Harivamsha 75
English (machine translation) 75
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75.1
Vaiśaṃpāyana said: / As lotus-eyed Kṛṣṇa entered swiftly, his garments fluttering in the wind, / placing his elder brother in front—
75.2
Devakī’s son, his handsome arms marked with scratches from elephant tusks, / a hero sporting armlets fashioned from [its] rut and blood,
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prancing like a lion, roaring like a cloud, / shaking the earth with the sound and slap of his arms—
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seeing Kṛṣṇa with the elephant's tusk raised as a weapon, / the son of Ugrasena, his face deeply troubled, looked upon him with fury.
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All those standing in the arena, with unblinking eyes,
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beheld the lotus-eyed one with a joyful heart within.
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Keśava shone with the elephant tusk clasped in his arm, / like a single-peaked mountain joined with the crescent disk of the moon.
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As Govinda pranced, the entire ocean of the arena / seemed to be filled with the resounding roar of the multitude of people.
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Then Kaṃsa, his eyes copper-red with anger, extremely enraged,
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commanded the mighty Cāṇūra to fight against Kṛṣṇa,
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and the Andhra wrestler, deceitful and of great strength, Muṣṭika,
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resembling a mass of mountains, he angrily directed against Baladeva.
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Now Cāṇūra had already been commanded beforehand by Kaṃsa: / 'You must fight against Kṛṣṇa with all your might.'
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And Cāṇūra, his eyes reddened with fury, / advanced to the fight like a cloud filled with water.
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And he said to Govinda: 'I will destroy your arrogance!
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Soon, cowherd, you will see [the realm of] Yama by my force!'
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Hearing this, Govinda spoke to him whose life was at its end:
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'I shall see such capability of yours, your supreme strength;
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soon, wrestler, you will see [it], vile one, whether by you or by me!
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Show it if you are capable, [or] say what your strength is, vile one!'
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Having spoken thus, Govinda roared in many varied ways.
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When the shout ceased in the assembly and the people fell silent and still, / the Yādavas gathered there spoke these words:
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'Having set aside the party of arrows and viewed the fight impartially:
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this wrestling match in the arena, with umpires, without fear, / governed by technique and strength, without weapons, was designed in ancient times.
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Exertion must always be dispelled with water by those observing the rounds; / and rubbing with dry powdered cow-dung is remembered as the wrestler's regular procedure.
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Whether standing or on the ground, each according to his proper method, / standing and on the ground as the two follow the rules; / and the sequence of fighting has been declared by the umpires.
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Whether young, middle-aged, old, or lean, / or fully strong, one standing in the arena should be known by his weight-class.
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The rule of wrestling in combat depends on strength and technique; / after a knockout blow, an expert must do nothing further.
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So here is this fight prepared in the arena between Kṛṣṇa and the Andhra wrestler; / Kṛṣṇa is a boy, the Andhra is massive; in this matter there can be no question.'
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Then a roar of shouts arose in the assembly, / and Govinda pranced forth and spoke these words:
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'I am a boy, [and] the Andhra is huge, mountain-like in body; / a fight with this strong-armed one pleases me.
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No violation of the rules of combat will be committed by me; / for I will not corrupt what is recognized by wrestlers.
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The rule of cow-dung powder and the rule of water belonging to the arena, / and the application of astringent powder—this is the agreed convention.
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Restraint, steadiness, heroism, exertion, skilled action, and strength, / and certain victory in the arena: this is the vow at the opening of battle.
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Since he is prepared to fight with his arms out of enmity, / here indeed restraint must be applied; I will gratify the world.
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Born among the Karūṣas, this wrestler is named Cāṇūra; / consider him as a wrestler in body and in deeds.
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Many wrestlers arrogant in battle have been slain by him; / desiring glory in the arena, he has corrupted the path of wrestling.
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The success of armed warriors in battle comes from weapons; / but the success of wrestlers in the arena arises from striking down an opponent.
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Eternal fame belongs to one who conquers in battle; / even for one slain by weapons in battle, the vault of heaven is ordained.
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For in battle success comes both ways, whether slain or slaying; / indeed, that fatal departure is honored well by the great.
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But this path proceeds from strength and technique; / what heaven is there for one dead in the arena, or what pleasure for the victor?
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Those who, by their own fault, fancy themselves wise before the king, / say: "We boys will fight with the strong-armed in close combat!"
Having spoken thus, Kṛṣṇa then engaged Cāṇūra.
Slapping his arms, O king of kings, Cāṇūra advanced toward Kṛṣṇa.
Both of them, valorous as lions, like two rutting great elephants,
fought each other with these wrestling exercises;
wrestlers were killed for the sake of glory, for that is the death of a wrestler-killer.'
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As they were conversing in this manner, a terrible, / dreadful fight took place between the two, like two elephants in the forest:
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with diverse blows and counter-blows, interlocking arms in close grip, / knockdowns and shakes, crushes and throws.
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Both of them grappled together as if they were made of stone,
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with throws, fists, grunts sounding like boars, / elbow strikes like thunderbolts, and open-handed slaps,
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with blows of fingers and nails, and fierce kicks, / with knees clashing like rocks, and blows with their heads.
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That fight without weapons became terrible through the power of their arms, / through the strength and life-force of heroes in the presence of the festive gathering.
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All the people were enraptured, rising with cries and shouts, / and other people proclaimed shouts of 'Well done!' from the scaffolds.
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And the gods standing in heaven also said: 'Well done! Well done!'
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Then Kaṃsa, his face sweating and his eyes fixed on Kṛṣṇa, / halted the musical instruments with his left hand.
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When those musical instruments, the mṛdaṅgas and others, were silenced, / many divine instruments assembled in the sky played aloud.
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As Hṛṣīkeśa, whose eyes resembled lotuses, was fighting, / sounds of musical instruments played of their own accord on all sides.
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The gods, having become invisible, moved in wish-fulfilling aerial cars / together with the Vidyādharas, longing for Kṛṣṇa's victory.
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"Conquer Cāṇūra, Kṛṣṇa, the Dānava in a wrestler's body!" / So the seven seers all said, standing in the sky.
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Having sported with Cāṇūra for a long time, the son of Devakī / mustered his strength, foreseeing the destruction of Kaṃsa.
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Then the earth shook, and the platforms tottered, / and from Kaṃsa's crown fell an exquisite gem.
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Bending Cāṇūra down with both arms while his life was still full, / Kṛṣṇa struck him on the head with his fist, hitting him on the chest with his knee.
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His eyes, accompanied by tears and blood, popped out with their sockets / like two golden bells hanging down over his chest.
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With his eyes popped out, he fell in the middle of the arena, / Cāṇūra, his life departed, on the surface of the earth at the end of his days.
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The main path of the arena was blocked by the body of lifeless Cāṇūra; / he looked like a mountain.
Linked texts (1)
- Harivaṃśa — Vyāsa, Sanskrit