[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Dark Ages](https://indike.org/pramana/in.darkages) › [Travellers (1500–1858)](https://indike.org/pramana/in.darkages.travel) › [Storia do Mogor](https://indike.org/pramana/in.darkages.travel.manucci) › [Storia do Mogor (Irvine)](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine) › 9.3.1902 # Storia do Mogor 9.3.1902 Storia do Mogor (Irvine) 9.3.1902 - **Language:** English ### [9.3.1902](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.3.1902) Zanetti's volume includes three fine copper-plate engravings: 1. Orangzeb, XI. (Blochet, 'Inventaire,' No. 13); the emperor is on a white horse, reading, and there are twenty-five other figures round him on foot. 2. Tamur-lang, I. (Blochet, No. 3). A jungle scene, Taimur on one knee, shooting: thirty-one other figures. 3. Portrait of Niccolao Manuzzi, author of the 'History of the Mogul' (Blochet, No. 2). A stout, white-faced, entirely shaven man in Indian costume looking to the left and holding the pulse of a very dark man. The assertion of Cardinal Placido Zurla is inaccurate in stating that the Manucci manuscript 'was unfortunately mislaid in the late political troubles,' meaning the days of Napoleon's invasion, his remark, as we shall see presently, applying only to the volume of portraits. Codex XLIV. (Zanetti) is still in its place at Venice, and I proceed to give further details, such as I was able to glean from an inspection of it in May, 1902. - [Previous: 9.2.8](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.2.8) - [Next: 9.3.1704](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.3.1704) - [Up: 9.3](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.3) --- Source: [https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.3.1902](https://indike.org/pramana/in.darkages.travel.manucci~en-irvine.9.3.1902) · Pramāṇa