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Valmiki Ramayana 2.106

Vālmīkirāmāyaṇa 2.106

Language
Sanskrit

2.106.1

snigdhagambhīraghoṣeṇa syandanenopayān prabhuḥ
ayodhyāṃ bharataḥ kṣipraṃ praviveśa mahāyaśāḥ

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.2

biḍālolūkacaritām ālīnanaravāraṇām
timirābhyāhatāṃ kālīm aprakāśāṃ niśām iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.3

rāhuśatroḥ priyāṃ patnīṃ śriyā prajvalitaprabhām
graheṇābhyutthitenaikāṃ rohiṇīm iva pīḍitām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.4

alpoṣṇakṣubdhasalilāṃ gharmottaptavihaṃgamām
līnamīnajhaṣagrāhāṃ kṛśāṃ girinadīm iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.5

vidhūmām iva hemābhām adhvarāgnisamutthitām
havirabhyukṣitāṃ paścāc chikhāṃ vipralayaṃ gatām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.6

vidhvastakavacāṃ rugṇagajavājirathadhvajām
hatapravīrām āpannāṃ camūm iva mahāhave

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.7

saphenāṃ sasvanāṃ bhūtvā sāgarasya samutthitām
praśāntamārutoddhūtāṃ jalormim iva niḥsvanām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.8

tyaktāṃ yajñāyudhaiḥ sarvair abhirūpaiś ca yājakaiḥ
sutyākāle vinirvṛtte vediṃ gataravām iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.9

goṣṭhamadhye sthitām ārtām acarantīṃ navaṃ tṛṇam
govṛṣeṇa parityaktāṃ gavāṃ patnīm ivotsukām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.10

prabhākarālaiḥ susnigdhaiḥ prajvaladbhir ivottamaiḥ
viyuktāṃ maṇibhir jātyair navāṃ muktāvalīm iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.11

sahasā calitāṃ sthānān mahīṃ puṇyakṣayād gatām
saṃhṛtadyutivistārāṃ tārām iva divaś cyutām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.12

puṣpanaddhāṃ vasantānte mattabhramaraśālinīm
drutadāvāgnivipluṣṭāṃ klāntāṃ vanalatām iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.13

saṃmūḍhanigamāṃ sarvāṃ saṃkṣiptavipaṇāpaṇām
pracchannaśaśinakṣatrāṃ dyām ivāmbudharair vṛtām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.14

kṣīṇapānottamair bhinnaiḥ śarāvair abhisaṃvṛtām
hataśauṇḍām ivākāśe pānabhūmim asaṃskṛtām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.15

vṛkṇabhūmitalāṃ nimnāṃ vṛkṇapātraiḥ samāvṛtām
upayuktodakāṃ bhagnāṃ prapāṃ nipatitām iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.16

vipulāṃ vitatāṃ caiva yuktapāśāṃ tarasvinām
bhūmau bāṇair viniṣkṛttāṃ patitāṃ jyām ivāyudhāt

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.17

sahasā yuddhaśauṇḍena hayāroheṇa vāhitām
nikṣiptabhāṇḍām utsṛṣṭāṃ kiśorīm iva durbalām

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.18

prāvṛṣi pravigāḍhāyāṃ praviṣṭasyābhra maṇḍalam
pracchannāṃ nīlajīmūtair bhāskarasya prabhām iva

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.19

bharatas tu rathasthaḥ sañ śrīmān daśarathātmajaḥ
vāhayantaṃ rathaśreṣṭhaṃ sārathiṃ vākyam abravīt

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.20

kiṃ nu khalv adya gambhīro mūrchito na niśamyate
yathāpuram ayodhyāyāṃ gītavāditraniḥsvanaḥ

Deep, pleasant was the chariot's sound
As royal Bharat, far renowned,
Whirled by his mettled coursers fast
Within Ayodhyá's city passed.
There dark and drear was every home
Where cats and owls had space to roam,
As when the shades of midnight fall
With blackest gloom, and cover all:
As Rohiní, dear spouse of him
Whom Rahu hates, grows faint and dim,
When, as she shines on high alone
The demon's shade is o'er her thrown:
As burnt by summer's heat a rill
Scarce trickling from her parent hill,
With dying fish in pools half dried,
And fainting birds upon her side:
As sacrificial flames arise
When holy oil their food supplies,
But when no more the fire is fed
Sink lustreless and cold and dead:
Like some brave host that filled the plain,
With harness rent and captains slain,
When warrior, elephant, and steed
Mingled in wild confusion bleed:
As when, all spent her store of worth,
Rocks from her base the loosened earth:
Like a sad fallen star no more
Wearing the lovely light it wore:
So mournful in her lost estate
Was that sad town disconsolate.
Then car-borne Bharat, good and brave,
Thus spake to him the steeds who drave:
'Why are Ayodhyá's streets so mute!
Where is the voice of lyre and lute?
Why sounds not, as of old, to-day
The music of the minstrel's lay?

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.21

vāruṇīmadagandhāś ca mālyagandhaś ca mūrchitaḥ
dhūpitāgarugandhaś ca na pravāti samantataḥ

Where are the wreaths they used to twine?
Where are the blossoms and the wine?
Where is the cool refreshing scent
Of sandal dust with aloe blent?
The elephant's impatient roar,
The din of cars, I hear no more:
No more the horse's pleasant neigh
Rings out to meet me on my way.
Ayodhyá's youths, since Ráma's flight,
Have lost their relish for delight:
Her men roam forth no more, nor care
Bright garlands round their necks to wear.
All grieve for banished Ráma: feast,
And revelry and song have ceased:
Like a black night when floods pour down,
So dark and gloomy is the town.
When will he come to make them gay
Like some auspicious holiday?
When will my brother, like a cloud
At summer's close, make glad the crowd?'
Then through the streets the hero rode,
And passed within his sire's abode,
Like some deserted lion's den,
Forsaken by the lord of men.
Then to the inner bowers he came,
Once happy home of many a dame,
Now gloomy, sad, and drear,
Dark as of old that sunless day
When wept the Gods in wild dismay;
There poured he many a tear.

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.22

yānapravaraghoṣaś ca snigdhaś ca hayaniḥsvanaḥ
pramattagajanādaś ca mahāṃś ca rathaniḥsvanaḥ
nedānīṃ śrūyate puryām asyāṃ rāme vivāsite

Where are the wreaths they used to twine?
Where are the blossoms and the wine?
Where is the cool refreshing scent
Of sandal dust with aloe blent?
The elephant's impatient roar,
The din of cars, I hear no more:
No more the horse's pleasant neigh
Rings out to meet me on my way.
Ayodhyá's youths, since Ráma's flight,
Have lost their relish for delight:
Her men roam forth no more, nor care
Bright garlands round their necks to wear.
All grieve for banished Ráma: feast,
And revelry and song have ceased:
Like a black night when floods pour down,
So dark and gloomy is the town.
When will he come to make them gay
Like some auspicious holiday?
When will my brother, like a cloud
At summer's close, make glad the crowd?'
Then through the streets the hero rode,
And passed within his sire's abode,
Like some deserted lion's den,
Forsaken by the lord of men.
Then to the inner bowers he came,
Once happy home of many a dame,
Now gloomy, sad, and drear,
Dark as of old that sunless day
When wept the Gods in wild dismay;
There poured he many a tear.

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.23

taruṇaiś cāru veṣaiś ca narair unnatagāmibhiḥ
saṃpatadbhir ayodhyāyāṃ na vibhānti mahāpathāḥ

Where are the wreaths they used to twine?
Where are the blossoms and the wine?
Where is the cool refreshing scent
Of sandal dust with aloe blent?
The elephant's impatient roar,
The din of cars, I hear no more:
No more the horse's pleasant neigh
Rings out to meet me on my way.
Ayodhyá's youths, since Ráma's flight,
Have lost their relish for delight:
Her men roam forth no more, nor care
Bright garlands round their necks to wear.
All grieve for banished Ráma: feast,
And revelry and song have ceased:
Like a black night when floods pour down,
So dark and gloomy is the town.
When will he come to make them gay
Like some auspicious holiday?
When will my brother, like a cloud
At summer's close, make glad the crowd?'
Then through the streets the hero rode,
And passed within his sire's abode,
Like some deserted lion's den,
Forsaken by the lord of men.
Then to the inner bowers he came,
Once happy home of many a dame,
Now gloomy, sad, and drear,
Dark as of old that sunless day
When wept the Gods in wild dismay;
There poured he many a tear.

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

2.106.24

evaṃ bahuvidhaṃ jalpan viveśa vasatiṃ pituḥ
tena hīnāṃ narendreṇa siṃhahīnāṃ guhām iva

Where are the wreaths they used to twine?
Where are the blossoms and the wine?
Where is the cool refreshing scent
Of sandal dust with aloe blent?
The elephant's impatient roar,
The din of cars, I hear no more:
No more the horse's pleasant neigh
Rings out to meet me on my way.
Ayodhyá's youths, since Ráma's flight,
Have lost their relish for delight:
Her men roam forth no more, nor care
Bright garlands round their necks to wear.
All grieve for banished Ráma: feast,
And revelry and song have ceased:
Like a black night when floods pour down,
So dark and gloomy is the town.
When will he come to make them gay
Like some auspicious holiday?
When will my brother, like a cloud
At summer's close, make glad the crowd?'
Then through the streets the hero rode,
And passed within his sire's abode,
Like some deserted lion's den,
Forsaken by the lord of men.
Then to the inner bowers he came,
Once happy home of many a dame,
Now gloomy, sad, and drear,
Dark as of old that sunless day
When wept the Gods in wild dismay;
There poured he many a tear.

Ralph T. H. Griffith 1870, The Rámáyan of Válmíki, translated into English verse

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Commentaries (6)

Other recensions (2)

Linked texts (2)