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# Gita Govinda 1.4

Gītagovinda 1.4

- **Language:** Sanskrit

## Contents

- [1.4.1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.1) — 2 parts
- [1.4.2](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.2) — 1 part
- [1.4.10](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.10) — 2 parts
- [1.4.11](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.11) — 1 part
- [1.4.23](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.23) — 2 parts

### [1.4.1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.1)

yamunā-tīra-vānīra-nikuñje mandaṃ āsthitaṃ |  
prāha prema-bharodbhrāntaṃ mādhavaṃ rādhikā-sakhī ||

> To Mādhava, who lingered quietly in a cane arbor on the bank of the Yamunā, bewildered by the weight of love, Rādhā's confidante spoke:  
> — English (machine translation) (machine translation)

> Then she whom Radha sent came to the canes--  
> The canes beside the river where he lay  
> With listless limbs and spirit weak from love;--  
> And she sang this to Krishna wistfully:  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.1.p1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.1.p1)

|| prabandhaḥ 8 ||

> || Lyric Composition 8  
> — English (machine translation) (machine translation)

> (What follows is to the Music KARNÂTA and the Mode EKATÂLÎ.)  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.1.p2](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.1.p2)

karṇāṭa-rāgaika-tālī-tālābhyāṃ gīyate |

> Sung in Karṇāṭa melodic mode and Ekatālī rhythmic meter.  
> — English (machine translation) (machine translation)

### [1.4.2](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.2)

nindati candanam indu-kiraṇam anu vindati khedam adhīram |  
vyāla-nilaya-milanena garalam iva kalayati malaya-samīram ||

> She reviles sandalwood paste, and upon the moonbeams finds anxious distress; / through contact with the home of serpents, she reckons the breeze from the Malaya mountains to be like poison.  
> — English (machine translation) (machine translation)

> Art thou sick for Radha? she is sad in turn,  
> Heaven foregoes its blessings, if it holds not thee,  
> All the cooling fragrance of sandal she doth spurn,  
> Moonlight makes her mournful with radiance silvery;  
> Even the southern breeze blown fresh from pearly seas,  
> Seems to her but tainted by a dolorous brine;  
> And for thy sake discontented, with a great love overladen,  
> Her soul comes here beside thee, and sitteth down with thine.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.2.p1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.2.p1)

mādhava manasija-viśikha-bhayād iva bhāvanayā tvayi līnā |  
sā virahe tava dīnā || dhruva-padam ||

> O Mādhava, as if from fear of the arrows of mind-born love, she has dissolved in thought of you; / she is wretched in separation from you. || Refrain  
> — English (machine translation) (machine translation)

### [1.4.3](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.3)

avirala-nipatita-madana-śarād iva bhavad-avanāya vīśālam |  
sva-hṛdaya-marmaṇi varma karoti sajala-nalinī-dala-jālam ||

> As if to protect you from the incessantly falling arrows of Madana, / she makes a broad armor upon her heart's vital core with a screen of wet lotus leaves.  
> — English (machine translation) (machine translation)

> Her soul comes here beside thee, and tenderly and true  
> It weaves a subtle mail of proof to ward off sin and pain;  
> A breastplate soft as lotus-leaf, with holy tears for dew,  
> To guard thee from the things that hurt; and then 'tis gone again  
> To strew a blissful place with the richest buds that grace  
> Kama's sweet world, a meeting-spot with rose and jasmine fair,  
> For the hour when, well-contented, with a love no longer troubled,  
> Thou shalt find the way to Radha, and finish sorrows there.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.4](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.4)

kusuma-viśikha-śara-talpam analpa-vilāsa-kalā-kamaṇīyam |  
vratam iva tava parirambha-sukhāya karoti kusuma-śayanīyam ||

> Her bed of flower-arrows, lovely with the abundant arts of erotic dalliance, / she makes into a flower bed as though practicing an ascetic vow for the bliss of your embrace.  
> — English (machine translation) (machine translation)

> Her soul comes here beside thee, and tenderly and true  
> It weaves a subtle mail of proof to ward off sin and pain;  
> A breastplate soft as lotus-leaf, with holy tears for dew,  
> To guard thee from the things that hurt; and then 'tis gone again  
> To strew a blissful place with the richest buds that grace  
> Kama's sweet world, a meeting-spot with rose and jasmine fair,  
> For the hour when, well-contented, with a love no longer troubled,  
> Thou shalt find the way to Radha, and finish sorrows there.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.5](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.5)

vahati ca calita-vilocana-jaladhāram ānana-kamalam udāram |  
vidhum iva vikaṭa-vidhuntuda-danta-dalana-galitāmṛta-dhāram ||

> And her noble lotus face bears streams of water from her trembling eyes, / like the moon bearing streams of nectar dripping from the tearing teeth of fierce Rāhu.  
> — English (machine translation) (machine translation)

> But now her lovely face is shadowed by her fears;  
> Her glorious eyes are veiled and dim like moonlight in eclipse  
> By breaking rain-clouds, Krishna! yet she paints you in her tears  
> With tender thoughts--not Krishna, but brow and breast and lips  
> And form and mien a King, a great and godlike thing;  
> And then with bended head she asks grace from the Love Divine,  
> To keep thee discontented with the phantoms thou forswearest,  
> Till she may win her glory, and thou be raised to thine.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.6](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.6)

vilikhati rahasi kuraṅga-madena bhavantam asama-śara-bhūtam |  
praṇamati makaram adho vinidhāya kare ca śaraṃ nava-cūtam ||

> In secret, with musk, she paints you in the form of the Bodiless One with his uneven arrows; / placing a sea-monster beneath you and a fresh mango sprout as an arrow in your hand, she bows down.  
> — English (machine translation) (machine translation)

> But now her lovely face is shadowed by her fears;  
> Her glorious eyes are veiled and dim like moonlight in eclipse  
> By breaking rain-clouds, Krishna! yet she paints you in her tears  
> With tender thoughts--not Krishna, but brow and breast and lips  
> And form and mien a King, a great and godlike thing;  
> And then with bended head she asks grace from the Love Divine,  
> To keep thee discontented with the phantoms thou forswearest,  
> Till she may win her glory, and thou be raised to thine.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.7](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.7)

dhyāna-layena puraḥ parikalpya bhavantam atīva durāpam |  
vilapati hasati viṣīdati roditi cañcati muñcati tāpam ||

> Having conjured you before her through absorption in meditation, though exceedingly hard to attain, / she laments, she laughs, she desponds, she weeps, she trembles, she casts off torment.  
> — English (machine translation) (machine translation)

> Softly now she sayeth,  
> "Krishna, Krishna, come!"  
> Lovingly she prayeth,  
> "Fair moon, light him home."  
> Yet if Hari helps not,  
> Moonlight cannot aid;  
> Ah! the woeful Radha!  
> Ah! the forest shade!  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.8](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.8)

prati-padam idam api nigadati mādhava tava caraṇe patitāham |  
tvayi vimukhe mayi sapadi sudhā-nidhir api tanute tanu-dāham ||

> At every step she declares this too: “O Mādhava, I have fallen at your feet; / when you are turned away from me, instantly even the storehouse of nectar creates a burning of my body.”  
> — English (machine translation) (machine translation)

> Ah! if Hari guide not,  
> Moonlight is as gloom;  
> Ah! if moonlight help not,  
> How shall Krishna come?  
> Sad for Krishna grieving  
> In the darkened grove;  
> Sad for Radha weaving  
> Dreams of fruitless love!  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.9](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.9)

śrī-jayadeva-bhaṇitam idam adhikaṃ yadi manasā naṭaṇīyam |  
hari-virahākula-ballava-yuvati-sakhī-vacanaṃ paṭhanīyam ||

> If this utterance of Śrī Jayadeva is to be performed intensely by the mind, / the speech of the cowherd maiden’s confidante, agitated by separation from Hari, should be recited.  
> — English (machine translation) (machine translation)

> Strike soft strings to this soft measure,  
> If thine ear would catch its treasure;  
> Slowly dance to this deep song,  
> Let its meaning float along  
> With grave paces, since it tells  
> Of a love that sweetly dwells  
> In a tender distant glory,  
> Past all faults of mortal story.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.10](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.10)

āvāso vipināyate priya-sakhī-mālāpi jālāyate tāpo'pi śvasitena dāva-dahana-jvāla-kalāpāyate |  
sāpi tvad-viraheṇa hanta hariṇī-rūpāyate hā kathaṃ kandarpo'pi yamāyate viracayan śārdūla-vikrīḍitam ||

> Her dwelling behaves like a wilderness, even the circle of dear companions behaves like a snare, / and the heat \[of passion\], through her sighing, behaves like the mass of flames of a forest fire; / alas, through separation from you, she too behaves like a doe. Ah, why does even Kandarpa behave like Yama, playing the sport of a tiger?  
> — English (machine translation) (machine translation)

> Strike soft strings to this soft measure,  
> If thine ear would catch its treasure;  
> Slowly dance to this deep song,  
> Let its meaning float along  
> With grave paces, since it tells  
> Of a love that sweetly dwells  
> In a tender distant glory,  
> Past all faults of mortal story.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.10.p1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.10.p1)

|| prabandhaḥ 9 ||

> || Lyric Composition 9  
> — English (machine translation) (machine translation)

> Strike soft strings to this soft measure,  
> If thine ear would catch its treasure;  
> Slowly dance to this deep song,  
> Let its meaning float along  
> With grave paces, since it tells  
> Of a love that sweetly dwells  
> In a tender distant glory,  
> Past all faults of mortal story.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.10.p2](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.10.p2)

deśākhya-rāgaika-tālī-tālābhyāṃ gīyate |

> Sung in Deśākhya melodic mode and Ekatālī rhythmic meter.  
> — English (machine translation) (machine translation)

> Strike soft strings to this soft measure,  
> If thine ear would catch its treasure;  
> Slowly dance to this deep song,  
> Let its meaning float along  
> With grave paces, since it tells  
> Of a love that sweetly dwells  
> In a tender distant glory,  
> Past all faults of mortal story.  
> — Edwin Arnold 1875, The Indian Song of Songs

### [1.4.11](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.11)

stana-vinihitam api hāram udāram |  
sa manute kṛśā-tanur iva bhāram ||

> Even the magnificent necklace placed upon her breasts, / she, with her wasted body, deems to be a burden.  
> — English (machine translation) (machine translation)

### [1.4.11.p1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.11.p1)

rādhikā tava virahe keśava || dhruvam ||

> O Keśava, Rādhikā \[suffers\] in separation from you! || Refrain  
> — English (machine translation) (machine translation)

### [1.4.12](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.12)

sa-rasa-masṛṇam api malayaja-paṅkam |  
paśyati viṣam iva vapuṣi sa-śaṅkam ||

> Even the wet and smooth sandalwood paste upon her body / she regards with apprehension, as though it were poison.  
> — English (machine translation) (machine translation)

### [1.4.13](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.13)

śvasita-pavanam anupama-pariṇāham |  
madana-dahanam iva vahati sa-dāham ||

> The breath of her sigh, matchless in extent, / she bears, full of burning, like the fire of Madana.  
> — English (machine translation) (machine translation)

### [1.4.14](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.14)

diśi diśi kirati sajala-kaṇa-jālam |  
nayana-nalinam iva vigalita-nālam ||

> In every direction she scatters a shower of tear-drops, / as if casting out eye-lotuses with severed stalks.  
> — English (machine translation) (machine translation)

### [1.4.15](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.15)

tyajati na pāṇi-talena kapolam |  
bāla-śaśinam iva sāyam alolam ||

> She does not remove her cheek from the palm of her hand, / like the young crescent moon resting motionless at dusk.  
> — English (machine translation) (machine translation)

### [1.4.16](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.16)

nayana-viṣayam api kiśalaya-talpaṃ |  
kalayati vihita-hutāśa-vikalpam ||

> A bed of sprouts, though falling within the range of her eyes, / she considers equivalent to a blazing fire.  
> — English (machine translation) (machine translation)

### [1.4.17](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.17)

harir iti harir iti japati sa-kāmam |  
viraha-vihita-maraṇeva nikāmaṃ ||

> “Hari! Hari!” she mutters passionately, / as if utterly brought to death by separation.  
> — English (machine translation) (machine translation)

### [1.4.18](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.18)

śrī-jayadeva-bhaṇitam iti gītam |  
sukhayatu keśava-padam upanītam ||

> May this song uttered by Śrī Jayadeva, / offered at the feet of Keśava, bestow delight.  
> — English (machine translation) (machine translation)

### [1.4.19](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.19)

sā romāñcati śītkaroti vilapaty utkampate tāmyati dhyāyaty udbhramati pramīlati pataty udyāti mūrcchaty api |  
etāvaty atanu-jvare vara-tanur jīven na kiṃ te rasāt svar-vaidya-pratima prasīdasi yadi tyakto'nyathā hastakaḥ ||

> Her hair bristles, she makes whistling cries of pain, she laments, she trembles violently, she languishes, / she meditates, she wanders in confusion, she closes her eyes, she collapses, she rises up, and she even swoons. / In such intense fever of love, would that slender-bodied woman not live through your passion, / O you who resemble the physician of the gods, if you show grace? Otherwise, her hand has been abandoned \[as dead\]!  
> — English (machine translation) (machine translation)

### [1.4.20](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.20)

smarāturaṃ daivata-vaidya-hṛdya tvad-aṅga-saṅgāmṛta-mātra-sādhyam |  
nivṛtta-bādhāṃ kuruṣe na rādhām upendra-vajrād api dāruṇo'si ||

> O you who are dear as the heavenly physician, if you do not free from affliction / Rādhā, sick with love and curable only by the nectar of contact with your limbs, / you are harsher even than the thunderbolt of Indra.  
> — English (machine translation) (machine translation)

### [1.4.21](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.21)

kandarpa-jvara-saṃjvarātura-tanor aścaryam asyāś ciraṃ cetaś candana-candramaḥ-kamalinī-cintāsu santāmyati |  
kintu klānti-vaśena śītala-tanuṃ tvām ekam eva priyaṃ dhyāyantī rahasi sthitā katham api kṣīṇā kṣaṇaṃ prāṇiti ||

> It is a wonder that, though her body is tormented by the burning fever of Kandarpa, / her heart languishes constantly in thoughts of sandalwood, the moon, and lotus ponds; / yet, overwhelmed by exhaustion, meditating in secret solely upon you, her cooling-bodied beloved, / the wasted maiden somehow breathes for a moment.  
> — English (machine translation) (machine translation)

### [1.4.22](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.22)

kṣaṇam api virahaḥ purā na sehe nayana-nimīlana-khinnayā yayā te |  
śvasiti katham asau rasāla-śākhāṃ cira-viraheṇa vilokya puṣpitāgram ||

> Formerly, distressed even by the closing of her eyes, she could not bear separation from you for even a moment; / how then can she breathe in prolonged separation, beholding the mango branch with flowering tips?  
> — English (machine translation) (machine translation)

### [1.4.23](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.23)

vṛṣṭi-vyākula-gokula-vana-rasād uddhṛtya govardhanaṃ bibhrad ballava-vallabhābhir adhikānandāc ciraṃ cumbitaḥ |  
darpeṇeva tad-arpitādhara-taṭī-sindūra-mudrāṅkito bāhur gopa-tanos tanotu bhavatāṃ śreyāṃsi kaṃsa-dviṣaḥ ||

> Lifting Govardhana out of passionate love for the forest of Gokula agitated by torrential rain, / kissed lingeringly out of boundless delight by the lovers of the cowherds, / and marked, as if with pride, by the red vermilion seals of their lower lips impressed upon it, / may the arm of the enemy of Kaṃsa in his cowherd form bestow welfare upon you!  
> — English (machine translation) (machine translation)

### [1.4.23.p1](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.23.p1)

iti śrī-gīta-govinde snigdha-madhusūdano nāma  
caturthaḥ sargaḥ  
||4||

> Thus ends the fourth sarga, entitled “Affectionate Madhusūdana,” in the glorious Gītagovinda. ||4  
> — English (machine translation) (machine translation)

### [1.4.23.p2](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4.23.p2)

(5)  
pañcamaḥ sargaḥ  
sākāṅkṣa-puṇḍarīkākṣaḥ

> (5)  
> Fifth Sarga  
> Longing Lotus-Eyed One  
> — English (machine translation) (machine translation)

## Translations (2)

- [The Indian Song of Songs](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2~en-arnold.4.p1) — Edwin Arnold 1875, English
- [English (machine translation)](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2~en-mt.1.4.1) — English, machine translation

## Commentaries (4)

- [Commentary of Mānāṅka](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2!mananka.9.1) — Mānāṅka, Sanskrit
- [Rasikapriyā](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2!kumbhakarna.11.2.1) — Kumbhakarṇa, Sanskrit
- [Rasamañjarī](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2!sankara-misra.10.2.1) — Śaṅkara, Sanskrit
- [Śrutirañjanī](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2!laksmidhara.8.8.17) — Lakṣmīdhara 1567, Sanskrit

## Linked texts (5)

- [Kāvyasaṃgraha (Jīvānanda)](https://indike.org/pramana/in.lit.subhasita.subhasita.adhunika.kavyasamgraha-jivananda.93.1) — Sanskrit
- [Subhāṣitaratnabhāṇḍāgāra](https://indike.org/pramana/in.lit.subhasita.subhasita.adhunika.subhasitaratnabhandagara.6.19.69) — Kāśīnātha Pāṇḍuraṅga Paraba 1886, Sanskrit
- [Śārṅgadharapaddhati](https://indike.org/pramana/in.lit.subhasita.subhasita.kosa.sarngadharapaddhati.129.9) — Śārṅgadhara, Sanskrit
- [Padāvalī](https://indike.org/pramana/in.vernacular.maithili.vidyapati.padavali-vidyapati.3.p6) — Vidyāpati, Sanskrit
- [Kavicintāmaṇi](https://indike.org/pramana/in.art.alamkara.sahitya.samgraha.pracya-maithila.kavicintamani.4.25) — Gopīnātha Kavibhūṣaṇa, Sanskrit

## Discussed in (1)

- [The History of Bengal (Vol. I: Hindu Period; Vol. II: Muslim Period 1200–1757)](https://indike.org/pramana/ins.general.majumdar-sarkar-1943.v1.c16.s10.598) — Majumdar & Sarkar 1943, English

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Source: [https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4](https://indike.org/pramana/in.lit.kavya.khanda.gitakavya.gitagovinda-2.1.4) · Pramāṇa
