthu](https://indike.org/pramana/in.bauddha.theravada.ap.kathavatthu) — Moggaliputta Tissa, Pāli - [Vibhaṅga](https://indike.org/pramana/in.bauddha.theravada.ap.vibhanga) — Pāli - [Mahāniddesa](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.mahaniddesa) — Pāli - [Cūḷaniddesa](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.culaniddesa) — Pāli - [Dhammasaṅgaṇī](https://indike.org/pramana/in.bauddha.theravada.ap.dhammasangani) — Pāli - [Sattāvāsasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.9.24) — Pāli - [Anupubbanirodhasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.9.31) — Pāli - [Anupubbavihārasutta](https://indike.org/pramana/in.bauddha.theravada.sp.anguttara.9.32) — Pāli --- Source: [https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2](https://indike.org/pramana/in.bauddha.theravada.sp.digha.33.3.2) · Pramāṇa