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Vishnupurana 3.6

Viṣṇupurāṇa (critical edition) 3.6

Language
Sanskrit

Contents

3.6.1

parāśara uvāca:
sāmavedataroḥ śākhā vyāsaśiṣyaḥ sa jaiminiḥ
krameṇa yena maitreya bibheda śṛṇu tan mama //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.1x5-1

ṛgyajuḥśākhiśākho 'yaṃ śākhāsaṃkhyyā prapañcitā //

3.6.1x5-2

sāmātharvapurāṇoktaṃ śākhāsaṃjñātha kathyate //

3.6.2

sumantus tasya putro 'bhūt sukarmāsyāpy abhūt sutaḥ
adhītavantāv ekaikāṃ saṃhitāṃ tau mahāmunī //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.3

sāhasraṃ saṃhitābhedaṃ sukarmā tatsutas tataḥ
cakāra taṃ ca tacchiṣyau jagṛhāte mahāvratau //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.3x6-1

putram adhyāpayām āsa sumantum atha jaiminiḥ //

3.6.3x6-2

sumantuś capi sumulaṃ putram adhyāpayan muniḥ //

3.6.4

hiraṇyanābhaḥ kausalyaḥ pauṣpiñjiś ca dvijottama
udīcyāḥ sāmagāḥ śiṣyās tasya pañcadaśa smṛtāḥ //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.5

hiraṇyanābhāt tāvatyaḥ saṃhitā yair dvijottamaiḥ
gṛhītās te 'pi cocyante paṇḍitaiḥ prācyasāmagāḥ //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.6

lokākṣiḥ kuthumiś caiva kuṣīdī lāṅgalis tathā
pauṣpiñjiśiṣyās tadbhedaiḥ saṃhitā bahulīkṛtāḥ //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.7

hiraṇyanābhaśiṣyaś ca caturviṃśatisaṃhitāḥ
provāca kṛtināmāsau śiṣyebhyaḥ sumahāmatiḥ //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.8

taiś cāpi sāmavedo 'sau śākhābhir bahulīkṛtaḥ
atharvaṇām atho vakṣye saṃhitānāṃ samuccayam
atharvavedaṃ sa muniḥ sumantur amitadyutiḥ //

YOU shall now hear, Maitreya, how Jaimini, the pupil of Vyása, divided the branches of the Sáma-veda. The son of Jaimini was Sumantu, and his son was Sukarman, who both studied the same Sanhitá under Jaimini. The latter composed the Sáhasra Sanhitá (or compilation of a thousand hymns, &c.), which he taught to two disciples, Hirańyanábha, also named Kauśalya (or of Kośala), and Paushyinji. Fifteen disciples of the latter were the authors of as many Sanhitás: they were called the northern chaunters of the Sáman. As many more, also the disciples of Hirańyanábha, were termed the eastern chaunters of the Sáman, founding an equal number of schools. Lokákshi, Kuthumi, Kushídí, and Lángali were the pupils of Paushyinji; and by them and their disciples many other branches were formed. Whilst another scholar of Hirańyanábha, named Kriti, taught twenty-four Sanhitás to as many pupils; and by them, again, was the Sáma-veda divided into numerous branches.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.9

śiṣyam adhyāpayām āsa kabandhaṃ so 'pi taṃ dvidhā
kṛtvā tu devadarśāya tathā pathyāya dattavān //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.10

devadarśasya śiṣyās tu maudgo brahmabalis tathā
śaulkāyaniḥ pippalādas tathānyo munisattama //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.11

pathyasyāpi trayaḥ śiṣyāḥ kṛtā yair dvija saṃhitāḥ
jājaliḥ kumudādiś ca tṛtīyaḥ śaunako dvija //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.12

śaunakas tu dvidhā kṛtvā dadāv ekāṃ tu babhrave
dvitīyāṃ saṃhitāṃ prādāt saindhavāya ca saṃjñine //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.13

saindhavān muñjakeśaś ca 'bhinad vedaṃ dvidhā punaḥ
nakṣatrakalpo vedānāṃ saṃhitānāṃ tathaiva ca //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.14

caturthaḥ syād āṅgirasaḥ śāntikalpaś ca pañcamaḥ
śreṣṭhās tv atharvaṇām ete saṃhitānāṃ vikalpakāḥ //

I will now give you an account of the Sanhitás of the Atharva-veda. The illustrious Muni Sumantu taught this Veda to his pupil Kabandha, who made it twofold, and communicated the two portions to Devaderśa and to Pathya. The disciples of Devaderśa were Maudga, Brahmabali, Śaulkáyani, and Pippaláda. Pathya had three pupils, Jájali, Kumudádi, and Śaunaka; and by all these were separate branches instituted. Śaunaka having divided his Sanhitá into two, gave one to Babhru, and the other to Saindhaváyana; and from them sprang two schools, the Saindhavas and Munjakeśas. The principal subjects of difference in the Sanhitás of the Atharva-veda are the five Kalpas or ceremonials: the Nakshatra Kalpa, or rules for worshipping the planets; the Vaitána Kalpa, or rules for oblations, according to the Vedas generally; the Sanhitá Kalpa, or rules for sacrifices, according to different schools; the Ángirasa Kalpa, incantations and prayers for the destruction of foes and the like; and the Sánti Kalpa, or prayers for averting evil.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.15

ākhyānaiś cāpy upākhyānair gāthābhiḥ kalpaśuddhibhiḥ
purāṇasaṃhitāṃ cakre purāṇārthaviśāradaḥ //

Accomplished in the purport of the Puráńas, Vyása compiled a Pauráńik Sanhitá, consisting of historical and legendary traditions, prayers and hymns, and sacred chronology. He had a distinguished disciple, Súta, also termed Romaharshańa, and to him the great Muni communicated the Puráńas. Súta had six scholars, Sumati, Agnivarchas, Mitrayu, Śánśapáyana, Akritavrańa, who is also called Káśyapa, and Sáverńi. The three last composed three fundamental Sanhitás; and Romaharshańa himself compiled a fourth, called Romaharshańika. The substance of which four Sanhitás is collected into this (Vishńu) Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.15x7-1

svayaṃ dṛṣṭvārthakathanaṃ prāhur ākhyānakaṃ budhāḥ //

3.6.15x7-2

śrutasyārthasya kathanam upākhyānaṃ pracakṣate //

3.6.16

prakhyāto vyāsaśiṣyo 'bhūt sūto vai romaharṣaṇaḥ
purāṇasaṃhitāṃ tasmai dadau vyāso mahāmuniḥ //

Accomplished in the purport of the Puráńas, Vyása compiled a Pauráńik Sanhitá, consisting of historical and legendary traditions, prayers and hymns, and sacred chronology. He had a distinguished disciple, Súta, also termed Romaharshańa, and to him the great Muni communicated the Puráńas. Súta had six scholars, Sumati, Agnivarchas, Mitrayu, Śánśapáyana, Akritavrańa, who is also called Káśyapa, and Sáverńi. The three last composed three fundamental Sanhitás; and Romaharshańa himself compiled a fourth, called Romaharshańika. The substance of which four Sanhitás is collected into this (Vishńu) Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.17

sumatiś cāgnivarcāś ca mitrāyuḥ śāṃśapāyanaḥ
akṛtavraṇo 'tha sāvarṇiḥ ṣaṭ śiṣyās tasya cābhavan //

Accomplished in the purport of the Puráńas, Vyása compiled a Pauráńik Sanhitá, consisting of historical and legendary traditions, prayers and hymns, and sacred chronology. He had a distinguished disciple, Súta, also termed Romaharshańa, and to him the great Muni communicated the Puráńas. Súta had six scholars, Sumati, Agnivarchas, Mitrayu, Śánśapáyana, Akritavrańa, who is also called Káśyapa, and Sáverńi. The three last composed three fundamental Sanhitás; and Romaharshańa himself compiled a fourth, called Romaharshańika. The substance of which four Sanhitás is collected into this (Vishńu) Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.18

kāśyapaḥ saṃhitākartā sāvarṇiḥ śāṃśapāyanaḥ
romaharṣaṇikā cānyā tisṝṇāṃ mūlasaṃhitā //

Accomplished in the purport of the Puráńas, Vyása compiled a Pauráńik Sanhitá, consisting of historical and legendary traditions, prayers and hymns, and sacred chronology. He had a distinguished disciple, Súta, also termed Romaharshańa, and to him the great Muni communicated the Puráńas. Súta had six scholars, Sumati, Agnivarchas, Mitrayu, Śánśapáyana, Akritavrańa, who is also called Káśyapa, and Sáverńi. The three last composed three fundamental Sanhitás; and Romaharshańa himself compiled a fourth, called Romaharshańika. The substance of which four Sanhitás is collected into this (Vishńu) Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.19

catuṣṭayenāpy etena saṃhitānām idaṃ mune //

Accomplished in the purport of the Puráńas, Vyása compiled a Pauráńik Sanhitá, consisting of historical and legendary traditions, prayers and hymns, and sacred chronology. He had a distinguished disciple, Súta, also termed Romaharshańa, and to him the great Muni communicated the Puráńas. Súta had six scholars, Sumati, Agnivarchas, Mitrayu, Śánśapáyana, Akritavrańa, who is also called Káśyapa, and Sáverńi. The three last composed three fundamental Sanhitás; and Romaharshańa himself compiled a fourth, called Romaharshańika. The substance of which four Sanhitás is collected into this (Vishńu) Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.20

ādyaṃ sarvapurāṇānāṃ purāṇaṃ brāhmam ucyate
aṣṭādaśa purāṇāni purāṇajñāḥ pracakṣate //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.21

brāhmaṃ pādmaṃ vaiṣṇavaṃ ca śaivaṃ bhāgavataṃ tathā
tathānyaṃ nāradīyaṃ ca mārkaṇḍeyaṃ ca saptamam //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.22

āgneyam aṣṭamaṃ caiva bhaviṣyaṃ navamaṃ tathā
daśamaṃ brahmavaivartaṃ laiṅgam ekādaśaṃ smṛtam //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.23

vārāhaṃ dvādaśaṃ caiva skāndaṃ cātra trayodaśam
caturdaśaṃ vāmanaṃ ca kaurmaṃ pañcadaśaṃ smṛtam
mātsyaṃ ca gāruḍaṃ caiva brahmāṇḍaṃ ca tataḥ param //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.23x8-1

mahāpurāṇāny etāni hy aṣṭādaśa mahāmune //

3.6.23x8-2

tathā copapurāṇāni munibhiḥ kathitāni ca //

3.6.24

sargaś ca pratisargaś ca vaṃśo manvantarāṇi ca
sarveṣv eteṣu kathyante vaṃśānucaritaṃ ca yat //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.25

yad etat tava maitreya purāṇaṃ kathyate mayā
etad vaiṣṇavasaṃjñaṃ vai pādmasya samanantaram //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.26

sarge ca pratisarge ca vaṃśamanvantarādiṣu
kathyate bhagavān viṣṇur aśeṣeṣv eva sattama //

The first of all the Puráńas is entitled the Bráhma. Those who are acquainted with the Puráńas enumerate eighteen, or the Bráhma, Pádma, Vaishńava, Śaiva, Bhágavata, Náradíya, Márkańd́eya, Ágneya, Bhavishyat, Brahma Vaivartta, Lainga, Váráha, Skánda, Vámana, Kaurmma, Mátsya, Gárura, Brahmáńd́a. The creation of the world, and its successive reproductions, the genealogies of the patriarchs and kings, the periods of the Manus, and the transactions of the royal dynasties, are narrated in all these Puráńas. This Puráńa which I have repeated to you, Maitreya, is called the Vaishńava, and is next in the series to the Padma; and in every part of it, in its narratives of primary and subsidiary creation, of families, and of periods, the mighty Vishńu is declared in this Puráńa.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.27

aṅgāni caturo vedā mīmāṃsā nyāyavistaraḥ
purāṇaṃ dharmaśāstraṃ ca vidyā hy etāś caturdaśa //

The four Vedas, the six Angas (or subsidiary portions of the Vedas, viz. Śikshá, rules of reciting the prayers, the accents and tones to be observed; Kalpa, ritual; Vyákarańa, grammar; Nirukta, glossarial comment; Chhandas, metre; and Jyotish, (astronomy), with Mímánsá (theology), Nyáya (logic), Dharma (the institutes of law), and the Puráńas, constitute the fourteen principal branches of knowledge: or they are considered as eighteen, with the addition of these four; the Áyur-veda, medical science (as taught by Dhanwantari); Dhanur-veda, the science of archery or arms, taught by Bhrigu; Gándharba-veda, or the drama, and the arts of music, dancing, &c., of which the Muni Bharata was the author; and the Artha śástram, or science of government, as laid down first by Vrihaspati.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.28

āyurvedo dhanurvedo gāndharvaś caiva te trayaḥ
arthaśāstraṃ caturthaṃ tu vidyā hy aṣṭādaśaiva tāḥ //

The four Vedas, the six Angas (or subsidiary portions of the Vedas, viz. Śikshá, rules of reciting the prayers, the accents and tones to be observed; Kalpa, ritual; Vyákarańa, grammar; Nirukta, glossarial comment; Chhandas, metre; and Jyotish, (astronomy), with Mímánsá (theology), Nyáya (logic), Dharma (the institutes of law), and the Puráńas, constitute the fourteen principal branches of knowledge: or they are considered as eighteen, with the addition of these four; the Áyur-veda, medical science (as taught by Dhanwantari); Dhanur-veda, the science of archery or arms, taught by Bhrigu; Gándharba-veda, or the drama, and the arts of music, dancing, &c., of which the Muni Bharata was the author; and the Artha śástram, or science of government, as laid down first by Vrihaspati.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.29

jñeyā brahmarṣayaḥ pūrvaṃ tebhyo devarṣayaḥ punaḥ
rājarṣayaḥ punas tebhya ṛṣiprakṛtayas trayaḥ //

There are three kinds of Rishis, or inspired sages; royal Rishis, or princes who have adopted a life of devotion, as Viswamitra; divine Rishis, or sages who are demigods also, as Nárada; and Brahman Rishis, or sages who are the sons of Brahmá, or Brahmans, as Vaśisht́ha and others.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.30

iti śākhāḥ samākhyātāḥ śākhābhedās tathaiva ca
kartāraś caiva śākhānāṃ bhedahetus tathoditaḥ //

I have thus described to you the branches of the Vedas, and their subdivisions; the persons by whom they were made; and the reason why they were made (or the limited capacities of mankind). The same branches are instituted in the different Manwantaras. The primitive Veda, that of the progenitor of all things, is eternal: these branches are but its modifications (or Vikalpas).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.31

sarvamanvantareṣv evaṃ śākhābhedāḥ samāḥ smṛtāḥ //

I have thus described to you the branches of the Vedas, and their subdivisions; the persons by whom they were made; and the reason why they were made (or the limited capacities of mankind). The same branches are instituted in the different Manwantaras. The primitive Veda, that of the progenitor of all things, is eternal: these branches are but its modifications (or Vikalpas).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.32

prājāpatyā śrutir nityā tadvikalpās tv ime dvija //

I have thus described to you the branches of the Vedas, and their subdivisions; the persons by whom they were made; and the reason why they were made (or the limited capacities of mankind). The same branches are instituted in the different Manwantaras. The primitive Veda, that of the progenitor of all things, is eternal: these branches are but its modifications (or Vikalpas).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.33

etat tavoditaṃ sarvaṃ yat pṛṣṭo 'ham iha tvayā
maitreya vedasaṃbaddhaṃ kim anyat kathayāmi te //

I have thus related to you, Maitreya, the circumstances relating to the Vedas, which you desired to hear. Of what else do you wish to be informed?

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.6.33.p1

iti śrīviṣṇupurāṇe tṛtīyāṃśe ṣaṣṭho 'dhyāyaḥ

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